National Gallery of Australia Reports 2011-12 (2024)

Note: Where available, the PDF/Word icon below is provided to view the complete and fully formatted document

National Gallery of Australia Reports 2011-12

Download PDF

NATIONAL GALLERY OF AUSTRALIA

ANNUAL REPORT 2011-12

The National Gallery of Australia is a Commo nwealth authorit y established under the National Ga llery Act 1975.

The vision of the National Ga llery of Australia is the cultura l enrichment of all Australians through access to their national art gallery, the quality of the national collection, the exceptional display s, exhibit ions and programs, and the professionalism of our staff.

The Ga llery's governing body, the Council of the Na tional Ga llery of Au strali a, has expertise in arts administration, corporate governance, administration and financial and business management.

In 2011-12, the National Ga llery of Australia received an appropriati on from the Australian Government totallin g $48.828 million (including an equity injection of $16.219 million for development of the national collection), raised $13.811 milli on, and employed 250 full-time equivalent staff.

©National Ga llery of Australia 2012

ISSN 1323 5192

A ll rights reserved. No part of this publication can be reproduced or transmitted in any form or by any m eans, electroni c or me chanical, includin g photocopy, recording or any information storage and retrieval system , w ithout permission in writing from the publisher.

Produced by the Publishing Department of the National Ga llery of Australia

Edited by Eric Meredith

Printed by New Millennium

Na tional Gallery of A ustralia GPO Box 1150 Canberra ACT 2601

nga.gov.au/AboutUs/Reports

(cover) Henri Matisse O cen11in, the sen (O cen11ie, In m er) 1946 screenprint on linen

172 x 385.4 em N ational G allery of Au strali a, Canberra

gift ofT im Fairf ax A M , 2012

30 September 2012

The Hon Simon Crean MP Minister for the Arts Parliament House CANBERRA ACT 2600

Dear Minister

On behalf of the Council of the National Gallery of Australia, I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia's Annual Report covering the period 1 July 2011 to 30 June 2012.

This report is submitted to you in accordance with the Commomvealth Authorities and Companies Act 1997 and the National Gallery Act 1975. The Performance Report has been prepared consistent with the Commonwealth Authorities (Annual Reporting) Orders 2011. The financial statements were prepared in accordance with the Finance Minister's Orders made under the Conuno111vealth Authorities and Companies Act 1997.

Yours sincerely

Tim Fairfax AM

Chairman ofCouncil

NAT IONAL GALLERY OF AUSTRALIA A N N UAL RE POR T 2011-12 3

CONTENTS

INTRODUCTION

Chairman's foreword

Director's report

Agency overview

Accountab ili ty and management

PERFORMANCE REPORT

Perform ance summary

Report aga inst Strategic Plan

GOAL 1 D evelop and maintain an outstand ing national collection

GOAL 2 Increase the audience for and engagement w ith the collection, exhibition s and programs of the Na tional Gallery of Australia

GOAL 3 Secure and strategi cally manage resources and relationships to support Gallery operations and activities

FINANCIAL STATEMENTS

APPENDICES 103

APPENDI X 1 Council of the National Gallery of Australia 104

APPENDIX 2 Management structure 107

APPENDIX 3 Staff and volunteers 108

APPENDIX 4 Exhibitions and new displays 112

APPENDIX 5 Publication s 118

APPENDIX 6 Attendances 120

APPENDIX 7 Website visitation 121

APPENDIX 8 Sponsors 123

APPENDIX 9 Acquisitions 126

APPENDIX 10 Outward loans 164

APPENDIX 11 Inward loans 171

APPENDIX 12 Agency resource statement 173

APPEND IX 13 Compliance index and contact officers 174

INDEX 175

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 5

CHAIRMAN'S FOREWORD

In my report as Chairman of the National Gallery of Au stralia Council, I would like to acknowledge the exceptional contribution made by my predecessor, Mr Rupert Myer AM, whose eight years on the Council, the last six as Chairman, concluded in March. His magnificent leadership of, enthusiasm for and generosity to the Gallery are acknowledged. This has been a particularly busy period with the Stage 1 building refurbishment, the reintroduction of summer blockbuster exhibitions and record visitation levels.

I wou ld also like to acknowledge the contributions made by members of the Council to the ongoing success of the Gallery and to thank them for the support I have received in my new role. I welcome Mrs Jeanne Pratt AC and Ms Catherine Harris AO, PSM, who have joined the Council.

Among the Gallery's many achievements during the year were the development of a new four-year Strategic Plan, a Financial Plan and a new Digital Art Education and Access Initiative that w ill assist the Gallery in achieving our digital access, engagement and education vision.

Many important and exciting works of art were acquired and donated for the national art collection and the Gallery again presented a full program of exhibitions and public activities in Canberra and around the country. Our major summer exhibition Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo attracted

almost 213 000 visitors and brought many interstate visitors to our national capital. Our exhibition s touring to regional areas are highly valued and vital in engaging Australians from all over the country with the national art collection.

These achievements would not have happened without the support of our many donors, benefactors and sponsors. On behalf of the National Gallery of Australia Council, I thank them all for their outstanding support, which enabled the National Gallery and the National Ga llery of Australia Foundation to raise more than $13.8 million this year.

I, along with the Council, acknowledge and appreciate the support of the Hon Simon Crean MP, Min ister for the Arts, and officials of the Department of Regional Australia, Local Government, Arts and Sport.

I would especially also like to acknowledge the extraordinary efforts of Director Ron Radford AM, along with the Gallery's committed and talented staff and volunteers. On behalf of the Council, I express our sincere appreciation for what has been another year of outstanding achievement.

Timothy Fairfa x AM

Chairman of Council

NA TIO N A L GA LLE RY O F A U ST RALI A ANNUAL REPORT 2011-12 9

Bartolomeo Vivarini's Polyptych of the Madonna and Child, Saints Peter and Michael, the Trinity and angels (Scanzo polyptych) 1488 installed in the Gallery's exhibition Renaissance, 14 December 2011.

Visitors to Re11aissa11ce marvel at Lorenzo Lotto's T11e J'vlystic Marriage of Sa ill/ Catheri11e of Alexa11rlria 1523, 9 December 2011.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 11

(above) Paolo Cavazzola's Portrait of n Indy c 1515-17 and A lto bello Melone's Portrait of n gentlenwn (Ccsnre Borgin?) c 1513, with a view of Lorenzo Lotto' s Tl1e Mystic Mnrringe ofSnint Catherine of Alexnndrin 1523 in the next room, 15 December 2011. (below) The Rennissnnce family activit)' room, supported by the Yu lgilbar Foundation, 11 January 2012.

DIRECTOR'S REPORT

It has been another outstanding year of achievements for the National Gallery of Australia. This is especially so in the qualit y and number of acquisitions, increased attendance, groundbreaking exhibitions, successful fundraising and also in the commencement of major digitisation and education initiatives, a significant focus of the new four-year Strategic Plan developed this year.

SELECTED HIGHLIGHTS

Rewards of Stage 1

This has been the first full year of pub! ic enjoyment of our Stage 1 redevelopment, which included the new entrance and faciliti es, the Gandel Ha ll, the new A ustralian Garden and, very importantly, the eleven new Indigenous galler ies, the first increase

in collection display space since the Gallery opened in 1982. TI1e new building has won several industry accolades, including Project of the Year from the Master Builders Association of the ACT, Australian Capital Territor y Development of the Year from the Property Council of A ustralia and a design award for the A ustralian Garden from the Australian Institute of Landscape Architects. Importantly, Stage 1 has transformed visitors' experiences of the Gallery, helped increase visitor numb ers and inspired a great deal of positive comment from the public about the new faciliti es and the large collection displays oflndigenous art.

Recording-breaking Renaissance exhibition

This year, we presented the highly successful exhibition Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo, the first exhibition in Australia devoted entir ely to that great movement in European art, the Italian Renaissance. A lmost 213 000 visitors saw this exhibition ofRenaissance paintings, our second highest exhibition attendance in over a decade. We sold more than 18 000 catalogues and

the exhibiti on brought an estimated $75 million into the local econom y. More significantly,

Australians were able to see for the first time in their own country wonderful paintings by esteemed fifteenth-century Renaissance masters such as Botticelli, Be llini, Mantegna, Raphael, Carpaccio and Mo naco. They could also enjoy major works by later sixteenth-cent ury Renaissance masters such as Titian , Lotto, Palmer, Bassano, and Moroni. The exhibiti on's Principal Partner was San Remo, and ACT Tourism provided strong backing. O nce again, t he Yulgilbar Foundation supported an inspiration al and popular family activity room.

More visitors

M idway through the financial year we welcom ed the nine-milli onth visitor to our tourin g exhibition program, which we initiated over twenty years ago mainly for regional venues in Australia. Since then, we have toured 119 exhibitions to 734 venues in every state and territor y around Australia.

TI1is year, we received a total of almost 900000 visito rs to the Ga llery and our touring exhibiti ons around Australia. Almost 700 000 of these visitors were to Canberra, the second-highest local attendance figure in the Ga llery's history. A f urther 4606500 people saw 1675 National Ga llery works on loan to exhibiti ons around Australia and the world.

O ur achievements this year we re recognised in several awards, including the 2012 A ustralian Hotels Association Award for Best Tourist Initiative and the 2011 Canberra and Capital Region Tourism Award for V isitor Experience.

Website, digitisation and new m edia

The Ga llery's website continues to be well used, w ith a record number of more than 6.2 m illi on pages viewed during the year. We broke another record, with 15 120 works of art digitised for our website-more than the total num ber of works held by some state galleries . The Gallery also vastly expanded its engagement with social m edia, including Facebook, Yo uTube, Tw itter, Flickr, and also w ith Goog le through our leading partnership with the Goog le Art Project, which we launched for A ustralia in April in our Gandel Hall.

NATIONAL GALL ERY O F AUSTRALIA ANNUAL REPORT 2011-12 13

Value and size of the collection

The national art collection was revalued this year at $4.6 billion. It is by far the most valuable art collection in Australia. Now comprising nearly 166 000 works, it i s also by far the largest.

Effective fundraising

1l1is has been another great year for fund raising. It is not easy for Canberra-ba sed institution s to raise mon ey nationally, but this year we raised over $13 million in cash donations, sponsorships and the value of gifts of works of art. Successf ul fundraising enables us to mount major exhibition s and acquire important works that would otherwise

be beyond our reach. The National Gallery of Australia Foundation also launched the 100 works for 100 Years campaign, which seeks to acquire one hundred signific ant works of art as a gift to

the nation for the centenary of Canberra.

In addition , our commercial operations earned an impressive $10.3 million for the Gallery, from sources that include m erchandising, catering, venue hire and exhibition admissions. This was $2.5 million more than the previous year. Overall, more than two-fifth s of our income is self -generated, a unique position for a Canberra

institution.

Four-year Strategic Plan

This year, we completed a new four-year Strategic Plan for the Gallery. From next year, the Strategic Plan 2012-16 will replace the current three-year Strateg ic Plan 2011-14. It includes a four-year

financial plan and new initiatives such as the Digital Art, Education and Access Initiative and more developed plans for the Ga llery's proposed Stage 2 development.

TI1e Digital Art, Education and Access Initi ative is a new and exciting commitment to engaging all Australians with the nation's art collection and rich visual arts history by developing program s

that harness innovative technologies and explore new opportunities. The aim of these programs is to m ake the national art collection and the Gallery's extensive resource material more accessible to children , students, educational institution s, state and international art galleries and communities across A ustralia and the world. We envisage that

this initi ative \Vill fundamentally change the ways in which audiences can connect with the Gallery's extensive art collection, exhibit ions and other programs.

The Strategic Plan 2012-16 includes the vision for the proposed Stage 2, The Centre for Australian Art. In the Australian galleries of Stage 2, visitor s will experience the unique story of Australia's proud visual arts tradition told in an unprecedented way

through expanded, engaging and beautiful displays from the nation's largest Australian art collection of 104000 works. Despite a few gaps in our Australian collection, we are the only balanced collection that

can tell the full story of Australian art from all states and periods and in all m edia. At present, only 2% of the Australian art collection can be display ed in the upstair s galleri es, which are also inadequate for comfortably displaying m any of our largest Australian wo rks of art.

In the plans for Stage 2, the new Australian display s are on the Gallery's principal level and will flow from the recently finished Stage 1 galleries of Indigenous Australian art. As in the new wing of

Indigenous galleries, the proposed principal galleries will be naturall y lit by skylight s with side galleries for light -sensitiv e works. Stage 2 will also include Pacific art galleries in place of the two tiny galleries we can currently dedicate to our important Pacific art collection. The lowe r l evel will include an open displa y storage facility in w hich the balance of Australian paintings, sculpture s and decorative arts

w ill be viewed. This display storage will be the first of its kind in Australia. Also on the lower floor will be the relocated Research Library (Australia's largest art library) and state-of-the-ar t education and research facilities. Stage 2 will provide visitor s with a much simpler, more logi cal and enjoyable pathway through the Gallery's principal level and the displays telling

the key stories of Australian and Pacifi c arts.

After Stage 2 is realised, the upper floors of the original building can be transformed and adapted to the much more suitable use of displaying our internationally significant photography collection as well as European and Amer ican prints and drawings. A special gallery for Indian and Indonesian textile s

will also be introdu ced. The existing Orde Poynton Gallery will be adapted for a dedicated display of the art of our nearest neighbours, Indonesia.TI1 e Gallery has the largest collection oflndonesian art in our region outside Indonesia.

Stage 2 is an ambitious aspiration for the National Gallery of Australia as it is our responsibility to showcase the nation's largest and most balanced Australian collection for Australia and the world

in the nation's capita l.

ACQUISITIONS OF W ORKS OF ART

Acquisitions are the lifeblood of major art museums. This has been an exceptional year for the development of the national art collection. Over 2100 works were acquired, more than half of them gifts . The combined value of gifts and purchases of works of art was $15.8 million.

An outstanding donation was made by Tim Fairfax AM, Chair of the Gallery's Council, who funded the acquisition of Henri Matisse's large canvas Oceania, the sea 1946, a pair to our Oceania, the sky

1946. These large works were Matisse's great tribute to our Pacific region, which he visited in the 1930s.

Australian art

We further strengthened the Australian collection this year by filling many collection gaps in all media and in all periods. In recent years, we have made a considerable effort to successfully represent the art of the less populous states and this is reflected in our acquisit ions this year.

We acquired our earliest and most historically significant piece of colonial furniture, a desk of native timber made in New South Wales in about 1803 by Australia's first cabinetmaker, Lawrence Butler. Governor Philip Gidley King commissioned the desk, which remained in the K ing family until acquired by the Gallery with the assistance of the Euphem ia Grant Lipp Bequest Fund.

We purchased our most spectacular piece of colonial jewellery, a gold bracelet of native plants with a bird, wh ich was made in Sydney by Hogarth, Erichsen & Co in about 1856. We were fortunate

to secure six rare drawings by Sydney's first professional female artist, Adelaide Ironside.

A major early colonial acquisition was the historically important Tasmanian colonial portrait Hohepa Te Umuroa 1846 by William Duke. The subject of the portrait is a Maori who died on Maria Island prison in Tasmania in 1847 after he and his Mao ri companions were unfairly imprisoned.

This injustice and his death through illness caused a controversy in Tasmania. The painting was purchased with the assistance of the Catherine Margaret Frohlich Memor ial Fund. Another major

Tasmanian acquisition was John G lover's Landscape with piping shepherd (after Claude) 1833. Painted in Tasmania, it is a copy of a Claude LOIâ‘rain painting owned by Glover. In Britain , Glover was known as an 'English Claude', so this painting is a wonderfully

instructive link between Glover's European and Australian works, which are well represented in our collection. We acquired our first watercolour of a Tasmanian landscape by John Glover's son John Richardson Glover. We acquired our first Tasmanian watercolours by Wi lliam Buelow Gould, Charles Atkinson and Mary Morton Allport, Australia's

first professional female artist. In addition, we secured a rare Tasman ian drawing by Eugene von Guerard, executed when he visited the colony in 1855. We also purchased a Tasmanian colonial oil portrait of a woman by Knut Bull. Tasman ian colonial silver is particularly rare, and we were able

to purchase our first major piece, a silver salver by David Barclay (manufacturer) and Joseph Forrester (silversmith). A pair of grand ceramic urns made by John Campbell Pottery of Launceston in the later nineteenth -century was a major gift by Lorna Podger. Tasmania created the finest colonial art in the 1830s and 1840s and the Gallery now has the most representative and balanced collection of Tasmanian colonial art outside Tasmania.

We strengthened our weaker South Australian colonial collect ion with an 1843 watercolour by ST Gill depicting Adelaide's first Horticultural Society Show . We were able to secure an especially rare drawing by A lexander Schramm of an Aboriginal group from the 1850s and an attract ive female oil portrait by Andrew MacCormac of the

late 1860s. Our even smaller nineteenth-century Queensland colonial collection was strengthened by CGS Hirst's Brisbane watercolour of a colonial cottage .

Over the past seven or so years, we have built what was a relatively small collection of Australian colonial prints into the largest and most balanced art mu seum collection. Among the colonial prints acquired this year are examples by ST Gill, Alexander Schramm , Louis Henn & Co, William Dexter and WP Dowling. The collection of colonial photography was strengthened with examples by Frith & Sharp, JW Beattie and Morton Allport.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 15

Our late nineteenth-century Australian collection has been improved with the addition s of a major genre figure painting by A Henry Fullwood from Sydney and a landscape by John Ford Paterson from Melbourne. Both works were purchased with

the Ruth Robertson Bequest Fund. A beachscape by Isaac Walter Jenner from Queensland and a wa tercolour by PM Williams from Western A ustralia were necessary acquisition s of nineteenth -century works from those less populous states. A dditi ons of early twentieth-century paintings include a

unique streetscape by Hugh Ramsay and an unusual painting of a forest worker, an early work by Percy Leason. We purchased three landscape watercolours by Sydney Long, w ho painted some of the finest watercolours in Sydney during the Federation period before the First Wo rld War.

Our early A ustralia n Mo dernist collection was greatly improved by a numb er of very significant acquisition s. They include a sm all but major 1920s landscape by Grace Cossington Sm ith, a gift of the Hobbs children in m emory of their mother, the Reverend TI1eodora Hobbs, and a 1934 painting of Sydney H arbour by Roland Wake lin, a gift of Ellen Waug h. From Queensland, we acquired a wo rk of

the early 1920s painted in Tasmania by Brisbane Mo dernist V ida Lahey and two Queensland watercolour landscapes by Queensland's major Modernist Kenneth Macqueen. We secured three significan t early Melbourne modernist paintings: the colourful Still lif e and fruit 1937 by Ad rian Lawlor, an extraor dinary wartime painting of Melbourne in 1942 by Eric Thake and an engaging

1949 portrait by Lin a Bryans, a gift of Emer itus Professor Barbara van Ernst AM. The early Arthur Boyd ceramic painting Moses strikin g the stone 1951-52 was given by Denis Savill.

Through the Members Acqu isition Fund, we acquired a major and, as it turns out, popular painting by Margaret Olley, Hawkesbury wildflowers and pears c 1973. We purchased two early figure paintings of the 1950s by Tony Tuckson, who later became A ustralia's finest Abstract Expressionist. TI1e late Ann Lew is AO, collector and

former member of the Gallery Council, bequeathed two striking pioneering Colour field paintings by Janet Dawson from 1964. We also purchased two Colour field paintings by John V ickery and received a gift from artist V irgini a Cuppaidge of one of her

1972 Colour field paintings . The veteran sculpture Inge King gave us her sculpture Red rings 1972-73.

Painter and printmaker Jan Senbergs generously gave us a large collection of his prints dating from 1963 to 1977. Ian Hore-Lacy gave us a 1965 record cabinet by Me lbourne Modernist cabinetmaker Schulim Krimper.

We acquired a numb er of fine contemporary paintings and sculpture, including major works by Helen Maudsley, Brian Blanchflower, Peter Churcher, David Jensz, Michael Zavros, Marion Borgelt, Peter Kennedy, Derek O'Connor, Judith Wright, Ma ri Funaki and a late work by Janet Dawson. Susan Armitage, a member of the Foundation Board, funded major contemporary wo rks by South Australian artists Hossein Va lamanesh, Ian North, Julie Blyfield and Jeff M incham. A significant installation by Gosia Wlodarczak was a generous gift by Dr Andrew Lu OAM. Pat Corrigan AM donated an important group of contemporary Australian photographs, including works by Matthew Sleeth, David Rosetzky, Ben Q uilt y and Deborah Paauwe. The many major wo rks of contemporary Australian decorative arts acquired included works by Masah iro Asaka, Sharon Peoples, Dorothy Erickson, Felicity Peters, David Wa lker, Dare Stockhausen, Tim Strachan, Johannes Kuhnen, Elsje Van Keppel, Ragnar Hansen, C lare Belfrage and Alasdair Gordon.

We acquired two major works by New Zealand's most important artist, Colin McCahan, one dated to 1956 was donated by Gordon H Brown and we purchased Kauri 1955-57 in honour of our esteemed former chairman Rupert Myer AM. We now own one of the largest collections of this New Zealand master.

Indigenous Australian art

This year, we mainly concentrated on contemporary Indigenous Australian works. However, we also purchased an important historical collection of decorated pearl shells, known as riji, made in the Kimberley and dating from the early twentieth century, along with more contemporary riji. Among the most interesting examples of riji are five by Butcher Joe Nangan. We purchased a major early Papunya board by Shorty Lungkata Tjungurrayi from 1972 and a Tiwi Pukumani pole from around

1975. Donations to the Masterpieces for the Nation Fund 2012 went toward the outstanding historic Indigenous acquisition of the iconic bark painting Kundaagi-red plains kangaroo 1962 by Yirawala.

Our contemporary desert painting collection was improved with the addition of new works by Willy Billabong, Yukultji Napangati, Josephine Nangala, Kunmanara Palpatja and Tjankaya Woods. We were fortunate to secure a group of four of the last bark paintings by Gu lumbu Yunupingu, who died in May 2012. We also acquired a group of five bark paintings by her sister, Nyapanyapa Yunupingu. We purchased additional contemporary bark paintings by Timothy Wulanjbirr and James Iyuna and two contemporary mixed-media interpretations of themes traditionally presented on bark by Gunybi

Ganambarr. An extraordinary 2007 painting by Daniel Walbidi from the Kimberley was purchased at auction. We acquired a large and amazing seascape with driving rain by Rosella Namok of north Queensland. Contemporary city-based Indigenous works acquired included works by Vernon Ah Kee from Brisbane, Tony A lbert from Sydney, Brook Andrew from Melbourne and Darren Siwes from Adelaide. We acquired Aboriginal prints by Judy Watson, Mulkun Wirrpanda, Djambawa Marawili, Dion Beasley, Wamud Namok, Maringka

Baker, Dennis Nona and many others.

From the Torres Straits Islands, we purchased one of the few paintings on canvas by Dennis Nona and a group of ceremonial feather headdresses by George Nona and Yessie Mosby.

Asian art

Some of the most outstanding additions to the collection this year were in Asian art. We acquired several masterpieces through purchase and gift. Remarkable works were added to our significant Indian collection, which is one of the great strengths of the collection. Former Council member and Chair of the Gallery's Acquisition Committee, Roslyn Packer AO helped fund the stone carving of a sensual twelfth-century Surasundari, a celestial nymph from Rajasthan. Pauline Gandel and John Gandel AO funded the rare and exquisite Sarasvati, goddess of arts and learning from the twelfth-century

Hoysala dynasty ofKanataka. This intricately carved stone sculpture is the first Hoysala work to enter the collection and our first sculptural representation of this significant Indian goddess.

Perhaps the most extraordinary work acquired this year was a group of three ninth-to tenth-century gilt bronze sculptures made by the Cham people of

Vietnam. The major Bodhisattva Avalokiteshvara Padmapani and the two smaller attendants-one of a more modest Bodhisattva Avalokiteshvara Padmapani and the other a Bodhisattva Vajrapani-were purchased with the generous support of Sally White OAM and Geoffrey White OAM. TI1ese Cham bronzes are among the few outside Vietnam. They bring focus and prestige

to the collection-a needed focus for our small Vietnamese collection and prestige to our large Southeast Asian collection .

This year, we have made an effort to strengthen our collection oflndian miniature paintings. TI1e mo st important of these acquisitions was the Mewar kingdom watercolour Maharana Sangram Singh II hunts boar at Nammngra c 1720, depicting a hunt

in an arid Rajasthan landscape. We also purchased a late eighteenth-century illustration of a fish by Bhawani Das, which was commissioned by Lady Mary Impey, and a nineteenth-century Pahari

landscape. A striking painting from Jaipur created around 1840 shows the Hindu god Vishnu in his cosmic form, known as Vishvarupa. An unusual Kalighat watercolour, ]atayu hinders the abduction ofSita, painted between 1850 and 1880, adds to our important group of nineteenth-century watercolours from Kolkata (Calcutta). We purchased a gouache by the most famous artist of early Indian modernism, Jamini Roy. This engaging image of a seated woman dates from the 1940s, when his works began to reflect India's struggle for independence.

The Gallery also added numerous works by Indian-born photographers to our large early Indian photographic collection. The substantial additions include an outstanding group by Lala Deen Dayal from as early as 1882.

Our strong Indian textile collection \vas enhanced by the addition of a large and brilliant eighteenth-century palampore cloth depicting the tree-of-life. It was made for the European market. We also acquired an embroidered nineteenth-century pichhavai from Gujarat of Krishna as Shrinathji

and a number of early twentieth-century costumes from Pakistan, further diversifying our collection of costumes from the subcontinent. John Wood gifted a complete Hindu marriage pavilion of polychrome wood dating from the mid twentieth -century, adding to the amazing architectural pieces in our Indian collection.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 17

In our small but high-qualit y Japanese collection, the Pauline and John Gandel Fund enabled us to complete our set ofNatori Shunsen actor prints and watercolours and to purchase a rare group of relat ed Kabuki costumes. The set ofJapanese prints and costumes are now included in the touring exhibiti on Stars of the Tokyo stage: Natori Shunsen's kabuki actor print s and reproduced in the styli sh book accompanying the exhibition. We also secured an extremely rare Japanese print of Sydney and its harbour by Tsukioka Yoshitoshi, part of the artist 's series of ports of the world. This 1866 Japanese print has long been part of our acquisition strategy. It was purchased with funds from A ndrew and Hiroko Gw innett, long-time supporter s of our Japanese collection.

Pacific art

O ur Pacific art collection has also flouri shed this year with the addition of m any major works, particularly to our Melanesian collection.

The mo st important and significant addition to the Pacific art collection is a late fifteent h-century figure of a hunter's helper (aripa) from the East Sepik Province of Papua New Guinea. This ancient m asterpiece will remain a highlight of this growing area of the national art collection. We purchased an interesting and related group oflate nineteenth-century and early twentieth " century 'hook' sculptures, wh ich originated from the same region of the East Sepik Province. We also acquired a large drum from the Sepik Province. From the Huon G ulf region of Papua New Gu inea, we purchased an early nineteenth-century mask, w hich should become an icon for this region.

Pat and Joan Middenway have generously given a collection of eleven early twe ntieth-century sculptur es and implements from the Solomon Islands in memory of Mr Middenway 's father, Captain Arthur Middenway, w ho collected them. Our growing collection of works from the Solomon Islands is now amon g the finest of any art museum.

We purchased two m ajor early masks from Vanuatu. The first, a sixteenth-or seventeenth-century wooden C hubwan mask of extraordinary power and rarity is the earliest work in our fine collection of wo rks from Vanuatu. The very different second mask is a late nineteenth-century Narut mask from the island ofVao. We also purchased a rare nineteenth-century textil e, a m en's Ba rou, from the island ofMaewo . These early works will be included

in our special exhibiti on of the arts of Vanuatu next year. Our Van uatu collection is a great strength of our Pacific art collection .

To our much smaller Polynesian collect ion, we added two extremely rare but very different nineteenth -century bark cloths from islands near Samoa. One is a complex example from Futuna, off French Polynesia, and the other is a larger example from Uvea. The most significant Polynesian work

we acquired was a nineteenth-century sculpture of a rare female ancestor figure from the Polynesian Outlier atolls near the Solomon Islands.

We acquired early photography of the Pacific region, includin g works by A llan Hughan, Elizabeth Putman, Georges Spitz, Max ime Bopp duPont, Lucien Gauthier, Wa lter F Dufty, Albert T Simmons and GR Warr.

International art

Earlier mention was m ade of our great Matisse acquisition given by Tim Fairfax AM. Through the Poynton Bequest Fund, we purchased a numb er of works by Henri de Toulouse-Lautrec, including

five major original posters from the mid to late

1890s and two sets of thirt een rare lithographic portr aits of actors and actresses from around 1898. These will be included in our exhibition Toulouse-Lautrec: Paris and the Mou lin Rouge at the end of2012. Major German Expressionist prints by Karl Schm idt-Rottluff and Max Beckmann were also acquired through the Poynton Bequest.

We purchased a major example of furniture from the Briti sh Aesthetic movement, an interesting table with folding shelves by Edward William Godw in from around 1872. This is our first work by this pioneer of modern furniture.

We acquired American artist Lynda Benglis's early conceptual sculptur e of the 1960s- a work we have had on loan and on display for several years-w ith the assistance ofJohn Cheim , Howard Read and the artist. We purchased our first art film by internationally renowned South African mu ltimedia artist William Ke ntrid ge. The Foundation, through

its Gala Dinner and Weekend, helped us acquire a large landscape drawing by Kentridge, which he used in the making of the film. With funds from the Poynton Bequest, we also acquired two smaller drawings that Kentridge made for the same film. These works add to a now substant ial collection of this major contemporary artist.

EXHIBITIONS

Our highly successful exhibition Renaissance: 15th and 16th century Italian paintin gs from the Accademia Carrara, Bergamo has already been m entioned. The Gallery staged Fred Williams:

infinit e horizons, a major retro spective of arguably Australia's finest twentieth-century landscape painter. The exhibition, the artist 's first retrospective for twenty-five years, featured more than one hundred painting s and was curated by Deborah Hart. It was extrem ely well attended in Canberra, attracting visitors from all over Australia. The show then toured to the National Gallery of Victoria and later to the Art

Gallery of South Australia in August 2012. The Principal Partner for the exhibition is Rio T into. The Yu lgilbar Foundation sponsored the popular family activity room.

Out of the West: art of Western Australia from the national collection, curated by Anna Gray, was an attra ctive retrospective that span ned 180 years of Western Australian art and craft . An estimated 400000 people saw Out of the West, which we were able to show for eight months. As mentioned, we have concentrated in recent years on better

representing the art of less populous states. We have been parti cularly successfu l in our acquisition s of early and later Western Australian art. The exhibition , displayed on two floors, showed our

now extensive and balanced collection of Western Australian art, the only Western Australian art collection outside that state. Out of the West followed last year's display of our Tasmanian colonial collection.

The Ga llery staged unDisclosed: 2nd National Indigenous Art Triennial. This sophisticated exhibition , a snapshot view of recent Aboriginal and Torres Strait Islander art around Australia, highlighted the work of twenty Indigenous artists. It was curated by Carly Lane, working closely with the Gallery's Indigenous curator s. The exhibiti on will travel in 2013 and has been generously sponsored by our Indigenous partner , Wesfarmers.

Vo n G uerard: nature revealed was a retrospective of arguably Australia's most important colonial arti st and the first exhibition of his art for over thirt y years. Displayed in the Orde Poynton Gallery and

the upstairs Project Gallery, the exhibition revealed

von Guerard's meticulous recording of nature in all its facets. The National Ga llery of Australia was the biggest lender to the exhibition , which was organised by the National Gallery of V ictori a.

A full list of the National Ga llery of Australia's exhibition s in Canberra is on page 112.

We continued to tour many exhibiti ons around Australia this year, m ainly to regional venues. Roy Lichtenstein: Pop remix was a major touring exhibition we initiated this year. It was successfully launched at Victoria 's Mornington Peninsula Regional Ga llery and w ill tour Australia before its final showing at the Gallery in Canberra. All the works in the exhibition are from our own extensive collection of the American artist's print s, one of the largest collections of his works that exists . The major sponsor i s Mo longlo Group and New Acton/Nishi.

A full list of the ten National Gallery of Australia 's touring exhibition s is on page 113.

PUBLICATIONS

The Gallery is arguably Australia 's major art publishing house. Our Canberra exhibitions and touring exhibition s were supported by substantial and handsome publications. Our Ballets Russes: the art of costume publication oflast year was short-listed for the m ajor French cultural award,

the Grand Prix du Livre de Mode, in conjunction with the Universite de Lyon and the Bibliotheque Municipale de Lyon.

LEARNING AND ACCESS

Mention has already been made of the new and major education initi atives in our four-year Strategic Plan. This year, the Gallery's education programs catere d to almost 75 000 students and

teachers who visited in organised excursion groups from around A ustralia. This included almost 27 000 students attending tours and workshops by educators and nearly 44000 attending tours led by our voluntary guides.

In addition to our highly regarded and extensive education program, the Gallery continued several key program s aimed at increasing learning and access to the Gallery's collection and exhibition s.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 19

The Gallery's acclaimed Wesfarmers Arts Indigenous Art Leadership program provided an opportunity for twelve Indigenous Australian s to participate in a ten-day visual arts leadership program at the Gallery. This five-year initi ative was establi shed in 2010 in partnership with Wesfarmers to develop the next generation ofT ndigenous Australian leaders in the visual arts sector.

In January, the Galler y hosted its annual National Summ er Art Scholarship, supported by the National A ustralia Bank, which provides sixteen Year 11 students from around A ustralia with an enriching weeklong program of art imm ersion at the Gallery.

Also in January, the Gallery hosted the National Visual Arts Education Conference in conjunction with the National Portrait Gallery. Opened by the Hon Peter Garrett AM , M P, Minister for School Education, Early C hildhood and Youth, this first

national conference for visual art educators was convened in response to the National V isual Arts Education C urri culum. It was held over three days and attracted more than 220 participants from all states and territories.

In collaboration with Alzheimer's Australia ACT and NSW, the Gallery continued to develop speciali sed tours of the collection for people living with dem entia. A grant from the Thyne Reid Foundation helped the Gallery expand the program and provide training for arts and health professionals

in regional communities. The dementia program was recognised with two awards this year: the Arts and Health Australia Award for Excellence 2011, for the outstanding and innovative contribution of

individuals and organisations leading the field of arts and health, and a Museums and Ga lleries National Award from Museums Australia.

Our Education and Access initiatives are supported by our loyal partner the National Australia Bank.

CONSERVATION

Wo rk on conserving our large and valuable collection continued this year with a very large total of2460 works treated: 807 paintings, 538 objects, 172 textiles, 625 works on paper and 318 quarantine treatments. We also treated many works from other collections that were needed for our own exhibition s.

1he extensive reframing program, which commenced seven years ago, continued this year with the large number of seventy-three frames reproduced or restored . It is important for an art museum that its paintings are framed in a style similar to the artist's original intention.

ACKNOWLEDGMENTS

It is a great pleasure to acknowledge and reflect on the lasting contribution of Rupert Myer AM, w hose six-year term as Chairman of the National Gallery of Australia Council concluded in March 2012. Rupert served as Chairman of the Council since 2005. He worked tirelessly throughout his

term, leading the Gallery through an extraordinary period that included the Stage 1 major extension to the building, a management restructu re, the refocusing of the collection, the realigning of collection displays in the original building and many groundbreaking exhibitions. It was also a time of great fund raising and sponsorship and so much more. Council member Tim Fairfax AM was appointed Chairman of the Council in May and

will remain Chairman at least until the end of the calendar year.

After another memorable and successful year at the Ga llery, I wish to acknow ledge my hardworking staff, especially my three Assistant Directors, Adam Worrall, Shanthini Naidoo and Simon Elliott, and my loyal and long-serving Deputy Director,

A lan Froud. I also wish to thank our guides, many volunteers, and the board members of the Ga llery's Foundation, parti cularly its Chairman, John Hindmarsh. I acknowledge the highly engaged and devoted Ga llery Council, especially our previous chairman Rupert Myer and our current Chairman Tim Fairfax, who has been very supportive in his new role.

Ron Radford AM

AGENCY OVERVIEW

VISION

The vision of the National Gallery of Australia is the cultural enrichment of all Australians through access to their national art gallery, the quality of the national collection, the exceptiona l displays, exhibiti ons and programs, and the professionalism of our staff.

STRATEGIC PLAN 2011-14

The Strntegic Plan 2011-14 map s out the goals, key strategies and direction of the Gallery, w ith the following key priorities:

" continue to build and provide access to an outstanding collection of works of art for the nation

" provide engaging displays, exhibition s, and other programs to encourage access to and foster appreciation and understanding of the visual arts

" finalise concept plans and secure Government endorsement for Stage 2 incorporating The Centre for Australian A rt

" widely promote the Gallery and the national art collection

" utilise new technologies to exte nd the Ga llery's reach and leverage opportuniti es

" maximise opportunities to encourage government, private and corporate support for the Ga llery and its program s

" provide a safe and healthy environment for visitors, staff and contractors

" provide appropriate governance and organisationa l management.

ENABLING LEG ISLATION

The National Gallery of A ustra lia, w hich opened to the public in October 1982, is a Commonw ealth authority establi shed by the National Ga lle1y Act 1975. The Ga llery forms part of the Regional A ustralia, . Local Government, Arts and Sport portfo lio.

RESPONSIBLE MINISTER

The M inister responsible for the National Gallery of Australia during the year was the Hon Simon Crean MP, Min ister for the Arts.

The National Gallery Act 1975 and the Com111onwealth Authorities and Co111panies Act 1997 empowe r the Minister to:

" make available Common wealth land and buildings for National Ga llery of A ustralia purposes

" approve the acquisition of works of art valued in excess of a prescribed limit ($10 million)

" approve the disposal of wo rks of art

" approve the acquisiti on or disposal of any property, right or privilege, other than a work of art, in excess of a prescribed limit ($1 million)

" approve or revoke the appointment of deputies for part-time National Galler y of A ustralia Council members

" convene a meeting of the National Gallery of Australia Council

" grant the D irector of the National Gallery of Australia leave of absence other than recreation leave

" appoint a person to act temporarily in the position of Director of the National Gallery of Australia and determine the terms and conditions of that appointment

" terminate temporary appointments as Director of the National Gallery of Australia

" issue directions regarding employment of staff and terms and conditions of employment of staff at the National Gallery of Australia

" issue directions regarding the form and timing of submission of budget estimates of the National Gallery of A ustralia each financial year.

NAT IONAL GALLERY OF AUSTRALIA ANNUA L R EP ORT 2011 -12 21

EXERCISE OF MINISTER'S POWERS

The Minister signed one standing instrument appointing a person to act temporarily in the position of Director during the Director's absence. A person acted temporarily in the position of Director four times.

EFFECTS OF MINISTERIAL DIRECTIONS

The Gallery received no new ministerial directions from the Minister apart from Council appointment notifications, and received one ministerial direction from the Minister for Finance and Deregulation requir ing the Gallery to provide a compliance report during 2011-12.

Ministerial directions from previous financial years with which the Ga llery fully complied in 2011-12 were:

" National Code of Practice for the Construction Industry

" Guidelines for the Management of Foreign Exchange Risk

" Commonwea lth Procurement Guidelines.

NATIONAL GALLERY OF

AUSTRALIA'S POWERS AND FUNCTIONS

The powers of the National Gallery of Australia as prescribed in the National Gallery Act 1975 are, subject to that Act, to do all things necessary or convenient to be done for, or in connection with, the performance of its functions. The Gallery's functions as provided in the Act are to:

" develop and maintain a national collection of works of art

" exhibit, or make available for exhibition by others, works of art from the national collection, or works of art that are otherwise in the possession of the Gallery

" use every endeavour to make the most advantageous use of the national collection in the national interest.

COUNCIL OF THE NATIONAL GALLERY OF AUSTRALIA

The National Gallery of Australia is governed by an eleven-member Council. The Director of the Gallery is the Executive Officer and a member of the Council. Council members, other than the Director, are appointed by the Governor-General,

usually for three-year terms, having regard to their knowledge and experience of the visual arts and other areas of knowledge relevant to the affairs of the Gallery.

The term of Mr Rupert Myer AM as Chairman of the Council concluded on 18 March 2012. Mr John Calvert -Jones AM was appointed Chair from 19 March to 19 April2012 and Mr Tim

Fairfax AM was appointed Chair from 20 April to 31 December 2012. Mrs Jeanne Pratt AC and Ms Catherine Harris AO, PSM, were appointed to the Council for three-year terms and Mr Callum Morton was reappointed for a period of three years At 30 June 2012, the Council had one vacancy.

Throughout the year, the Council was assisted by three committees:

" Finance, Risk Management and Audit Committee

" Acquisitions Committee

" Building Committee.

Details of membership of the Council of the National Gallery of Australia and its committees are included in Appendix 1.

ACCOUNTABILITY AND MANAGEMENT

RESPONSIVENESS TO GOVERNMENT AND THE

PARLIAMENT

The Gallery has been responsive to the Government and the Parliament. Gallery representatives appeared before the Senate Standing Committee on Finance and Administration and the Rural and Regional Affairs and Transport Legislation Committee.

CORPORATE GOVERNANCE

The Gallery is committed to maintaining high standards of corporate governance. The Gallery Council oversees and endorses the strategi c planning and performance framework and monitors the Gallery's progress through regular reports on performance against the Gallery's endorsed Strategic Plan.

TI1e Council Chairman meets with the Minister for the Arts annually to review the Gallery' s performance.

MANAGEMENT STRUCTURE

TI1e management structure of the National Gallery

of Au stralia as at 30 June 2012 is outlined in Appendix 2.

SENIOR MANAGEMENT COMMITTEES AND THEIR ROLES

Program M anage rs Group

The Program Managers Group is the key senior management committee and consists of the Director , Deputy Director and Assistant Directors. The committee meets on a weekly basis and provides:

" the Gallery's strategic and operational leadership

" monitors the achievement of corporat e strategie s and objectives

" oversees financial man agem ent

" coordinates activities across all areas of the organisation.

Department Heads Forum

The D epartment H eads Forum is a m onthly gathering of all D epartment Heads in w hich a wide range of operational and strategic matters are discussed .

Sen ior Ma nagement G roup

The Senior Manag ement G roup, comprising the Program Manag ers Group and the Department Heads Forum, meets as required in relation to specific strategic or operational matters.

INTERNAL AND EXTERNAL SCRUTINY

A number of performance and compliance reviews were undertaken in the year as part of the Strat egic Internal Audit Plan for 2010-13. The audit of financial statement s wa s undertaken by the Australian National Audit Office. The financial statements are included on pages 66-101.

Audit activity is monitored by the Council's Finance, Risk M anagement and Audit Committee. The role of the Committee is to assist the Council in fulfilling its responsibiliti es in relation to the

identification of areas of significant risk and in monitoring:

" financial and business risks

" budgets and financial arrangements associated with G allery activities

" management reporting

" compliance with laws and regulation s in respect to financial man agement reportin g

" an effective and efficient internal and external audit function.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 23

The Finance, Risk Management and Audit Com mittee met six times during the year. The following audit reports were considered by the committee:

" Review of Risk Ma nagement Policies and Procedures

" Review of Stock take Processes

" Review of Attendance Management

" Review of Previous Internal A udit Recommendations.

JUDICIAL DECISIONS

No judicial decisions involved the National Ga llery of A ustra lia.

OMBUDSMAN

No issues or matters about the National Gallery of A ustralia were referred to, or raised with, the Commonwea lth Ombudsman 's Office.

RISK MANAGEMENT

The Gallery continued its focus on integrating risk management into planning and operations across the organisation. Risk management is a key element of strateg ic planning, decision -making and business operations w ithin the Gallery. To assist in achieving this goal, the Gallery implemented key stra tegies identifi ed in its Risk Management Strategy to continue the improvement in enterprise

risk management and to build on the Gallery's risk management maturity and achievements to date.

As part of the Strategic Plan, the Gallery regularly reviews and updates its risk management policy. To further enhance the Gallery's risk management framework, the Risk Management Advisory Group

met regularly and provided stra tegic advice on risk management issues to the Gallery executive.

The Ga llery participated in Comcover's Risk Management Benchmarking Survey, which provided an independent assessment of the Gallery's risk management cultur e. 1he Gallery achieved a score of 8.6 (maximum 10) in the benchmarking survey, which resulted in an 8% discount on the insurance premium for 2012-13.

The Gallery's revised risk management framework was a major element contributing to this result.

The management of risks and opportunities is an integral element of the Gallery's ongoing operations.

BUSINESS CONTINUITY MANAGEMENT

The purpose ofbusiness continuity management is to create business resilience, with the aim of lessening the probability of incident s occurring that may adversely affect people, the national art collection and Gallery operations, and to minimise the impact should incident s occur. In accordance with Australian Government initiatives, the Gallery has in place a pandemic plan under the umbrella of business continuity management planning.

Business continuity scenario testing exercises were undertaken during the year.

FRAUD CONTROL

The Gallery has in place fraud prevention, detection, investigation, reporting and data collection procedures and processes that, together with the Fraud Risk Assessment and Fraud Control Plan, meet the specific needs of the Gallery and comp ly w ith the Commonwealth Fraud Control Guidelines.

FREEDOM OF INFORMATION

Enquiries about procedures for seeking information from the National Gallery of Australia under the Freedom of Information Act 1982 may be made by contacting the Gallery's contact officer (details are included in Appendix 13).

1he Gallery received two requests for access to documents under the Freedom of Information Act 1982.

The D irector, Deputy Director, Manager of Business Services and Head of Human Resource Management were authorised decision-makers as required by the Freedom of Information Act 1982.

The categories of documents held by the Gallery are detailed in the Personal Information Digest, published annually by the Office of the Privacy Commissioner.

From 1 May 2011, agencies subject to the Freedom of Information Act 1982 are required to publish information to the public as part of the Information

Publication Scheme (IPS). This requirement is in Part II of the Act and has replaced the former requirement to publish a section 8 statement in an annual report. A plan outlining what information is published in accordance with the IPS requirements is accessible from the Gallery's website.

PRIVACY LEGISLATION

TI1e Gallery provides information as required to the Privacy Comm issioner for inclusion in the Personal Information Digest. The Ga llery received no reports by the Privacy Commiss ioner under section 30 of the Privacy Act 1988 concerning its actions or practices.

ETHICAL STA N DARDS

Ethical behaviour is promoted through the inclusion of appropriate guidelines in staff induction programs and other development programs. The Gallery continues to be an active participant in

the Australian Public Service Commission's Ethics Contact Officer Network. The network is an integral part of the Commission's endeavours to provide the means for Commonwealth Public Sector employees to obtain guidance and advice on how to apply their values and code of conduct, as we ll as strategies and

techniques for ethical decision-making in public sector employment.

SOCIAL JUSTICE AND EQUITY

The National Galler y of Australia is committed to social justice and equity and to the principles outlined in the Australian Government's Charter of Public Service in a Culturally Diverse Society (July 1998). A statement about the Ga llery's programs, which are developed with an emphasis on public accessibility, is included in the report under Goal 2.

SOCIAL INCLUSION

Programs specially designed for people with disabilities are regularly incorporated into the pubic programs calendar. Information is available on the Gallery's website explaining accessibility to the building and special programs for people with disabilities. Disability strategies are incorporated into the development and continuous improvement of these programs.

TI1e Commonwealth Disability Strategy has been overtaken by the National Disability Strategy, which sets out a ten-year national policy framework for improving life for Australians with disabilities, their families and carers. A high-level report to track progress for people with disability at a national level will be produced by the Standing Council on Community, Housing and Disability Services to the Council of Australian Governments and will be available at the Department of Families, Housing, Community Services and Indigenous Affairs website .

CONSULTANCY SERV ICES

Consultants paid more than $10000 to undertake work for the Ga llery during the year totalled 14. The total cost of these consultancies was $586 943. Consultancy services are used when there is a

requirement for specialised services that cannot be undertaken by Ga llery staff due to lack of expertise, insufficient in-house resources or where independent advice is required .

COMPETITIVE TENDERING AND CONTRACTING

The Ga llery is committed to achieving besl value for money in its procurement practices. Purchasing practices and procedures are consistent with the Commonwea lth Procurement Guidelines and best practice principles.

The Gallery remains committed to investigating outsourcing options in cases where this is beneficial. Services outsourced include cleaning, legal, internal audit, printing, construction and painting and other services.

NATIONAL GALLERY OF AUSTRALIA ANN UAL RE PO RT 20 11-12 25

ADVERTISING AND MARKET RESEARCH

Market research and audience evaluation was conducted during the year to gain a high level of understanding of the GaLlery's visitors and markets.

A total of $58 642 was spent on market research in 2011-12, compared to $55 074 in the previous year. Exhibition surveys conducted throughout the year examined visito r demographics and psychographies, use of Gallery facilities and awareness of marketing and communications

initiatives. Evaluation of major exhibitions was also undertaken to assist in the development of marketing programs.

Market research ensures effective advertising and communication w ith visitors and the broader public. The Gallery promotes its programs through print, outdoor and electronic media. Total expenditur e on advertising in 2011-12 was $2.183 million, compared to $2.064 million in the previous year.

FEEDBACK

Complaints

There are two formal channels for persons to register comp laints concerning the Gallery:

" through the feedback system, which enables visitors to the Gallery (or to the Gallery's website) to provide feedback about services

" through comp laint-hand ling procedures that provide the means for members of the public and Gallery employees to lodge comp laints about any aspect of the Ga llery's operations.

The Gallery received sixteen formal complaints from members of the public. Emp loyees made eight formal comp laints or requests for assistance from the Gallery's Human Resource Management department in resolving issues.

The Gallery's complaint-handling process is a standing agenda item for a number of forums, including the Gallery Consultative Comm itt ee, w hich discusses workplace issues in a spirit of cooperation and trust, and the Senior Management Group.

Service Charter

The National Gallery of Australia's Service Charter outlines the services that the Gallery provides, what services visitors can expect, and how visitors can assist the Gallery in making improvements to

the current level of service.

Visitors are invited to provide feedback on the extent to which these service standards have been met in several ways: using the feedback form on the Gallery's website , or by fax, letter or telephone to the Gallery.

During 2011-12, the Gallery received 649 comments through the service charter form and 112 comments by email, the majority of which related to the major exhibition s and the new Gallery foyer and Indigenous galleries which opened in 2010. 1his represents a 110% increase from the previous

year and indicates our visitor s are highly engaged with our programs and displays .

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 20 11 -12 27

PERFORMANCE SUMMARY

FINANCIAL OPERATIONS

Financial statement s for the year 2011-12 are included on pages 66-101.

Income from operation s totalled $56.369 million , compared w ith $60.019 million in the previous financial year. The Au stralian Go vernment provided $32.609 million (58% ) and other income sources totall ed $23.760 million (42% ). This compares with $32.598 million (54% ) and $27.421 million (46% ) respectively in the previous year.

Expenses totall ed $58.315 million , compared to $54.403 million in the previous year. A net operating deficit of $1.945 million wa s achieved. This deficit w as achieved after depreciation of $11.464 million charged on the Gallery's herita ge and cultur al assets.

C apital outlays of $1.946 million included expenditur e on propert y, plant and equipment and building refurbishm ent and $22.069 milli on on collection acquisition s, includin g purchases of wo rks of art, addition s to the Research Library collection and digiti sation and conservation of the collection.

ASSET MANAGEMENT

The Gallery's collection assets include works of art ($4.607 billion ) and the Research Library collection ($35.000 million). W orks of art on display and w orks of art valued over $1 milli on are valued individually with remaining collection item s valued using sam pling techniques.

The Gallery's land and buildings are valued at $306.850 million . Infrastructure, plant and equipm ent are valued at $1.776 milli on.

GOVERNMENT FUNDING

The Au stralian G overnment funding to the Gallery in 2011-12 totall ed $48.828 milli on: $32.609 million for operational expenses and a $16.219 million equity injection.

PRIVATE FUNDING

The G allery's program this year was achieved w ith the generous support of many sponsors and donors. Donations of cash and works of art to the G allery and the National Gallery of Australia Foundation and sponsorship of the Gallery's activiti es totalled $13.811 million , comp ared to $15.478 million in the previous year.

STRATEGIC DIRECTION STATEMENT

The purpose of the National Ga llery of A ustralia is to serve the public by enhancing understanding and enjoym ent of the visual arts. It serves the public through the effective and efficient use of its collections, w hich are developed, researched, preserved, displayed, interpreted, promoted and complem ented w ith exhibitions and loans.

This purpose is consistent w ith the National Ga llery Act 1975, which requires the Gallery to:

" develop and m aintain its collection of wo rks of art

" exhibit, or make available for exhibiti on by others, wo rks of art from the collection, or works of art that are in the possession of the Gallery

" max imise use of the national collection in the national interest

" provide inform ation and access to works of art locally, nationally and internationally.

OUTCO M E

The National Gallery of Australia delivers one program, Collection Development, Managem ent, Access and Promotion', to achieve the outcome of' increased understanding, knowledge and enjoyment of the visual arts by providing access to and information about works of art locall y, nationally and internation ally'.

Program 1.1 Co llection De velopment , Manageme nt, Access and Promot ion

The National Gallery of Australia aims to build a collection of outstanding quality through purchase, gift and bequest. It also refines the collection through the disposal of works that no longer comply with collection development policies.

The Gallery's collection is carefully catalogued to provide information about the collection. The Gallery stores, secures and conserves its collection in order to preserve it for the Australian people now and in the future.

The Gallery provides access to wo rks of art by displaying, exhibiting and lending the collection, as well as borrowing works from other sources. Access to works from the collection that are not on display is also provided. The Gallery enhances the understanding , knowledge and enjoyment of art by publication s, visitor services, education, public programs and multimedia.

The Gallery aims to achieve the widest possible audience for the collection by attra cting visitors to the Gallery and sending works of art around Australia and overseas.

The following table lists the performance information the Ga llery used to assess the level of achievement during 2011-12. The table shows the efficiency of the program in contributin g to the outcome. Information shown is both quantitative and qualitative.

Targets for effectiveness have been included where these are applicable and appropriate for performance information for the outcome.

PORTFOLIO BUDGET STATEMENTS PERFORMANCE INFORMATION

PERFORMANCE INFORMATION FOR DEPARTMENTAL PROGRAM TARGET ACTUAL

Deliverables

Percentage of works acquired, resear ched and documented in accordance with endorsed standards

Numbe r of works digiti sed

Number of works subjected to conservation treatment

Number of works of art loaned

Key performance indicators

Percentage of works acquired in accordance with the endorsed Acquisiti on Policy and the 10-Yea r Acquisition Strategy

Number of incidents of signi1icant dam age or deterioration to works of art in the collection or on loan to the Gallery

N umb er of people visiting the Ga llery as well as accessing the collection through travelling exhibitions, loans and the Co llection Study Ro om

Percentage of visitor s satisfied with displays and exhibitions

N umb er of people who accessed information through the website

Percentage of visitors who believed their knowledge and understanding of the visual arts was enhanced

N umb er of visitor s attending events

Percentage of visitor s satisfied with events

The Age ncy resource statem ent is included at Appendix 12.

100 100

10000 15 120

1800 2460

1200 1675

100 100

N il Nil

3000000 5491490

89 97

1600000 1830000

89 97

114000 116152

89 95

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011 -12 31

REPORT AGAINST STRATEGIC PLAN

This report on performance is made against the three goals expressed in the Strategic Plan 2011-14. A detailed discussion of performance follows.

GOAL1 page 33

Develop and maintain an outstanding national collection.

GOAL2 page 43

Increase the audience for and engagement with the collection, exhibition s and programs of the National Gallery of Australia.

GOAL3 page 57

Secure and strategically manage resources and relationships to support Ga ller y operations and activitie s.

GOAL 1 D EV ELOP A N D M A INTAIN AN OUTSTANDING

NATIONAL COLLECT ION

KEY STRATEGIES

1.1 Develop and strengthen the national collection.

1.2 Maintain and protect the national collection.

ACQUISITION OF WORKS OF ART

The National Gallery of Australia acquired 929 works of art in the year, all meeting the requirements of the Gallery's Acquisitions Policy.

These were premium works of art and works of art that strengthen the national collection. TI1e Gallery's capacity to acquire works of art is dependent on ongoing funding provided by the Australian Government and on the generosity of donors and benefactors. An additional1183 works of art valued at $3.035 million were acquired as gifts , while $6.462 million was received in cash donations to assist the purchase of works of art.

ACQUISITION HIGHLIGHTS

Australian art

In honour of the distinguished leadership of Rupert Myer AM as Chair of the National Gallery of Au stralia Council from 2005 to 2012, the Gallery acquired Colin McCahan's major early oil painting Kauri 1955-57. This significant work extends

the representation of McCahan 's contribution to twentieth-century painting.

A number of important Australian works of art were acquired through bequests and as gifts through the Australian Government's Cultural Gifts Program. The paintings given through the program include colonial painter William Duke's Hohepa Te Umuroa 1846, a rare and outstanding believed to be the earliest extant portrait of a Maori chief by Duke, purchased with the assistance of

the Catherine Margaret Frohlich Memorial Fund. TI1e Gallery received a generous bequest by the late Ann Lewis AM , facilitated through her estate,

of two iconic Janet Dawson paintings , StGeorge and tile Dragon 1964 and T11e origin of tile Milky Way 1964. Further strengthening the Gallery's representation of Dawson 's output was the generous gift of Scribbl e rock cauliflow er 1993-97 from Peta Phillips in m emory ofJennifer Lorraine See Bowan.

Artists who presented gift s of their prints or drawings through the Australian Government's Cultural Gifts Program include Jan Senbergs and Mike Parr and John Loane. Dr A shley Carruther s

donated Savanhdary Vongpoothorn's drawing installation Floating words 2005-06, Reg Momba ssa donated sketchbooks by Chris O'Doherty, Liam Durack Clancy gave drawings by Elizabeth Durack, Material Pleasures presented Mike Parr's i\IIountain s of the nwon 2002, Inge King generously parted with sketchbooks by the late Grahame King, Selena Griffith gave print s produced at the Griffith Studio and Graphic Workshop and Dr Andrew Lu OAM donated Go sia Wlodarczak's install ation work Desire 3: Beo (Suite) 2007-08. Dr Lu also generously donated funds through the National Ga llery of Australia Foundation to acquire two performance drawings by Wlodarczak.

Among the gifts donated under the Au stralian Government's Cultural Gifts Program were works that depth to the representation of particular artists in the Australian craft s and design collection. Lorna Podger gave the Gallery of a pair of urns made in 1884 by John Campbell Pottery, Linley Stopford donated a gold brooch made around 1900

by Alfred TI1oma s Jackson, Schulim Krimper's record cabinet of around 1965 w as a gift from Ian Hore-Lacy, Dinny Killen gave a 1988 silver tea strainer and stand by Ragnar Hansen and Col Levy's ceramic Tall form pot 1988 was presented by Pauline Hunter. The gift ofPhill Ma son's Finger

tiara (ring and stand) 1996 w as m ade anonymou sly.

Gifts of photography also greatly enriched the contemporary Australian collection , with an unusually high number received during the year.

NAT IONAL GALLERY OF AUSTRALIA ANHUAL REPORT 2011-12 33

Through the Australian Government's Cultural G ifts Program, Patrick Corrigan AM donated thirty works from between 1990 and 2007 by eleven A ustralian artists. Polixeni Papapetrou and Matthew Sleeth, whose work was among those

in the Co rrigan gift, initiated further donations of their wo rks from donors Robert Nelson and Ian Sleeth respectively. Judith Drake-Brockman donated two Hollywood-style studio portraits of herself, one photographed by Susan Watkins and gifted through the Government's program and the other photographed by John Hallam.

The Gallery received a rare oil portrait by Ambrose Patterson, depicting his wife Daisy around 1906. The portrait was part of a major gift from the estate of Yvo nne Patterson, granddaughter of artis t. The gift was facilitated by descendents of the artist and also included seven works on paper.

The generosity of the Hobbs childr en, in memory of their mother Reverend Theodora Hobbs, has enhanced the Gallery's ability to represent the work of twentieth-century painter s Grace Cossington Smith and Carl Plate. The gifts from Ellen Waugh of a painting by Roland Wakelin and a luminal kinetic work by Frank Hinder enhance

the representation of these two key Modernists.

Emeritus Professor Barbara van Ernst AM generously gift ed Lina Bryans's portrait Mr Hill of Narre Warren 1949. This is a work that considerably strengthens the Gallery's representation of this

fascinating twentieth-century Modernist. Lloyd Rees's fine South Coast landscape The red field c 1947 was donated by Malcolm and C hristopher Lamb.

Denis Savill gave Arthur Boyd's early work Moses strikin g the stone 1951-52. Boyd is one of Australia' s mo st signifi cant twentieth-century artists and this ceramic painting enhances the Gallery's abilit y

to represent the strength and diversity of the contributi on this artist has made to Australian art.

Continuin g his generosity to the Ga llery, art historia n Go rdon H Brown gave a remarkable oil painting and two drawings by Colin McCahan.

The oil, Composition 1956, is an early example of the distinctive exploration ofform, colour, narrativ e and mark making is the wo rk of this major twentieth-century New Zealand painter.

The Gallery also acquired McCahan's major

early oil painting Kauri 1955-57 in honour of the distinguished leadership of Rupert Myer AM as Chair of the National Gallery of Australia Council from 2005 to 2012.

The two McCahan drawings from Gordon H Brown are among the most outstanding gifts to the Gallery's collection of prints and drawings this year. Others included two early Fred Williams prints from James Mollison AO, former director of National Ga llery of Australia, and three Sweeney Reed screen prints from the collection of Heide Museum ofModern Art.

The generous benefactor and National Gallery of Australia Foundation member Susan Armitage continued to work with the Gallery to identify important works by key contemporary South A ustralian artists that strengthen the Ga llery's representation of this state. The acquisition of Hossein Va lamanesh's major recent work Lotus vault 2011 was made possible through the generous assistance of Susan Armitage, who also gave contemporary South Australian craft works by Julie Blyfield and Jeff Mincham.

A number of Australian artists generously donated works to the Ga llery, many of wh ich addressed gaps in our representation of their oeuvre and all of which strengthen the collection of Australian paintings and sculpture. Expatriate A ustral ian painter V irginia Cuppaidge gifted her subtle abstract painting Lyon 1972. Canberra-based painter Derek O'Connor generously donated Lake side 2008/09, and Hilarie Mais presented the Gallery with a striking mixed-media diptych, Mist II 2011, furthering her aesthetic and conceptual exploration of the grid.

Artist s and their families also donated significa nt gifts of prints and drawings to the collection. Seven Ambrose Patterson prints were donated by the estate of Yvonne Patterson, Dorothy Braund presented thirty of her watercolour and gouache drawings and Helen Maudsley gave four of her watercolours. Other significant gifts included a late Louis B uvelot landscape drawing from Emeritus

Professor Barbara van Ernst AM, Hal Missingham's folio Bush images 1982 from Lou Klepac and four Ted Snell drawings from Rosamund Dalziel!. Margaret Woodward donated her drawing Bread, fruit and wine 2003.

Artists Connie Hoedt and Eva Orban each donated one of their ceramics and Rose Farrell and the late George Parkin donated three of their photographs. Photographs by Anne MacDonald were a gift from David Stephenson. Th e purchase of three photographs from senior New Zealand artist Anne Noble's series At the end of the Earth 2008 prompted a generous gift from the artist of an additional six photographs from the series.

The strik ing still life Hawkesbury wildflowers and pears c 1973 by the late Margaret Olley AC was acquired through the Members Acquisition Fund 2011-12. Olley made an important contribution

to Australian art through her painting and philanthropy, and the Gallery is delighted that its members contributed so generously to her memory . Continuing the considerable generosity Olley showed the Gallery in her lifetime , the Margaret Hannah Olley Art Trust presented the Gallery with Peter Churcher's A strange, hot night 1997, an atmospheric figure painting that was in Olley's personal collection.

Key works were also acquired through dedicated and establis hed funds. Important mid to late twentieth -century prints were acquired through the Go rdon Darling Australia Pacific Print Fund,

including a selection of prints and artist books by GW Bot, early Papua New Guinea woodcuts by Mathias Kauage OBE, screenpr ints by Brigid Cole-Adams, prints by Anneke Silver, woodblocks by Vaclovas Ratas, a woodcut diptych by Richard Crichton, prints by the late Les Kossatz, an artist book from the series Alphabets of loss by Merilyn Fairskye and prints by Francis Lymburner. The fund also acquired contemporary prints such as Mini Graff large screenprint Suburban roadhouse No 8 2010, Lyn Ashby's artist book Kiss: a book

of conjunctions 2010, a suite of linocuts by Vera Zulumovski and Domenico de C lario litho graphic suite Settevoltecieco (In praise of darkness) 2010. The Rotary Collection of Australian Art Fund enabled the acquisition of contemporary drawings by Christian Capurro, Richard Lewer and Lucy

Griggs. Two jewellery works and a silver teapot by Johannes Kuhnen were purchased with funds from the Meredith Hinchliffe Fund, which focuses on contemporary Australian craft.

TI1e representation of portraiture produced in the Australian colonies was enhanced with the

purchase of the rare Knut Bull portrait Mary, Mrs ]ames Ainslie c 1853. Mary was a Scottish-born free settler who immigrated with her family to Van Diemen's Land in 1853. South Australian colonial painter Andrew MacCormac's rare portrait Minnie Watt c 1860 was acquired. It is believed to have been comm issioned by the sitter's family and

painted from photographs after her untimely death.

TI1e representation of work by Queensland painters from the nineteenth to twenty-first centuries was strengthened with the acquisition of a number of key paintings. Isaac Walter Jenner's small luminous oil Off the Queensland coast c 1893 extends the Gallery's holdings of early images of Brisbane and its surrounds. Queensland Modernist painter Vida Lahey spent a number of years in Tasmania

in the early 1920s, where she produced the newly acquired light-filled industrial scene 71Je zinc works, Risdon 1923-24. The Gallery acquired three major paintings on paper by significant senior artist Judith Wright from her series A continuing fable 2008. A fine example, The lioness 2010, of the

contemporary hyper-realism of the mid-career painter Michael Zavros was also acquired.

Eric TI1ake was a signifi cant figure in the story of Surrealism in Australia from the mid 1930s. The acquisition of his major work Brownout 1942 has contributed significantly to the Gallery's representation of this twentieth-century Melbourne artist.

Other notable acquisitions of Australian paintings include A Henry Fullwood's evocative Bad ne1vs 1894, John Ford Paterson's pastoral scene In the country c 1890; Percy Leason's finely executed, late Federation -era scene The woodcutter 1914, rare extant works by Modernists Adrian Law lor and Dore Hawthorne, two key early figurative Tony Tuckson paintings that extend the representation of

this key twentieth -century painter, significant senior Western Australian artist Brian Blanchflmver's Canopy 67 (high yellow) 2004/07; Canberra-based Derek O'Connor's major abstract oil M elt 2006.

The acquisition of an early cast-wax portrait by Theresa Wa lker, Australia's first colonial female sculptor, is a key addition to the representation of early women artists and artists of the South Australian colony. Depicting a colonial officia l, john Clark of Cluny, Tasmania 1848 was

likely produced while Walker was working in Hobart Town.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 20\1-12 35

The Gallery's holdings of twentieth-century and contemporary Australian sculptur e were enhanced by Inge K ing's gift of the historically significant sculptural maquette Red rings 1972-73, w hich was a catalyst work for her investigation of repeated steel rings and geometric form and for a numb er of key public sculptur es comp leted in the 1970s. David Jensz donated his major sculptur e Convolution 2003, an evocative, visceral floor piece inspired by an ongoing interest in quantum physics. Judith Wright generously presented the Gallery with a series of sculptures from her major recent body of work Propositions 2010.

The Gallery purchased renowned artist Peter Kennedy's A language of the dead 1997-98, a major neon installation. Kennedy is now recognised as Australia's earliest artist to work with neon. Marion Borgelt's recent illumin ating wa ll sculptur e Lunar arc: figureD 2007 extends the Gallery's representation of her output. The late Mari Funaki's small sculptur e Untitled 2010 was also acquired for the collection. Enhancing the representation of work by contemporary South Australian artists and addressing a gap in the representation of the work of sculptor Angela Valamanesh, the Gallery purchased her major wall piece Airborne 2011.

TI1e focus for Australian prints and drawings his year was on the nineteenth -century, particularly on enriching the Gallery's holdings of South Australian and Tasmanian subjects. The collection of South Australian artists was further improved

with several drawings by ST Gill and his watercolour 111e flower show c 1844 and the collection of colonial

Tasmanian views and subjects was extended through the acquisition of drawings by Eugene von Guerard, Mary Morton A llport , John Richardson Glover, Charles Atkinson, William Buelow Gould and Antoine-Charles Vauthier.

Nineteenth -century prints acquired include two 1856 topographical lithographs by Alexander Schramm, a rare impression of Henry J Le Plastrier 1854 illustrated book The travels and adventures of Mr Newchamp, Frederick Strange's lithograph City of Hobarton from Knocklofty c 1850, Frederick Garling's rare lithograph A view of Sydney Cove c 1840 and a folio of 167 wood -engraving proofs for newspapers made by various artists in the mid nineteenth century . Drawings acquired, included five portraits and a still life by Adelaide Ironside, CGS Hirst's watercolour Wurttenberg Cottage,

New Farm Road, Brisbane 1882 and a rare 1855 Australian drawing by Eugene von Guerard.

Acquisitions of twentieth-century drawings included No ra Heysen's Portrait of Ruth 1933, Eric Wilson's self-portrait as a lifesaver, three landscape watercolours by Sydney Long and two by Kenneth Macqueen and Clifford Bayliss's Surrealist drawing Scream c 1945.

1l1e Gallery's collection of nineteenth- and early twentieth-century Australian decorative arts and design was developed through the acquisition of metalwork, jewellery, furniture and ceramics. The major nineteenth -century purchases were Lawrence Butler's 1l1e Governor King secreta ire

bookcase 1803-06, an 1834 salver by Tasmanian silversmiths David Barclay and Joseph Forrester, a c 1870 brooch and earrings set by South Australian goldsmith Henry Steiner and a magnificent c 1858 Australian gold botanical bracelet by Sydney jewellers Hogarth, Erichsen & Co. These works addressed the strategy to improve the representation of historical Australian designers and makers in

the collection.

Recent contemporary craft works purchased included jewellery by Nicholas Bastin, Helen Britton, Simon Cottrell, Mark Edgoose, Dorothy Erickson, Felicity Peters, Gillian Rainer, Dore Stockhausen, Christel van der Laan and David Wa lker; glass by Masahiro Asaka, K laus Moje, Clare Belfrage and Alasdair Gordon; ceramics by Tim Strachan; and two textiles by the late Western Australian artist Elsje van Keppel. Each of these works explores new interpretations of design and craft techniques by established Australian designers and makers. Acknow ledgment is made to the assistance of Sandy Benjamin OAM, the Chair of the National Gallery of Australia Foundation's Decorative Arts and Design Collection Development Fund, on projects to assist in the development of the collection of decorative arts and design.

A number of key photographic works from Australia were acquired. A group of Tasmanian amateur photographer Morton Allport's stereographs of Lake StClair from an 1863 trip were acquired and are regarded as the earliest Tasmanian wilderness photographs. They were acquired along with other

1850s Australian portraits on paper by A llport's older contemporaries Frederick Frith, John Sharp and Dr George Fordyce Story.

Pictorialist art photographers working in Australian and the Asia-Pacific region at turn of the twentieth century are of ongoing interest. The Gallery acquired a group of works by the leading professionals specialising in panoramas at the time, including works by Melvin Vaniman, who came through the Pacific to Australia in 1902-05, Australian Robert Vere Scott, who migrated to America, and RP Moore, who moved back and forth between New Zealand and Australia around the First World War.

Attention is paid annually to acquiring missing early works and those from the last two decades by senior figures in Australian photography. Acquisitions this year included the gift from Susan

Armitage of Ian North's unique I ate work A short walk in the country 2010, David Stephenson's 2010 colour triptych of Hobart from his series Light cities and William Yang's self -portrait Alter ego 2001.

The Gallery's 2011 exhibition Out of the West: art of Western Australia from the national collection provided a stimulus to enhance the regional representation program with a range of West Australian photographers. Nineteenth-century views of Perth and regions were acquired. The Gallery purchased a rare carte-de-visite portrait

of a priest with Aboriginal men and children at New Norcia Benedictine mission from around 1875, which was photographed by Spanish Father Santos Salvado, and a panorama of Fremantle at the turn of the century by Robert Vere Scott. Axel Poignant's glamorous Fashion study with Barbara Lunghi c 1938 was also acquired.

Acquisitions of recent works from Western Australia included twelve photographs from Brad Rimmer's 2005-09 series and book Silence: the West Australian Wheatbelt, six of which were a gift of the artist. Five images of two port cities on the west coast by

renowned British photojournalist and Magnum photographer Martin Parr join his earlier studies of the British at home in the Gallery's collection.

Perth artist Carol Rudyard donated three video works, and the Gallery purchased DVD editions of Stephen Jones's video trilogy The Systems InteJfacing Reports 1978/2012. Jones is a recognised pioneer in the field and the principal historian of the Australian electronic arts genre.

Other recent Australian works acquired include Melbourne artist Darren Sylvester's imposing 2010

political portraits What happens will happen 1-5, Christine Cornish's haunting black-and-white X-ray series Threshold 2004 and three colour works by Queensland photo-media and installation artist Luke Roberts. Two alluring surreal works from the 1930s by Olive Cotton were acquired.

Indigenou s A ustralian art

The Gallery acquired 257 works of art by established and emerging Aboriginal and Torres Strait Islander artists. Acquisitions were made in various media, including bark paintings , paintings on canvas, weaving and fibre works, works on paper, sculpture, metalwork, glasswork, digital media and photographic works.

Among the highlights were a significant collection of sixty-five elaborately engraved riji (pearl-shell pendants), including sixty by unknown Kimberley artists and five by Nyikina artist Butcher Joe Nangan. Another group of four riji by Bardi/Djawi artist Aubrey Tigan were also acquired. Other significant highlights include Kuku Yalanji/ Yidinji/Waanyi/Gugu Yimithirr/Koko Berrin artist Vernon Ah Kee's large-scale installation tallman 2010 and an early painting by Pintupi artist Shorty Lungkata Tjungurrayi.

Many generous gifts were donated through Australian Government's Cultural Gifts Program. Wiradjuri artist Brook Andrew donated six of his prints, Ben Drew and David Franklin donated a watercolour by Western Arrernte Hermannsburg artist Oscar Namatjira and Selena Griffith of Griffith Studio and Graphic Workshop a significant collection of prints by Aboriginal and Torres Strait Islander artists.

Anna Eglitis also donated a significant collection of prints and the Rotary Club of Woden gave paintings by Pintupi artists Yukultji Napangati and Josephine Nangala.

Various Torres Strait Islander works were targeted for acquisition: a set of five dhoeri (headdresses) by Kala Lagaw Ya artist George Nona; a set of four dhoeri by Kulkalgal Ya artist Yessie Mosby; a headdress or mask by Meriam Mer artists Ricardo Idagi and Obery Sambo; a large-scale

painting by Dennis Nona and three prints on paper by Brian Robinson, both Kala Lagaw Ya artists ; and a large-scale painting by Melbourne-based Meriam Mer artist Clinton Nain.

NAT IO N AL GA LLER Y OF AUS TRA LIA AN I~UA L REPO RT 20 11-12 37

Acqu isitions from far north Queensland included a collection of twelve large ceramic bag us (fires ticks) by twelve artists from the Girringun community and paintings by W ik-Mungkan artis t A rthur Koo'ekka Pambegan Jr, Wik/Kunjen artist Mavis Nga llam etta, W ik-M ungkan/Apelech artist Roderick Yunkaporta and Ungkum (Angkum) artist Rosella Namok.

From Arnhem Land, four bark paintings by Gumatj/Rrakpala artist Gu lumbu Yunupingu were acquired, as well as five by her sister Nyapanyapa Yunupingu and two by her sister Barrupu Yunupingu. Bark paintings by Kuninjku (Eastern Kunwinjku) artists Timothy Wulanjbirr, James Iyuna and Sam uel Namundja complement acquisiti ons from this region. A lorrkon by Na mun dja was also acquired.

Notable works on paper include two watercolours from Western Arrernte artists Lenie Namatjira and Lenie Namatjira and one by Luritja/Pint upi artist Elton Wirri. Kun injku artist Wamud Namok's folio of ten etchings, Bardnyal Bim 2006, was acquired, as was a folio of eight by War um ungu artist Dion Beasley. A nother folio, Tjungu Pnlya 2009

includes ten works on paper by Pitjan tjat jara artists Maringka Baker, A ngkaliya Curtis, W ingu Tingima, David M ill er, Ny unkulya Watson Wa lyampari, Jimmy Baker, Bernard Tjulkari, Ginger W ikilyiri, Beryl Jimmy and Manyjilyjarra artist Lance Peck. Eight more etchings and screenprints were acquired in the folio Djalkiri:

we are standing on their nm11es (Blue Mud Bay) 2010, including works by Yithuwa Madarrpa artist Djambawa Marawili AM, Madarrpa artist Marrirra Marawili, Djapu artist Marrnyula #2 Mununggurr, Dhudi-Djapu-Dha-malamirr artist Mulkun Wirrpanda, Waanyi artist Judy Watson and non-Indigenous artists Fiona Ha ll, Jorg Schmeisser and John Wolseley.

Other important acquisitions included a set of six paintings on velvet by Tony Albert, a painting and bronze sculpture by Kamilaroi/Gamilaraay/

Gummaroi artist Reko Rennie, and paintings by Kukatja artist Willy Billabong, Bundjalung artist Bronwyn Bancroft, Mangala/Yulparija artist Daniel Walbidi, Pitjantjatjara/Ngaanyatjarra artist Tjankaya Woods and Pitjantjatjara artists Kunmanara Palpatja and Nura Rupert. The photography collection was enhanced Ngalkban artist Darren Siwes's Marrkidj wurd-ko and

Biyi Mnrrkidj 2011 and a historical photograph by Murri artist Mervyn Bishop. A small collection of six woven works by Datiwuy artist Judy Manany Gurruwiwi, a set of two carved sculptures by Warramiri artist Terry Dhurritj ini Yumbulul and Arrernte artist Jennifer Kemarre Martinie llo blown-glass Eel trap 2011 were also acquired.

Asian art

The Asian art collection has been significantly enhanced through strategic purchases and gifts. Exquisite sculptures, paintings, prints and textiles from Southeast Asia, South Asia and Japan in particular were acquired. A highlig ht is the ninth-to tenth-century major gilded bronze of Bodhisattva Ava lokiteshvara Padmapani and two smaller attenda nts from the Cham kingdom of V ietnam. The major sculpture is of unparalleled importance and beauty and was acquired with the generously support of Geoffrey White OAM and Sally White OAM .

In the area of South Asian art, two exceptional Indian sculptures were acquired with funds contributed by donors. Roslyn Packer AO, a long-time supporter of the Indian collection, contributed to the purchase of a sensual polished sandstone Celestin/ maiden (Surasundari) from twelfth-century Rajasthan. The purchase of an exquisite regal depiction of Sarasvati, the Hindu goddess of arts and learning , from the south Indian Hoysala dynasty (eleventh to mid fourteenth century) was made possible through the generosity of major Gallery patrons Pauline Gandel and John Gandel AO.

The acquisition of seven spectacular kabuki costumes from the renowned Japanese Shochiku Theatre Company and a group of four prints and three watercolours by modern Japanese artist Natori Shunsen were also funded by Pauline and John Gandel. The iconic theatrical garments represent kabuki's glamour and some of its most famous and adored characters. The Gallery is the only institution in Australia, and one few internationally, to hold a collection of kabuki robes. The costumes, prints and watercolours feature in the Gallery's travelling exhibition Stars of the Tokyo stage: Natori Slwnsen's kabuki actor print s. Another exceptional acquisition is Japanese printmaker Tsukioka Yoshitoshi's Picture of the country of New (Holland) South Wales 1866, an imagined view of Sydney that has been sought by the Gallery for over thirty years.

A select group of vibrant and powerful Indian paintings with unusual subject matter substantially enrich and consolidat e the Gallery's collection of Indian paintings. They include an extraord inary image of the god Vishnu in his cosmic form, an atypical and large landscape featuring a cliff-top village and the Gallery's first painting by the celebrated modern Indian painter Jamini Roy.

Textiles acquired include a spectacular Hindu ceremonial cloth embroidered with ceremonial texts and images of the avatars ofVishnu, and an elegant large flowering tree pnlnmpore hanging made in India to appeal to the British market. These textiles extend the domestic and trade components of the Ga llery's internation ally renowned Indian textile collection.

Among the gifts received was an impressive mid-twentieth-century wooden marriage pavilion from John Wood. The pavilion is decorated with charming carved and painted images of the great god Shiva, his consort Uma and their infant son Skanda-a representation symbolic of divine union, family and fertility. Sydney gallerist Frank Watters donated a fascinating ancestra l figure from Borneo, which comp lements the Gallery's collection of Southeast Asian animist art.

Photography from the Indian subcontinent is now a major strength of the Gallery's collection. The most important achievement in this area was the growth of holdings of work by Lala Deen Dayal with a fine group of his long sought-after early works, included Maharaja portraits and several views from the 1880s. A family portrait by Parsi art photographer Shapoor N Bhedwar also added significant ly to this collection and the Gallery's ability to properly represent these first two Indian

photographers of international renown. A fine 1854 photograph of band cadets in Mumbai (Bombay) by William J Johnson, a British civil servant turned photographer, was also acquired.

The Gallery acquired a rare copy ofRaimund von Stillfried -Ratenicz's Views and costumes of Japan 1872, the first tourist-oriented photographic album published in Japan, which joins a number of other

major early works by this artist held in Australian collections . This work established a model for the hundreds of thousands of tourist albums produced out of foreign-and Japanese-run studios for the next fifty years.

The only known silver gelatin print by Scottish chemist and amateur photographer Donald Mennie was a particularly welcome addition to the collection. Mennie was working in Shanghai in the 1920s and is known for his photo-books on China. Pictorialist works by TM Chua in Singapore also enhanced the photography collection, and the Gallery acquired works by contemporary Ma laysian photo-media artists Yee I-Lann and Simryn Gill.

Pacific art

The Gallery acquired a highly significant Hunter's helper figure made in the Korewori Caves region of Papua New Guinea and dating from the fifteenth century. TI1e figure, previously owned by a prominent New York collector, is generally acknowledged to be a masterpiece.

In continuing to develop the collection w ith emphasis on major works from the pre-Christian period in the Pacific, the Gallery acquired a very old mask from the Huon Gulf region of Papua New Guinea, an ancient wood mask from Pentecost

Island in Vanuatu and a decorated platter from the island of Espiritu Santo in Vanuatu.

More recently made but still very relevant pieces acquired include a group of masks and figures from the Bahinemo people of the Hunstein Range and from the Bogonemari and Korewori river regions of Papua New Gu inea and an ancestor figure from one of the Polynesian Outlier atolls northeast of the Solomon Islands.

The Gallery also received a gift of a significant group of works from Western Province in the Solomon Islands from Pat and Joan Middenway. The gift was given in memory ofMr Middenw ay's father Captain Arthur Middenway, who collected

the works during his years in Papua New Guinea.

Examp les of works by Pictorialists photographers Albert T Simmons, working in New Guinea in 1930s, and GR Warr, in Papua New Guinea in the 1940s and 1950s, were acquired. A rare large print of a portrait of Maori man Menehira Whatiwntihoe

by Elizabeth Pulman of Auckland added to the small holdings of work by the few women professionals to practice in the Asia-Pacific region in the late nineteenth -century. Samoan artist Greg Semu's triptych Auto-portrait with twelve disciples 2010 was acquired.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 39

International art

The Gallery acquired three works for its collection of international painting and sculpture, and a major commission is in process.

Lynda Benglis's Untitled (Polly's pie II) 1968, previously borrowed for the exhibition Soft sculptur e, was acquired as a partial gift from the artist and her dealers John Cheim and Howard Read. The sculpture represents an important early

phase of Benglis's work with unusual materials and builds on the Gallery's strong representation of Minimalism and conceptual art.

Tim Fairfax's generous gift ofHenri Matisse's Oceania, the sea 1946 fulfilled the Gallery's long-held desire to acquire the pair to Oceania, the sky. This large screen print , inspired by his memory of a

trip to Tahiti in the 1930s, is a key work of modern art, a masterpiece of the artist's late career and a major addition to the collection.

A third acquisition was a welcome addition to the collection of African art. Claudia Hyles gave a wonderful skirt cloth produced by the Kuba people from Congo.

The Gallery also comm issioned American artist Andrea Z ittel to produce a Homestead unit. Known for her unusual approach to everyday lif e and its organisation, Zittel makes objects and spaces that appeal to fantasies of self-sufficiency,

nomadic life and escape.

The Gallery was the recipient of the very generous gift of the portfolio Independence and Revolutionary prints 2010 from the Government of Mexico. The portfolio marks the bicentenary of the war oflndependence of 1810 and the centenary of the Mexican Revolution. It includes fifty prints by contemporary artists currently working in Mexico. The works are political or deal with social issues and are poetic, mystical or surrealist inspired.

The Ga llery continued to acquire works through the Poynton Bequest, named after the late Orde Poynton AO, CMG, who left funding for perpetuity for the Ga llery's collections of international prints, drawings and illustrated books. With these funds,

the Gallery purchased important fin de siecle prints and posters by Henri de Toulouse-Lautrec, including his rare portfolio of twenty-six lithographs Portraits of actors and actresses: thirteen lithographs c 1898 and

his 1899 poster ofJane Avril. German Expressionist artists excelled in printmaking and the Gallery built its original print collection by acquiring further

works by Karl Schmidt-Rottluff and Max Beckmann.

In the area of contemporary international art, the Ga llery acquired South African artist William Kentridge's 35-mm film Otherfaces 2011, a cinematic animation based on his drawings. Three related drawings were also acquired.

The collection of international decorative arts and design was developed with the acquisition of works in the areas of metalwork, ceramics and furniture . The major purchases were Edward William Godwin's table of around 1872, made in

the Japanese style and with folding shelves, and a ceramic vase of around 1959 by Japanese potter Ka njiro Kawai. Early twentieth-century British silver works with Australian nature motifs-one by Adie and Lovekin and two by Charles S Green " were purchased and a silver gilt cup of around 1846 by French goldsmith Morel et Cie was a gift from Raymond Pelham-Thorman AM in memory of

Richard Hugh Pelham-Thorman.

A typically soft-focus mixed-race photographic portrait by Caroline Haskins Gurrey, who worked in Hawaii before the First World War, was acquired. A very fine group of west coast Canadian and American north-west Japanese-American amateur Pictorialist photographers was acquired in association with purchases of works by American professional photographer Virna Haffer, who developed a distinctive expressive form of photomontage work between the 1930s-60s. The Haffer family also donated several works by Haffer in response to the Ga llery's acquisitions.

From Europe, addition s to the collection included the earliest photograph of a wombat seen outside Australia taken by Louis de Lucy at the Jardin zoologique in the Bois de Boulogne in Paris in 1860. A small coloured Richard Beard daguerreotype portrait from around 1845 was also acquired. The Gallery also acquired Tibet-born artist Gonkar Gyatso's multiple self-portrait My identity 1-4 2003 and received a gift of works

by senior hologram artist Margaret Benyon.

DISPOSAL OF WORKS OF ART

In accordance w ith the National Ga lle1y Act 1975, the disposal of works of art from the national collection must be approved by the Gallery Council and the Minister.

During the year curatoria l staff continued assessing the appropriateness of works of art to remain in the national collection. Fifteen works of art, from the Asian art collection, were deaccessioned.

DOCUMENTATION OF THE

COLLECTION

1he Ga llery's collection is accessioned and documented so that each work is accurate ly recorded. This information is held on the Ga llery's collection management system. This year, 2867 works of art were inscribed w ith their respective accession numb ers, and the corresponding numbers on the collections management system were

updated. The total number of works in the collection as at 30 June 2012 is 165 658 individual works.

A total of 15 045 images of works of art in the collection, 8214 of w hich were of publication quality, were attac hed to the collection management system.

MAINTENANCE AND ACCESS TO

THE COLLECTION

The National Ga llery of Australia maintains and preserves its collection of works of art to enhance the comm unity's understanding and enjoyment of the visual arts, now and in the future. The Gallery provides high-quality facilities and environmental conditions in its display and storage areas and applies the highest professional standards of collection management.

CONSERVAT ION OF THE

COLLECTION

Providing care to the collection is a primary objective for the Ga llery. The focus this year was on treatment of works of art for exhibition , research, training in the field of conservation and the ongoing monitoring of the collection. Including \vorks from the collection and works on loan for exhibition , t he Gallery performed 9312 condition checks, 2281 full condition reports and more than 3000 treatments.

Paintings

Over 1000 paintings were treated and prepared, including works for exhibition . Considerable attention was focused on condition checking and monitoring works in the exhibition Renaissance: 15th and 16th century Italian painting s from the Accademia Carrara, Bergamo. With the permission of the Accademia Carrara, infra -red examination was undertaken on works from this exhibition , revealing important new information about the history of some of the painting s. Over 1400 paintings were condition checked and reported. Extensive treatment s completed during the year include Benjamin Duterrau's Native taking a kangaroo 1837, Eugene von Guerard's Landscape of the original to\Vnship of Perth c 1856, Wi lliam Buelow Gou ld's Mr john Me zger c 1842 and Danila Vassilieff's painted screen The Expulsion from Paradise c 1941.

Ob jects

Over five hundred treatment s were completed, with several major treatments undertaken to allow the display of fragile items from the collection , including several complex works from the Pacific region. The Hawaiian feather cape acquired

last year presented a unique problem due to the presence of arsenic from a past pest treatment , requiring staff to develop a new technique for handling and treatment. Major treatments were also conducted on Henry Moore's Hill arches 1973 installed in the Sculpture Garden.

W orks on paper

Over 600 treatments were completed during the year. 1he more complex treatments included signifi cant works by Jackson Pollock and Mark Rothko from the International Art collection; three Yao scroll

paintings , part of a gift of twenty-four in the Asian art collection; and more than one hundred works by Sydney Long. A number of large loans were prepared for the exhibition Th e m ad square:

modernity in German art 1910-37 at Art Gallery of New South Wales and National Gallery of Victoria and Matisse: draiVing life at the Queensland Art Ga llery. Over 2000 works were mounted and framed, includin g complex and oversize works for gallery rehangs, Loans and travelling exhibition s such as Roy Lichtenstein: Pop remix.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 41

Textiles

Over 170 works were treated for exhibition changeovers. Several loans were also treated and prepared, including a collection of Michael O'Connell's textiles. Major treatments were undertaken on a large Indian patolu with extensive areas of damage and on several l arge painted Indian cloths in preparation for the upcoming exhibition Divine worlds: Indian painting. Textile staff also managed the arrival of new acquisitions such as Henri Matisse's Oceania, the sea 1946 and six large elaborate Kabuki robes from Japan. These robes required pest treatment and condition reporting and extensive research and docum entation into the correct and comp licat ed dressing process prior to inclusion in the upcoming travelling exhibition Stars of the Tokyo stage:

Natori Shu11Sen's kabuki actor prints.

Quarantine

The Gallery's collection has been well protected due to stri ct adherence to quarantine processes and dedication to condition and pest checking all works of art entering collection areas. The numb er of pest checks undertaken doubled from the previous year with a total of 10 000 works checked. The Gallery

has been active in updating disaster procedures and contributing to a project to identify ways of maintaining a safe environment for the collection while being more energy efficient. There was a

continued focus on managing risk to works in the collection while on loan, with works prepared for fifty loan requests and complete venue assessments done on ninety-five potential borrowing institution s.

Research

Research and developing knowledge in the field of conservation remains a high priority of the conservation staff . Major research projects were undertaken into the pigments oflndian painted textiles, adhesives used in conservation, construction and treatment of holograms. Joint research was also undertaken with the Australian National University to identif y the formation of crysta ls on works of art during storage. Fourier

transform infrared spectroscopy analysis using the new micro-spectrometer has provided previously unobtainable information on binders, pigments and coatings on paintings undergoing treatment .

Eleven articles and posters were published and over ninety lecture s, tours and workshops presented. Conservation staff were also active in presenting lecture s and advice to regional areas such as Cobargo in New South Wales and Maleny in Queensland. Several local and international

intern ships were offered to students studying in conservation.

SECURITY OF THE COLLECTION

The protection of the national art collect ion has been maintained through the continued eft-orts and vigilance of the Gallery's security staft~ systems and infrastructure. Security risks are reviewed regularly

and eftorts are made to continuous ly improve systems and practice s directed at protecting the Gallery's collection.

Improvements on security systems and processes continued during 2011-12. Transitional arrangements commenced in relation to the Government's intr oduction of the Protective Security Policy Framework. This has required a review and

update of policies and procedures together with a range of other adjustments to security management. Work in this area is ongoing and the Gallery will be well placed to undertake required reporting

from 2013 onwards. Updates and improvements to closed-circuit television systems at the Gallery continued.

The national art collection was also protected by the ongoing work of the Emergency Planning Comm itt ee, which endorsed minor amendments to the Gallery's Emergency Response Plan and approved a training schedule for general occupants and members of the Gallery's Emergency Control Organisation. Training covered such topics as the use of workplace fire fighting equipment and evacuation procedures and exercises . The Gallery appreciates the understanding of patrons during the conduct of these exercises.

GOAL 2 INCREASE THE AUDIENCE FOR AND ENGAGEMENT

WITH THE COLLECTION, EXHIBITIONS AND PROGRAMS OF

THE NATIONAL GALLERY OF AUSTRALIA

KEY STRATEGIES

2.1 Display and exhibit works of art

2.2 Increase access to the national collection locally, nationally and internationally.

2.3 Provide inspirational educationa l and public programs supported by research and scholarship.

2.4 Strategically m arket the National Gallery of Australia.

2.5 Provide high-quality visitor services and facilities.

2.6 Improve and increase Ga llery building display and operating facilitie s.

ACCESS TO THE VISUAL ARTS

AND NATIONAL ART COLLECTION

TI1e Ga llery maintains an ambitious program of exhibitions and displays that provide visitors with stimulating, informative and enjoyable experiences of the visual arts. Access to works of art from the national collection is provided locally, nationally and internationally through displays and exhibition s, loans, educational and public programs, as we ll as through printed and electronic publishing.

Access to the national art collection was achieved through:

" display of works from the collection at the Gallery in Canberra

" provision of works in travelling exhibitions

" loan of works to official residences and for exhibition by others

" arranged visits to view works in the Gallery's Collection Study Room

" print and electronic publishing

" maintenance and development of the Ga llery's online presence.

Visitor attendance

A total of 5 491490 people visited the National Ga llery of Australia's collection and its temporary and travelling exhibitions. Of these, 692432 came to the Gallery in Canberra, 192 599 visited the Gallery's travelling exhibitions and 4606459 people attended exhibitions that included works of art on loan from the national collection in venues around Australia and throughout the wo rld.

The attendance figures for the Ga llery's major ticketed exhibiti ons were 64356 for Fred Williams: infinite horizons and 212920 for Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo.

The figures for Renaissance make it the second most popular exhibition at the Gallery in the last decade. The Australian Capital Territory benefited w ith a direct economic impact calculated to be in excess of$75 million.

The numb ers of visitors to the National Ga llery of Australia in Canberra, to Ga llery exhibitions in Australia and to Gallery exhibitions internationally from 2006-07 to 2011-12 are included at Appendix 6.

Collection displays

The National Gallery of Australia regularly changes the display of its collection to provide access to a wide range of works of art. This practice ensures that fragile items are rested, recent acquisitions are shown to the public and popular items are rotated.

Collection displays for the International, Asian, Pacific, Aboriginal and Torres Strait Islander and Australian gallery spaces ""ere changed over, ensuring that displays remain dynamic and engage audiences, while protecting the collection.

Other collection displays were completely changed over and had focused themes. TI1is year, the Ga llery presented three new displays of the photography collection. Details on new displa ys are in Appendix 4.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011- 12 43

Exhibitions

The Gallery has maintained a program of changing exhibitions across four spaces: the Temporary Exhibition s Gallery, Orde Poynton Ga llery, Project Gallery and Childrens Gallery. Eight exhibitions were displayed in these spaces. These exhibition s engaged audiences with the visuals arts, prima,rily

highlighting the wealth of the national art collection, from colonial Australian works to contemporary Indigenous works, but also and showing works from other major collections. Details on exhibiti ons are in Appendix 4.

Travelling exhibitions

The Ga llery's travellin g exhibitions program continues to be an important part of our strategy for providing access to works of art to a wide audience beyond Canberra- in regional, remote and metropolitan areas throughout Australia and

internationall y. The travellin g exhibiti ons program plays a valuable role in enhancing the Ga llery's profile in regional centres and in establishing and strengthening national networks.

N ine exhibition s, including the Elaine and Jim Wolfensohn G ift suitcase kits and The 1888 Me lbourne Cup, travelled to thirt y-three regional, remote and m etropolit an comm uniti es throughout A ustralia. The Elaine and Jim Wolfensohn

G ift suitcase kits and T11e 1888 Me lbourne Cup continue to travel to schools and community groups throughout Australia and incorporate remote-access and disabilit y-access components. In addition , seven exhibition s are in development.

The Ga llery celebrated the nine-millionth visitor to our travelling exhibition s program at the exhibiti on Australian portraits 1880-1960: paintings from the National Gallery of Australia collection on display at G ladstone Regional Art Gallery and Museum

in Queensland. In March, Carl Schmidt and his partner, A mb er Comadira-Smith, flew to Canberra for a weekend to enjoy the exhibiti on Renaissance.

From the time the travellin g exhibiti on program commenced in February 1988 to June 2012, 9 017 847 visitor s have taken the opportunity to visit 119 travelling exhibition s at 734 locations other than

the Gallery in Canberra, including 556691 visitors who have viewed the Wolfensohn Gift suitcase kits, w hich have toured 738 schools and community groups in remote and regional Australia since 1990.

A total of 865 works of art (730 works from the Ga llery's collections and 135 inward loans) were shown in this year's travelling exhibitions and we re viewed by 192 599 visitors.

Details on travelling exhibitions in 2011-12 are in Appendix 4.

Works of art on loan

The Gallery continued to have a very active program of lending works of art from the national collection and did this through the provision of works to travelling exhibitions, through the loan of works to official residences and for exhibition by others.

The Ga llery loaned 1675 works of art from the national collection, continuing the significant rise in requests in this area of collection management in recent years. Details on outward loans are included in Appendix 10. Details of inward loans are included in Appendix 11.

Collection Study Room

Works of art in the national collection that are not currently on public display are available for view ing in the Collection Study Room. In 2011-12, 1485 visitors viewed almost 7000 works of at in

the Collection Study Room. Visitors included academics, visiting curators, primary, secondary and tertiary school groups and special interest groups.

More primary and secondary students visited the Collection Study Room than in previous years. The viewing sessions were generally included as part of a larger excursion day to the National

Ga llery of Australia.

Curators and other staff from local and interstate institut ions-including the National Portrait Gallery, Canberra Museum and Gallery, the National Museum of Australia, the Australian War Memor ial, Monas h Gallery of Art, Heide

Museum of Modern Art, The Art Gallery of New South Wa les, Art Gallery of Western Australia and the Australian Centre of the Moving Image " visited to view works of art.

Publishing

Publishing is part of the Gallery's mission to make its collections and research widely accessible. The extensive publishing activities also promote and provide access to information about the

Gallery's collection, exhibition s, associated education and public programs and other initiatives. This information is published in saleable books and various other print materials, on the Gallery's websites and through e-publishing.

Seven new book titles were published, including Out of the West: art of Western Australia from the national collection, Fred Williams: infinite horizons, Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo, Renaissance

table, Roy Lichtenstein: Pop remix, Stars of the Tokyo stage: Natori Shu11Sen's kabuki actor prints and unDisclosed: 2nd National Indigenous Art Triennial. Editoria l work on the Gallery's publications was predominantly outsourced due to the small size of the Publishing department. Details on major print publications are in Appendix 5.

A further nine major titles were in development or production for later half of 2012 and for 2013: Art of the Indian subcontinent: collection highlights, James Turrell: Within without (revised edition),

Sydney Long: the Spirit of the land, Toulouse-Lautrec: Paris and the Mou lin Rouge, Kastom: art of Vanuatu (working title), T11e prints of ]essie Trail/ (working title), Capital and country: the Federation years 1900-1913, William Kentridge (working title)

and volume three of the series Printed.

The Gallery is also currently producing a companion volume to the childrens book And a kangaroo too; a small publication, Histoires naturelles, to accompany the forthcoming exhibition Toulouse-Lautrec; and

a replica reprint of Violet Teague's Night fall in the ti-tree 1905.

Four issues of the Gallery's quarterly magazine, Artonview, were developed in consultation with department heads and curatorial staff and with the Gallery's Director Ron Radford. Significantly, the magazine raised close to $50 000 in revenue through sale of advertising ($20 000 more than the previous year). A number of initiatives were also put in place to reduce the Gallery's expenditure on

the magazine, including reducing the number of pages (without compromising scholarly content)

and offering Gallery memb ers the option to receive the magazine solely electronically. Back issues of Artonview are also now accessible on the Gallery's vvebsite. Details on issues of Artonview published throughout the year are in Appendix 5.

Four issue of the 'what's on' brochure Artevents were produced throughout the year.

The 2010-11 annual report s for the National Gallery of A ustralia and its Foundation were edited and produced during the 2011-12 period. Five education resources for four exhibitions were edited, designed and produced. Discovery trails for children were produced for the exhibitions Renaissance and Stars of the Tokyo stage. A sixth education resources and another discovery trail were in development for unDisclosed when it tours in 2013. The resource for unDisclosed will be the Gallery's first e-text book, made availab le through the iTunes Store.

Other publishing activit ies included many invitations, fliers, brochures, posters and e-cards. Many advertisements and other promotional materials were edited and designed to support marketing campaigns for the Gallery's exhibitions and other initiatives. Fundraising activities were also supported with brochures and editorial services and advice

A large amount of merchandise was designed for the NGA Shop or in major exhibition shops. Merchandise included greeting cards, postcards, wrapping-paper , posters many other designs for non-print product such as T-shirts and tea towels. Signage wa s also regularly produced for the shop. Event and exhibition invitation s, placement cards, tickets, menus and other materials were also produced.

Website and new media

The Gallery's websites and are important tools in providing access to the collection , for promoting its exhibitions, education and public programs, enhancing its commercial activitie s and providing

new ways to engage with existing and potential audiences.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 45

Website usage increased moderately against the previous year, with 6.2 million pages viewed and 1.83 million visits. The increase demonstrates a year-on-year growth of approximately 8%. Significantly, traffic to the Ga llery's websites from mobile devices increased by more than 300% . Traffic from mobile devices now represent s nearly 7.5% of total site visitation. Apple brand devices dominated mobile access, accounting for more than 80% of all mobile traffi c.

Enhancements to site usability were undertaken with improvements to navigation menus and site search and a dedicat ed mobile presence was established for the Ga llery's website to respond to the significant increase in mobile derived traffic. The collection search was also enhanced, 'vith 8729 images and 313 full-text articles uploaded. The website now has 163 523 items (searchab le works of art), 48 778 of these with images.

A major new initiative and improvement to online access to the national art collection was also developed and launched. TI1e new collection subsite makes accessible works currently on display throughout the Gallery. Works are thematicall y grouped, with rich context and display and location status automatically updated every night. Online visitors can now view approximately 1300 works on display and develop a better understanding of the themes or 'rooms' they will experience when visiting the Gallery in Canberra.

Major exhibiti on subsites were developed for the exhibiti ons Renaissance, Fred Williams and unDisclosed.

The Gallery further expanded its online activities in social media (Facebook, Flickr, Tw itt er and Yo uTube) and iTunes U to make availabl e its podcasts and audiotours. The Ga llery reached 8100 fans on Facebook (a 60% increase) and 8000 followers on Twitter this year (a 100% increase) . Twelve issues of the Gallery's e-newsletter Artonline

were developed and sent to over 59 000 subscribers.

Comprehensive drafts of an Online Roadmap and Implementation Project Plan were also developed to help frame increased digital learning and access policy discussion .

FUNDING PROGRAMS

Visions of Australia

Visions of Australia is an Australian Government program supporting touring exhibitions by providing funding assistance for the development and touring of Australian cultural material across Australia.

The National Gallery of Australia acknowledges the significant support it received through the Visions of Australia program, and the assistance the program gives to the Gallery to provide access to works of art for the people of Australia. Visions of Australia is administered by the Department of Regional Australia, Local Government, Arts and Sport.

Visions of Australia supported five of the Gallery's exhibitions in 2011-12: Australian portraits 1880-1960: paintings from the National Gallery of Australia collection, Space invaders: Australian. street . stencils. posters . paste-ups. zines. stickers, Fred Williams: infinite horizons, Roy Lichtenstein:

Pop remix and Stars of the Tokyo stage: Natori Shunsen's kabuki actor prints.

In addition, Visions of Australia also supported one exhibition under the Contemporary Touring Initiative. The Contemporary Touring Initiative is part of the Australian Government's Visual Arts and Craft Strategy, an initiati ve of the Australian Government and state and territory governments, and assists collecting instit utions with the development and touring of exhibition s of contemporary Australian visual arts and craft across Australia.

National Collecting Institutions Touring and Outreach program

TI1e National Collecting Institutions Touring and

Outreach program is an Australian Governmen t initiative providing support for Australia's national collecting institutions to develop and tour exhibitions nationally and internationally.

TI1e program supported tours of three of the

Ga llery's exhibitions in 2011-12: Fred Williams, Roy Lichtenstein and Stars of the Tokyo stage. The program is administered by the Department of Regional Australia, Local Government, Arts and Sport.

Australian Government International Exhibitions Insurance program

The A ustralian Government International Exhibition s Insurance program is an Australian Government initiative providing funding for the purchase of insurance for significant cultural exhibition s. The program supported the exhibition Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo. Without this

support the high cost of insuring these significant works of art by artists such as Raphael, Botticelli and Titian would have prohibited this major exhibition from com ing to Australia. The program is administered by the Department of Regional Australia, Local Government, Arts and Sport.

COLLECTION AND EXHIBITION RESEARCH

Staff in the Gallery's curatorial departments actively research art, artist s and works of art to develop and promote the Gallery's collection and to present engaging and informative exhibitions and associated programs. The Gallery has an active publishing program to support these scholarly activitie s (see Appendix 5) and encourages staff to publish and present research findings elsewhere.

Australian Painting and Scu lptur e

Anna Gray, Head of Australian Art, Deborah Hart, Senior Curator, and Miriam Kelly, Curator, continued research on historica l and contemporary Australian paintings and sculptures. The research resulted in acquisitions, published articles in Artom,iew and improved cataloguing and documentation of artists represented in the collection. TI1e research also informed the presentation of Australian painting s and sculpture in the collection displays. Gray, Hart and Kelly also gave a number of lectures on research conducted on various aspects of the national art collection.

Hart com menced work on the research and documentation of the several thousand works in Arthur Boyd's gift to the National Gallery of Australia in 1975. The gift included paintings, prints, drawings, ceramics and textil es and is the largest the Ga llery has ever received. Additional documentation and analysis of these works will add considerable . depth to the Gallery's records and accessibi lity of

these works to online visitors and researchers.

The exhibition Australian portraits 1880-1960: paintin gs from the National Gallery of Australia collect ion continued its tour around Australia. Gray curated the exhibition and presented research

in lectures at the Queen V ictoria Museum and Art Ga llery in Launceston. Kelly presented associated l ectures when the exhibition toured to the Hazelhurst Regional Gallery and Arts Centre

in Sydney and Gladstone Regional Art Ga llery and Museum in Gladstone.

Gray conducted extensive research on early W estern Australian art and curated the exhibition Out of the West: art of Western Australia from the national collection. She wrote the book Out of the West:

Westem Australian art 1830s to 1930s, presenting her resear ch in the context of broader Australian art history. Gray also presented numerous talks and tours and contribut ed article s on the exhibition to Artonview and Art and Antiques New South Wales.

Kelly researched and spoke about contemporary abstraction in the exhibition .

Hart curated the exhibition Fred Williams: infinite horizons, completing extensive research on the artist and presenting this research in the accompanying publication (which has now been reprinted due to popular demand) and in Artonview. Hart gave lectures on the artist in Canberra and at the National Ga llery of Victoria

in Melbourne when the exhibition toured there in April 2012.

Kelly is assisting Director Ron Radford with research and planning for a touring exhibition of paintings from the collection, Capital and country: the Federation years 1900-1913, to be launched in 2013, as the National Ga llery of Au stralia's gift to the nation in the year of Canberra's centenary. Gray worked on the exhibition Sydney Long: the Spirit of the land, scheduled to open in August 2012, and completed research and writing for the m ajor accompanying publication.

Gray contributed an articl e, 'Au stralian artists within a wider world 1900-1930', to TI1e Camb ridge companion to Australian art, edited by Jaynie Anderson, and Hart contributed an article on William Robinson for the catalogue accompanying the retrospective of Robinson's art organised by the University of Queensland Art Mu seum in Brisbane.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011 - 12 47

Australian Prints and Drawings

All staff continued to research the colonial and contemporary prints in the collection and published num erous articles in Artonview. Staff also contribut ed to improving collection documentation. In April2012, Roger Butler, Senior C urator , filmed an inter view on the print s of the late Grahame King.

In associat ion with Out of the West, Butler presented research on early Western A ustralian caricatures and Sarina Noordhuis-Fairfax, C urator, researched and spoke about Tom Gibbons's series Homag e to Duccio 1988-90.

No ordhuis-Fairfax researched arti sts for the exhibiti on Play, which she curated for the C hildren s Ga llery. She shared this research in training sessions with voluntary guides, and w ith the public in a floortalk and in an article published in A rtonvi ew.

Butler collaborated w ith Anna G ray, Head of A ustrali an Art, to select works on paper for the upcoming retrospective Sydney Long: the Spirit of the land. Research began in preparation for the 2013 exhibition of wo rks by Jessie Trail!.

Aboriginal and Torres Strait Islander Art

A ll staff did ongoing research and documentation on the collection of Aboriginal and Torres Strait Islander art. Research on a number of works of art acquired throughout the year and in the previous year was presented in articles by Franchesca C ubillo , Senior Curator, Tina Baum, Curator, and Ke lli Cole, Assistant C urator, in the Ga llery's

magazine, Artonview

Cubillo , Baum and Cole also researched and w rote about artists and their works for the exhibiti on unDisclosed: 2nd National Indigenous Art Triennial and the accompanying publication. Th e book was jointly edited by Franchesca Cubill o and guest

curator Carly Lane. Research on contemporary Aboriginal and Torres Strait Islander art, in particular on the arti sts selected for the exhibiti on, was presented over several articles, including in Artonview, and in interviews by Franchesca C ubill o

and Carty Lane.

Baum delivered a keynote address for the Ga llery's Let's Talk Recognition Forum during National Reconciliation Week. Cubill o, Baum and Cole also presented public lectures on the major exhibition unDislcosed and touring exhibition Good strong powetjul.

Baum w rote several judges' essays for the exhibition catalogue Westem Australian Indigenous Art Awards 2011 and the judge's foreword for the 2011 exhibition catalogue National Indigenous Ceramic Art Award.

Asian Art

A ll staff were involved in collection research. This research contributed to the preparation of labels and related texts and was presented in articles in Artonview and in floor talks about key works on display. Curator s Lucie Folan and Me lanie Eastburn delivered lectures to students at the Australian National University, and Senior Curator Robyn Maxwe ll gave a keynote presentation on Indian

influence on Southeast As ian textile s at the U niversity of Malaysia in K uala Lumpur.

Two m ajor projects we re the focus of research this year, the exhibition Stars of the Tokyo stage: Natori Shunsen's kabuki actor print s and a major book on the Ga llery's significant collect ion of art from the Indian subcontinent.

Folan cu rated Stars of the Tokyo stage, wh ich w ill begin touring in 2013. She conducted extensive research on Natori Shunsen and kabuki theatre and edited the accompanying publication. The book presents research by Folan, Eastburn and

Maxwe ll as well as esteem ed experts in the field Dr Chiaki Ajioka, Professor Andrew Gerstle and Amy Reigle New land. It is the first publication in English dedicated to Shunsen's wo rk and makes an

important contributi on to the study of the artist and Japanese cultur e and kabuki theatr e in the 1920s and 1930s.

Eastburn, with Folan and Maxwe ll, has also been wo rking towa rd a significant publication of over one hundred masterpie ces from the Gallery's collection of art from the Indian subcontinent. In association w ith the book, Eastburn also undertook research

to support the exhibition Divine worlds: Indian paintin g, scheduled to open in September 2012.

Eastburn was closely involved in commissioning and editing articles, includin g those related to the Gallery's collection and exhibitions, for a special issue of the TAASA Review commemorating the organisation's twentieth anniversary. Maxwell contributed to the anniversary issue and Folan and Olivia Meehan, Assistant Curator, had articles published in the June 2012 issue of the TAASA RevieiV. Folan continues to serve on the TAASA

(The Asian Arts Society of Australia) committee of management, while Eastburn is a co-opted member of its publications subcommittee.

Pacific Arts

The research undertaken by Michael Gunn, Senior Curator, and Crispin Howarth, Curator, this year informs the development of the Gallery's Melanesian and Polynesian collect ions and two forthcoming exhibitions. Gunn wrote an article for Artonview on a rare Hawaiian feather cape, while Howarth has written numerous articles for Artonview, including one on the major gift from Pat and Joan Middenway of twentieth-century sculptures and implements from the Solomon Islands.

Gunn conducted research in Rarotonga in the Cook Islands and worked with Cook Islands National Museum curator Mahiriki Tangaroa to present the course 'A curatoria l perspective on

traditional art objects and Pacific art'. Additional work included research for the exhibition A tun Polynesian. In June 2012, Gunn visited Tahiti and Raiatea, French Polynesia and worked with relevant curators and leaders in traditional Tahitian concepts associated with the core ideas of Atua Polynesian.

Howarth travelled to Vanuatu with D irector Ron Radford to research and develop an exhibition on art from Vanuatu scheduled for 2013. Howarth commenced writing the book the book to accompany the exhibition.

Gunn conducted research trips internationall y. He examined collections of Pacific art in the United States of America at Los Angeles County Museum of Art, in the private collection of Ned and Mina Smith and at The Menil Collection . He also viewed Polynesian art in New Zealand at Otago Museum, Kaikoura District Museum and Archives, Museum of New Zealand Te Papa Tongarewa and Auckland Museum Tamaki Paenga Hira.

Gunn attended the International Federation of Arts Councils and Culture Agencies conference in Melbourne, the Pacific Arts Association Europe Annual Meeting in Munich and the Fifth Oceanic Art Society Forum at the South Australian Museum in Adelaide, where he gave a talk on New Ireland art objects.

Howarth presented research in his paper 'The Massim ethnographical collection of Reverend Samuel Fellows at the National Gallery of Australia' via proxy Dr Harry Beran of Cambridge at the Pacifi c Arts Association Europe Annual Meeting. He also assisted in the organisation of the Fifth Oceanic Art Society Forum at the South Australian Museum.

International Painting and Sculpture

Research in preparation for the major exhibition Renaissance: 15th and 16th century Italian paintings from the Accademia Carrarn, Bergamo was the primary focus this year. Christine Dixon, Senior

Curator, Lucina Ward, Curator, Simeran Maxwell, Assistant Curator (Exhibitions), and Sophia Cai, Intern, wrote twenty-six entries and sixty-one biographies for the exhibition book. 1he curators also presented research in numerous articles on the exhibition for Artonview and a range of external publications.

The curators gave multiple interviews for television, radio and print media and delivered lectures and more than sixty walkthroughs for groups and guests. With the Accademia Carrara's curator Giovanni Valagussa, they recorded webisodes, produced by

the exhibition sponsor San Remo. They and other Gallery staff wrote many articles for The Can berm Times on works included in the exhibition .

The curators collaborated with Roger Benjamin of the United States Studies Centre at University of Sydney on a forthcoming symposium and exhibition to celebrate the Gallery's Abstract Expressionist collection. Volunteers Gadia Zrihan and Pamela Walker contributed to collection research.

Dix:on undertook two important research trips to Latin Amer ica.

Ward was granted study leave, completing research at the Boston Athenaeum in Boston and Archives of American Art in Washington. Her research was funded by the Australian National University .

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 49

International Prints, Drawings and Illustrated Books

Jane Kinsman, Senior Curator, Jaklyn Babington, Curator, and Emi lie Owens, Curatorial Assistant (Kenneth Tyler Collection), all researched forthcoming exhibitions that will draw on the Gallery's Tyler collections. Owens continued work on the documentation and digitisation of the Tyler film and sound collection, developed content for

the collection website and gave several public talks about the Kenneth Tyler Printmaking Collection and the artists featured in it.

Kinsman undertook research for the forthcoming exhibition Toulouse-Lautrec: Paris and the Moulin Rouge, scheduled for December 2012, and a later exhibition on William Kentridge. She gave media

interviews and talks on aspects of the collection as well as forthcoming exhibitions. She also researched and wrote an article for Artonview on a William Kentridge drawing acquired in 2012.

Babington researched Roy Lichtenstein and his work in preparation for the Gallery's touring exhibition Roy Lichtenstein: Pop remix. She curated the exhibition from the Gallery's strong holdings of Lichtenstein's prints and wrote the accompanying book. Babington also presented her research in lectures, floor talks and m edia interviews, as well as in an article in Artonview. Owens assisted Babington with research and preparations for the exhibition.

Babington researched and prepared texts on the drawings of Abstract Expressionist artists in preparation for the forthcoming exhibition to celebrate the Gallery's Abstract Expressionist collection.

Kinsman was awarded the degree of Doctor of Philosophy from the Department of Art History and Curatorship at the Australian National University based on her research of the prints of David Hackney, including the holdings in the Gallery's collections.

Decorative Arts and Design

Robert Bell AM, Senior Curator, continued with research on historical and contemporary Australian and international ceramics, glass, jewellery, m etalwork, textiles, furniture and fashion and

theatre arts costume. The research resulted in acquisitions, published articles (including four in Artonview) and improved cataloguing and documentation of artists and designers represented in the collection. Bell gave twelve lectures on aspects

the collection throughout the year.

Meredith Hinchliffe, volunteer, assisted with collect ion research by continuing with the project of updating Australian designers and craft practitioners ' documentation. Jane Herring, volunteer, continued to research aspects of

the Ballets Russes' history to improve the documentation of the work of this company in relation to the Gallery's collection of its costumes.

Bell participated in th~ curatorial planning and presentation Out of the West and selected and prepared documentation on forty-one Western Australian decorative arts and craft works for display in the exhibition . He also developed the content for Bodywork, an exhibition of Australian contemporary jewellery from the collection to

travel in Australia from 2013.

Bell participated in the Glass Art Society conference in Toledo in the Un ited States of America and wrote an essay on Australian glass for the Toledo Museum of Art's exhibition book Color ignited: glass 1962-2012. In 2012, he was appointed Adjunct Professor of Design in the Faculty of Arts

and Design at the University of Canberra.

Photography

Research by Gael Newton, Senior Curator, and Anne O'Hehir, Assistant Curator, was undertaken for the acquisition, exhibition and loan programs. This research in particular resulted in biographical information for a number of previously poorly known late nineteenth- and early twentieth-century Australian photographers being made available publicly. Newton contributed articles to Artonview

and World of Art and Antiques throughout the year. O'Hehir also presented her research on a new acquisition in Artonview.

The curators researched West Australian photographic history for the exhibiti on Out of the West, and O'Hehir researched Australian and

international Antarctic and industrial photography for two thematic collect ion displays. The curators also researched the Gallery's extensive archive of

photographs by Australian artist Carol Jerrems, one of the best known figures of the photography boom of the 1970s, for an exhibition at the Gallery in August 2012. The Gallery holds the only large collection of]errems's work. The findings of this ongoing research project as we ll as Jenâ‘ems's editioned and signed prints will be published online by late 2012.

Annabelle Lacour interned at the Ga llery as part of her masters degree at the Ecole du Louvre, Paris. She researched the life and career of American photographer and filmmaker Andre Roosevelt, w hose 1920s photographs and film on Bali had helped popularise the island with foreign tourists and artists . Lacour presented her research on Roosevelt in an article published in World of Antiques and Art. Lacour also completed a survey of the dance and performance images in the Ga llery 's large collection oflndonesian photographs from the 1860s to the 1940s in preparation for the Gallery's major exhibition ofindonesian photography in 2014.

Vo lunteers Bernard Lilienthal and Robert Deane continued research projects during the year. Lilienthal comp leted a chronology of photographers of the Yang tze river region in China, as well as indexes by country on Indonesia-based German photographer Dr Gregor Krause's publications in the 1920s and on Asia-Pacific photographers whose work was illustrated in the British annual Plzotograms of the Year. Deane has undertaken

to complete the geographic locations tabs on the Gallery's database of works in the Asia-Pacific photographic collection.

Newton worked closely with Gillian Currie, Acquisitions Librarian, to continue building the Gallery's holdings of Asia-Pacific photographic publications , includin g a number of rare early twentieth -century, photomechanically illustrated publications from studio Nadal Indochina.

Newton and O'Hehir attended the Fotofreo photography festival in Perth in March 2012. They jointly presented talks on contemporary Indian photography and participated in forums.

As well as maintaining a network of research contacts in the Asia-Pacific, Newton is assisting several researchers towards a history of photography in Southeast Asia. She is assist ing

Briti sh publisher Hugh Ashley-Rayner on a biographical index of early studios in India. She is also acting as advisor to dissertations by Antje Lubcke (Australian National University) on JW Lindt's and Reverend WG Lawes's photographs of New Gu inea in the late nineteenth-century and by Karen Macgee (University of Adelaide) on nineteenth -century, Adelaide-based photographer Captain Samuel Sweet.

EDUCATION PROGRAMS

Education programs are a key part of the Gallery's engagement with audiences and include seminars, workshops, teacher in-service training, special study days and talks as well as tours of the

collection and of exhibiti ons by the Ga llery's staff and volunteers.

To promote the Gallery's education programs, information brochures were sent via the National Capital Education Tourism Project to all schools in Australia. The Gallery also promoted exhibitions, activities and programs through radio, television and print media. Professional development sessions and previews for teachers were held, focusing on

the national art collection and major exhibitions.

One of the Gallery's major education initi atives was its participation in the Goog le Art Project. For the project, Google technicians were provided after -hours access to photograph selected gallery spaces to create an online walkthrough for the project and to photograph a gigapixel image (a digital image composed of one billion pixels) of one of the Ga llery's masterpieces, Clifford Possum Tjapaltjarri's Warlugulong 1977. Education material was also collected and provided for the project.

Families

The Gallery's family activity room for the summ er exhibition, Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo, attracted over 23 300 family visitors. The room, supported by the Yulgilbar Foundation, was designed for children aged 3 to 12. Audio tours

for adults and children as well as a discovery trail for children further enhanced the understanding of the art for family visitors.

NATIONAL GALLERY OF AUSTRALIA AI~NUAL REPORT 2011-12 51

An education activity room, also supported by the Yugilbar Foundation, was presented for Fred Williams: infinit e horizons, and a discovery trail was produced for the exhibition Stars of the

Tokyo stage: Natori Shu115en's kabuki actor prints.

The Gallery collaborated with the Canberra Institut e of Technology, University of Canberra and Au stralian National University School of Art to present the Big Draw, which attracted 2000 visitors this year, the largest crowd yet to

this annual program. The event included a range of drawing activitie s and featur ed a drawing performance by Melbourne-based artist s Silvana and Gabriella Mangano.

Sculpture Garden Sunday, an annual event for children and their families, was cancelled in 2012 due to bad weather.

Students and teachers

The Gallery, in collaboration with the National Portrait Gallery, hosted the Na tional Visual Arts Education Conference, the first national conference for visual art educators. The program included national and international keynote speakers. Papers were presented by sixty-five speakers, includin g som e of Australia's leading artists. Over 220 educators from all states and territories attended

the three-day conference.

During NAIDOC Week in 2011, ten staff from the Koori Preschool Network were provided training in the Gallery' s Indigenous galleries in preparation for bringing Indigenous student groups to the Gallery.

A total of 74 279 students and teachers in organised excursion groups from around Australia participated in the Gallery's education programs during the year. This included 26 545 students and teachers attending tours and workshops by Gallery educators, 43 253 attending tours led by voluntary guides and 4481 touring without a Gallery educators or voluntary guide.

Primary and secondary school education resources were developed for the Gallery's major summ er exhibition Renaissance, as we re secondary school education resources for Fred Williams, Roy Lichtenstein and Stars of the Tokyo stage.

Scholarship and leadership programs

The National Summer Art Scholarship 2012 provided an enrichjng educationa l program for sixteen students, two students from each state and territory, between 15 and 21 January 2012. Highlights of the program included behind-the-scenes tours of conservation, registration and exhibiti on design as well as a tour of Renaissance: 15th and 16th centwy Italian paintings from the Accademia Carrara, Bergamo.

Ten Indigenous Australians from around the nation were selected to attend the second Wesfarmers Arts Indigenous Art Leadership program, a ten-day program of high-level training and mentorship for emerging Indigenous art leaders, from 27 November to 6 December 2011. A highlight of the program was the two-day seminar in which particip ants had the opportunity to hear from and talk w ith some of Australia's leading Indigenous art scholars.

Special access

Special access tours and other programs included organised view ings of exhibition s. Vo luntary guides and education and curator ial staff led tours and workshops for over 1400 special-access visitors.

Special access programs included: tours for people w ith physical or intellectual disabilities, carers art appreciation and viewings, descriptive tours for people w ho are blind or w ho have low vision, a touch-and-draw workshop for visually impaired K-Year 6 students, and Auslan sign-interpreted tours supported by and developed collaboratively w ith the Australian Capital Territory's Interpreter Service and the D eaf Society of New South Wa les.

Art and A lzheimer's Outreach program was furth er developed this year. A grant from the Thyne Reid Foundation assisted the Gallery to develop and implement a two-day training workshop for arts and health professionals in regional communities. Programs were delivered to arts and health professionals in Darwin, Tamworth and Miles and at the National Gallery of Victoria . The Gallery's dementia program was recognised with a number of awards, including an Arts and Health Au stralia Award for Excellence in 2011.

The Art of Good Health and Wellbeing, Canberra 2011, 3rd Annual International Arts and Health Conference, was held at the Gallery in Novemb er 2011. The conference presented innovativ e arts and health programs, effective health promotion and prevention campaigns, methods of project evaluation and scientific research. There was a focus on m ental health and creative ageing, including programs for people with dementia and their carers.

Voluntary guides

Vo luntary guides offered tours of the collection and exhibition s for a combined total of 65464 attendees. Throughout the year, regular training sessions were held for guides in relation to exhibition s, changes to collection displays and communic ation

skill s. In February 2012, thirty -four traine e guides commenc ed their yearlong training program.

PUBLIC PROGRAMS

The Gallery delivered 233 public programs related to the national art collection and the Gallery's temporary exhibitions . Gallery staff, academ ics, scholars, artists and other professionals contributed to lectures, symposia, floortalk s, concerts, films and wo rkshops to enhance visitor experience of the Ga llery, its collection and temporary exhibition s. The audience for these events comprised local, interstate and overseas visitors from all

backgrounds and ages.

Attendance at public programs totalled 16 281, with 6684 visitors attending talks and lectures, 2917 attending special events, 4030 attending screenings, 515 attending workshops and 1590 attending performances. Audiovisual technical support was provided for 850 events and programs. These activiti es were promoted through regular weekly newspaper advertisements and through the distribution of the quarterly brochure Artevents. Programs were also made accessible via the online calendar and associated webpages.

The opening weekend of the Gallery's exhibiti on unDisclosed: 2nd Na tional Indigenous Art Triennial was a highUght of the year. It wa s celebrated w ith free talks by curator Carly Lane and sixteen of the twenty artists in the exhibition and free workshops by arti sts Lena Yarinkura, Bob Burruwal and Danie Mellor.

Another highlight was NAIDOC Week in 2011, the Gallery presented a special screening of Here I am, directed by Indigenous filmmaker Beck Cole. This moving true story of a young Aboriginal woman was introduced by producer Kath Shelper. Franchesca Cubillo, Senior Curator, and Queensland artist Fiona Foley presented talks during the week.

Ta lks and lectures

A highlight of the year was the series of masterclas s lectures presented in association with Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo. Lectures we re given by experts Professor Jaynie Anderson of the University of Me lbourne (and principal advisor for

Renaissance), Dr Vivien Gaston, Honorary Research Fellow at the School of Cu ltur e and Comm unication at the University of Me lbourne, Carl Villis, Conservator at the National Gallery of Victoria, and Dr Lisa Mansfield, Lecturer in Art History at

the U niversity of Adelaide. TI1e masterclass format was first introdu ced for the Galler y's 2009-10 exhibition Masterpieces from Paris: van Gogh, Gauguin, Cezanne and beyond and has proved extremely successf ul.

Significant Australian art identiti es Patrick McCaughey, Daniel TI1ornas, Ron Radford and Lyn Wi lliams shared insights and personal anecdotes about Fred Williams in the evening lecture series 'Reflections on Wi lli ams'. Irnants Tillers also gave his perspective on Fred Wi lliam s. Barbara C hapm an, Janda Gooding and Gary Dufour presented lectures for a series associated with Out of the W est: art of Western Australia from the national collection . The Contemporary

Australian Architects speaker series, now in its eighteenth year, was delivered in September 2011.

Various talks were presented throughout the year by Gallery curators , conservator s, educator s and other staff, and additional guest speakers included Tess Alias, Malcolm Allbrook, Ke iko Amenomori -Schmeisser, Dr Richard Barz, Professor Tim Bonyhady, Dr Candice Bruce, Ivan Durrant, G lenn Iseger-Pilkin gton, John Jones, Dr Philip Jones, Brian Ladd, Carly Lane, John Loane, Grazia M icciche, Mike Parr, Dr Ruth Pullin , Julie Ryder, Mahiriki Tangaroa, Dan iel1l1omas AM, Robin White and Irena Zdanowicz.

NAT IONAL GALLERY OF AUSTRALIA A I~NUAL REPORT 2011-12 53

Screenings and workshops

The Gallery presented over thirty films and thirty-one workshops relat ed to exhibitions and various aspects of the national art collection. The Ga llery also hosted the 8th Latin A m erican Film Festival in partnership with eleven Latin American emb assies (Mexico, Paraguay, Peru, Uruguay, Venezuela, Columb ia, Cuba, Chile, Brazil, Ecuador and Argentina) and the Council on A ustralia Latin Amer ican relations. The festival's opening event was attended by 250 dignitaries and ambassadors, and 2736 people attended screenings between 24 April and 4 May 2012.

Performances

A variety of performances held at the National Ga llery throughout the year provided audiences with alternative ways to experience the collection and exhibitio ns. Highlights included a selection of string compositions by pre-eminent A ustralian composer Peter Sculthorp e AO, OBE, in celebration of the art of Fred W illi ams, a unique performance of Early Renaissance music by Josie and the Emeralds, a program of Late Renaissance music performed by Aria-nominated Latitude 37 and The Song Company's Love in Venice, performed to a full house in the Gandel Hall. The Latitude 37 concert, La Bergamasca, was broadcast live on ABC C lassic FM in March 2012.

The Earthly Delights Historic Dance Academy performed a historical journey of the development of courtly dance from Early to Late Renaissance. They also performed during Renaissance late openings scheduled as part of Canberra's Enlighten festival. Lady's Mantle choral group and The Four Winds Recorder Ensemb le performed the following weekend of the Enlighten festival.

To celebrate the centenary of Jackson Pollock's birth and in association with the Canberra International Music Festival, the premiere ofMiroslav Bukovsky's jazz composition Blue poles was performed by A ria-winning jazz band Wanderlust.

PROMOTION OF GALLERY PROGRAMS

Marketing and promotional campaigns to drive visitors to the Gallery and raise the profile of the exhibition s, public programs and events were ongoing throughout the year. Exhibition marketing and promotional activity focused on Out of the We st:

art of Western Australia from the national collection, Fred Williams: infinite horizons, Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Be1gamo, Von Guerard: nature revealed and unDisclosed: 2nd National Indigenous Art Triennial.

Marketing support wa s also provided for key public programs, travelling exhibitions, commerc ial operations and membership events. Highlights included the concert series Mus ic at the Gallery, the National Au stralia Bank Summer Scholarship , the Wesfarmers Arts Indigenous Art Leadership program, Renaissance C hef and Curator D inners and the Sculptur e Bar featuring Veuve C licquot.

Research is conducted on the Gallery's major m arketing and promotional campaigns to inform and improve future campaigns.

Media relations

Media relation s were integral to the overall profile and promotion of the Gallery. Key media events included the announcement of Renaissance in August 2011 by the Hon Simon Crean MP , Minister for the Arts, the exhibition media preview of Renaissance in December 2011, the announcement of the acquisiti on of Henri Ma tisse's Oceania, the sea 1946 in February 2012, the media launch of the Goog le Art Project (Stage 2) in Ap ril2012, and the announcement of the major summer exhibition for 2012, Toulouse-Lautrec: Paris and the Moulin Rouge, in May 2012. A ll these events achieved a

high level of positive national media coverage.

Media Measures's independent evaluation of the media coverage of the exhibition Renaissance estimated the value of the coverage at approximately $17.2 million, the highest dollar value of media coverage ever achieved for an exhibition at the National Gallery of Australia.

Key partnership s with Nine Entertainment Company, including Nine Network Australia, Ticketek and ACP Magazines, as w ell as Murrays Coaches, Qantas In-flight and Qantas Holidays developed, adding significant benefit to the national marketing campaign for Renaissance. Existing partnership s with WIN Television , The Canberra Times, Fairfax Media (through The Age and the Sydney Morn ing Herald), JCDecaux and the Australian Broadcasting Corporation (through ABC Local Radio) continue to develop and add considerab le benefits to the Gallery's marketing campaigns and national profil e.

Visitor research

Visitor evaluation to understand interest in and satisfaction with the experience of a visit to the National Gallery of Australia, engagement with the national art collection and the online experience was ongoing throughout the year.

Several methods are used to collate this data, includin g face-to-face exit inter views, focus groups and online surveys, with visitors, both members and non-members.

Focus Groups were held in Sydney to assess the impact of the marketing campaign for Renaissance, and face-to-face exit intervie ws were hosted at the Gallery. A key finding of the exit interviews was that 93% of visitors had been reached by paid advertising prior to arriving at the Gallery. Other results indicated that 80% of visitor s were from interstate and that of 81% of these considered Renaissance their primary motivation for coming to the A ustralian Capital Territory.

Customer satisfaction w ith the visitor experience continues to rate very high, with 97% of visitor s satisfied or very satisfied with their visit.

Brand developm ent

The Gallery undertook a significant brand research and evaluation project to gain further insights into audience and visitor perspectives of the National Gallery of Australia brand.

Qualitative research in the form of focus groups were undertaken in Sydney, Melbourne and Canberra in addition to an online quantitative survey of national audiences.

Research results indicate that the three-year long brand project at the Gallery has resulted in

significant positive shifts in perception of the Gallery brand and visitor experience . The extensive project included the introduction of the new visual identity , the creation of brand television commercials promoting the national art collection, improved food and beverage, customer service training for staff and

the introduction of more events and activitie s aimed at families and young audiences.

Insights gained from this research have been used to inform the ongoing brand development strategy.

IMAGING AND DIGITISATION

In support of the Gallery's activities, 15120 works of art were digitised, a significant increase on the last year's figure of 10280. Refinements to new equipment and work practices continued and increased resources were allocated to assist the Gallery in reaching the new target of 18000 images per annum.

Major renovations to the digital processing room were completed, including installation of a new Macintosh Pro-based computer system and optic-fibre networking infrastructure to assist with the transfer oflarge files. A new Hasselblad Camera capable of taking gigapixel images (a digita l image composed of one billion pixels) came into service.

RESEARCH LIBRARY

The Research Library had two major initiatives this year:

" preserving vulnerable and rare material

" enhancing online access to the growing number of digital resources in the visual arts.

Statistics on the Research Library's other activities are outlined in the table below.

RESEARCH LIBRARY STATISTICS 2010-11 2011-12

Reference and research requests 3604 3316

Interlibrary loans and exchange 1145 1533

Circulation 2477 2334

A cquisitions: monographs 3327 3105

Acquisition s: arti st file s 11 438 8703

Cataloguing 22 491 l3335

NAT IO N A L GAL LERY OF AUSTRALIA A N NUAL REPORT 20 11- 12 55

Preservation of the collection

Preservation projects included unique Australian artist files, rare monographs, rare ballet programs and the identification and preservation of at risk audiovisual collections. Preservation and documentation of unique archival material for

primary research included the Janine Burke photographic archive, the Fred Williams archive and the Marion Kaselle papers of the Max Hutchinson Galleries, with additional finding aids published on the web to enhance accessibility and discovery.

Access to the collection

The Research Library launched its next generation catalogue for resource discovery, Primo, which provides access to a vastly increased pool of online research resources and enhanced information on

the Research Library's physical collections. Scholarly online resources for the visual arts were also acquired, especiaUy those linked to the Primo discovery platform. The installation of a wireless network

in the Reading Room has created accessibilit y for researchers to use their own computers and mobile devices to access these resources.

The Research Library continues to publish the Art Obituaries Database online, with 616 entri es added this year.

Acq uisition highlights

Major acquisitions included a significant donation of the Craft Australia (1971-2012) archives, including administrative records, publications, slides, and a multimedia database on the development and practice of the Australian Studio Craft Movement

from the 1960s to the early 1990s.

The Research Library continued to acquire important catalogues raisonne as well as Visionaire, a multi-format album of fashion and art produced by both famous and emerging artists from around

the world in exclusive numbered limited edition s. Rare acquisitions supporting the Pacific art included Les Sauvages de Ia mer Pacifique, Paris, 1805, and Tahiti I texte et photographies deL Gauthier, Paris,

1933. Other significant acquisition s were Humphrey McQueen's Men of flowers, Melbourne, 2010, and Donald Mennie's Glimpses of China: a series of Vandyck photogravures illustrating Chinese lif e and surroundings, Shanghai, 2011.

Va lue of gifts to the Research Library in 2011-12 totalled $122 260.

MEMBERSHIP

As at 30 June 2012, the number of financial members of the Gallery totalled 21 600, which is equivalent to 13 721 memberships. This is a decrease from 2010-11, which was 22498 members

and 13 911 memberships. All Australian states and territories are represented in the national membership. The majority outside of the Australian Capital Territory are in New South Wales and Victoria. Internationally, there are members in

New Zealand, the United Kingdom, Asia, North America and Europe.

The third Members Acquisition Fund campaign was launched in September 2011 to raise funds for the acquisition of Hawkesbury wildflowers and pears 1973, an important oil painting by Margaret

Olley. This program yielded a strong response with over 583 contributions totalling over $88 000.

This year saw many online improvements. Members can now go online to update their details, renew their membership, book members events and donate to the Members Acquisit ion Fund.

GOAL 3 SEC U RE AN D STRATEG ICALLY MANAGE RESOURCES

AND RE LATIO N S HIPS TO SUPPORT GALLERY OPERATIONS AND ACT IVIT IES

KEY STRATEGIES

3.1

3.2

3.3

Secure and strategically manage the Gallery's financial resources.

Strategically manage Gallery infrastructure and services.

Strategically manage risk and corporate governance.

3.4 Strategica lly manage human resources.

3.5 Develop and maintain strategic relationships.

COMMERC IAL OPERATIONS

The National Gallery of Australia generates revenue through commercial operations that supplement government and private funding. Commercial activities include retail and wholesale operations, venue hire and revenue from international and national distribution of Gallery publications and merchandise.

A wide selection of products and range of publications related to the collection and to exhibitions enables the Gallery to engage with audiences within and beyond the Gallery, extending and expanding the Gallery experience.

Commercial contracts include revenue collected for the grant of a licence to a catering contractor and revenue from venue hire at the Ga llery.

Total revenue earned from commercial operations in 2011-12 was $4.982 million, compared to $3.100 million in the previous year.

Reta il

The Gallery's retail strategy seeks to position the NGA Shop as a destination book and specialist gift shop. The strategy has an emphasis on books and design in the product offering, with a range of special events for Gallery members such as

the annual Christmas shopping evening and a quarterly book club that ranges from lively group

discussion s to in-conversation programs with authors around books with an art theme. The themed exhibition shops continue to be an integral and essential part of the strategy .

The shop performed well this year, offering a range of merchandise that extends access to the Gallery's collection s and provides a lasting memento of a visit.

The popularity of the Gallery's exhibition program was reflected in strong sales of product developed for a range of exhibitions, including Out of the West: art of Western Australia from the national collection, Fred Williams: infinite horizons and Renaissance: 15th and 16th century Italian painting s from the Accademia Carrara, Bergamo. The mo st

popular merchandise continues to be the ranges developed by the Ga llery, including postcard s, greeting cards, magnets, posters , framed prints , T-shirts and tea towels.

National Ga llery of Australia catalogue sales were strong, particularly for the exhibition books Fred Williams and Renaissance. The latter had very high sales. The Gallery also worked closely with James Kidman, Executive Chef, and catering partners Ten and a Half to published a cookbook, Renaissance table, to accompany the exhibition Renaissance. Sales for exhibition catalogu es for

Out of the W est and Varilaku: Pa cific art from the Solomon Islands also sold well.

Whol esa le and distr ibution

The Gallery continued to work with distributor s, nationally and internationally , to expand the distribution of National Gallery of Australia branded merchandise and catalogues. In March 2012, the Gallery entered a new business relation ship for the distribution of its publication s with NewSouth Books, a sales, marketing and distribution organisation owned by UNSW Press. This new relationship provides opportunities for the Gallery

to co-publish a range of books that may not be part of the Gallery's publishing program, to develop e-publishing and to convert existing saleable books to e-book formats.

NAT IONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 57

Venue hire

Ve nue hire continued to be popular w ith individual, corporate and government clients. Gandel Hall provides a unique venue for conference and event organisers, w ith events ranging from working breakfast seminars to gala corporate dinners. Ve nue hire was particularly strong during the major exhibiti on Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergam o,

w ith a large numb er of private view ings w ith external clients.

A w edding showcase was held in A pril to showcase the Ga llery's venues: the Gandel Hall and Sculpture Ga rden Restaurant for w edding receptions and the Sculpture Ga rden for wedding ceremonies.

Ca tering

Ten and a H alf provide a food and beverage service in all the Ga llery venues, includin g the Me mb ers Lounge, NG A C afe, Sculptur e Ga rden Restaurant and Street Cafe, which all continue to be popular destinations with visitor s to the Gallery.

A ll the venues benefited from the large crowds visiting for the summ er exhibition Renaissance: 15th and 16th century Italian paintin gs from the Accademia Carrara, Bergam o, w ith revenue

from catering operations for the year performing strongly.

The Sculptur e Ba r supported by Ve uve C licquot opened every Friday evening during Renaissance. The Sculptur e Bar offered a combination of art, food, drink and mu sic in the Sculpture Ga rden.

FACILITIES MANAGEMENT

The Gallery has a Strategic Asset Ma nagem ent Plan in place, in conjunction with a range of policies and procedures that govern how infrastructure and services are upgraded and m aintained. A com puterised ma intenance ma nagem ent system

is used to facilit ate all m aintenance activities. Ma intenance of the Gallery's plant, equipm ent and assets is performed jointl y by in-house technicians and outsourced contract support.

HERITAGE MANAGEMENT

W ith the assistance of specialist consultants the Ga llery prepared a heritage strategy in accordance w ith its obligations under section 341ZA of the Environ //lent Protection and Biodiversity Co nservation Act 1999 (Cwlth).

This heritage strat egy m eets both the G allery's specific obligations to prepare a heritage strategy in relation to the land it manages and its general obligations under the Environment Protection and Biodiversity Conservation A ct to take no action

that has, will have or i s likely to have a significant impact on the environment unless approved by the M inister for Sustainability, Environment, Water, Populati on and Com mun ities.

ECOLOGICALLY SUSTAINABLE DEVELOPMENT AND

ENVIRONMENTAL PERFORMANCE

Ecologically Sustainable Development (ESD) rem ains a key objective for the Ga llery and is being applied to the developme nt of plans for the enhancem ent and ongoing m aintenance of the buildin g and the Ga llery's operations. The follow ing is a s umm ary of the Gallery's activities in 2011-12 in accordance w ith the Environment Protection and Biodiversity Con servation Act 1999 (Cwlth).

How the Gallery's activities accord w ith the principles of ESD - section 516A(6)(a)

The Gallery works closely with the Departm ent of C limate Change and Energy Efficiency and other national cultural instituti ons under the portfolio of the D epartm ent of R egional A ustral ia, Local Government, A rts and Sport to assist in the developm ent of policies relati ng to the operation of public buildings that house national collections.

C ultural institutions are required to ma intain temperature and relative humidity within set parameters resulting in significant use of electri city, water and gas. The Gallery closely m onitors the operation of plant and equipment and stri ves for maximum efficie ncy, endeavouring as far as practicable to reduce the total amoun t of resources used.

TI1e Gallery has install ed and operates a tri-generation

system to generate electricit y.

The Gallery has participated in m eetings w ith other cultural institution s in relation to matters of common interest, including methods for achieving savings in the use of wa ter, gas and electri city. C onsideration is also being given to the possibilit y of seasonal variation of set points for temp erature and

relative humidity to achieve savings in utilit y costs.

The Gallery continues to focus on minimising wa ste by addressing procurem ent policy, waste-reduction, w aste-reuse and waste-recycling activiti es. The Ga llery re-uses w aste water from the reverse osmo sis plant, and that w ater i s returned to a storage tank and used for irrigation and/or in bathroom am eniti es in the building.

The Gallery parti cipates, in conjunction with other institution s, in joint procurement exercises to achieve com petiti ve prices for the supply of goods and services.

Ho w the administration of legislation accords with the principles of ES D " section 51 6A(6)(b)

TI1e outcom e specified for the Ga llery in the

Portfolio Bud get Statem ents 2011-12 is 'increasing understanding, know ledge and enjoym ent of the visual arts by providing access to, and information about, works of art locally, nationally and internationally'. The Galler y achieves this outcom e

through collection developm ent, collection ma nagem ent and access to and promotion of w orks of art.

W hile ESD is not specifically noted as a criterion w ithin the Portfolio Budget Statem ents, the Gallery acknowledges the im plications to ES D parti cularly in the area of C ollection Ma nagem ent. TI1is relates to the requirem ent to m aintain environm ental conditi ons within set param eters of tem perature and relative humidity.

The effect of the Ga llery's activities on the environment- section 516A (6)(c)

The Gallery's operations in m eeting its outcom es do have a negative impact on the environm ent through the use of non-sustainable resources- gas, wa ter, electricity, paper and exhibiti on materials as

well as the generation of waste products. Howev er, the impact on the environm ent is as m inima l as possible due to the highly efficient operation of plant and equipment, excellent m aintenance regimes and careful use of resources.

M ea sures the Ga llery is taking to minimise the im pact of its activit ies on the environm ent-sect ion 516A (6)(d)

The Gallery m aintains a s trong commi tm ent to improving its environm ental performance. The Ga llery continues to focus on m inim ising waste by addressing procurement policy, waste-reduction, waste-reuse and waste-recycling activities. Activiti es undertaken to improve environm ental performan ce include:

" continuously m onitoring plant and equipment performance so as to ma ximise efficiency of operation

" implem enting recomm endations for energy conservation from an energy audit

" sending photocopier and print er toner cartridges to Planet A rk for recycling

" settin g printers to print in duplex by default

" recycling office paper and cardboard

" leasing fleet vehicles, w hich takes into account the green vehicle guide produced by the A ustralian G reenhouse Office

" recycling restaurant cooking oil

" using recycled paper as mu ch as possible in office operations.

M echan isms for reviewing and increasing the effectiveness of these meas ures-section 516A(6)(e)

The Gallery's recording of its use of gas, w ater, electricity and of the volume of recycled ma terials enable comparable assessm ents to be undertaken each year to determine where improvemen ts can be m ade. The Gallery comp lies with the A ustralian Governme nt's energy efficien cy policies and reports annually its energy performance to the Department of C limate Change and Energy Efficiency through the O nline System for C omp rehensive A ctivity Re porting.

NAT IONAL GALLERY OF A U STRA LIA ANNUAL REPORT 2011 -12 59

WORK HEALTH AND SAFETY

The following matters are reported as required under Schedule 2, Part 4(2) of the V{ork H ealth and Safety A ct 2011.

Initiatives

A number of initiatives were taken to ensure the health, safety and w elfar e of workers and visitors, with a strong focus on risk managem ent. Achievements include:

" reviewing and amending nineteen work health and safety polici es

" developing and implem enting one new work health and safety policy

" expanding Gallery-wide registers covering:

" risk assessments

" standard work procedures

" job safety analysis

" implem enting, wh ere reasonably practicable to do so, the recomm endations from both internal and external audits

" reviewing and recording statistics on workplace injuri es and illne sses to identif y trends

" providing wo rk health and safety training.

Health and safety outcomes

H ealth and safety outcom es we re achieved through G allery initi atives. Positive Performance Indicators show the level of uptake of positi ve work health and safety man agem ent processes and dem onstrate the Gallery's performance, giving a better indication of the preventative actions implem ented to minimise harm within the workplace. The follow ing table shows the relationships between initi atives,

measures and outcomes when using Positiv e Performance Indicators.

WORK HEALTH AND SAFETY POSITIVE PERFORMANCE INDICATORS

Initiatives

Workplace inspections

Work health and safety training

H ealth program s

Wo rkstation assessm ents

Developm ent of safe wo rk procedures and ongoing risk managem ent strategies

Early intervention for lost " tim e injuries

Measures

212 workplace inspections w ere undertaken, w ith 307 hazards being identified . 61% of the identifi ed hazards have had corrective actions applied w ith the rem ainder scheduled for com pletion w hen reasonably practicable to do so.

72 staff attended WH &S training.

12 diff erent courses were attended by staff.

The follow ing health program s were m ade available for staff participation: Canberra Fun Ru n, influ enza vaccinations. health checks and yoga.

All staff employed for 5 m onths or more received an ergonom ic wo rkstation assessm ent. A total of25 ergonomic assessm ents we re undertaken.

95 incidents were reported, w ith 8.42% resultin g in serious injury.

lhe incidence rate of notifi able incidents is 2.63%. 1

TI1e incidence rate of lost-time injury was 26%. 2 111e target was set at 40%.

The rate of average weeks of lost time was 2.6%.l The target was set as 3.6%.

Expected outcomes

Reduced illness and injury

Reduced costs

Increased productivity

I) The incidence rate of notifi able incidents is calculated using the num ber of notifi able incidents per 1000 full-time equivalent em ployees. 2) The incidence rate oflost-time injury is calculated by the numb er of serious lost-time injuries per 1000 full-time equivalent employees. 3) TI1e rate of average weeks of lost tim e is calculated using the average weeks oflost time per 1000 full-tim e equivalent employees.

WORKFORCE PLANNING

Staff are employed under the National Gallery Act 1975. Tw elve ongoing staff resigned and three retired. This represents a turnover rate of ongoing staff of7.5%. On 30 June 2012, the Ga llery emp loyed 301 staff, made up of 200 ongoing staff

(81 male and 119 female), 36 non-ongoing staff (14 male and 22 female) and 65 casual employees (30 male and 35 female). The 200 ongoing staff, a decrease from 201 in 2010-11, comprised 175

full-time and 25 part-time employees.

The average staffing level during the year was 250.17 full-time equivalent, including staff engaged to service major exhibitions, which was a decrease from 262.07 in 2010-11.

Senior Executive Service

As at 30 June 2012, the Gallery had four male and one female Senior Executive Service equivalent officers . The Director is Australian Public Service (APS) Senior Executive Service (SES) Band 3 equivalent, the Deputy Director i s APS SES Band 2 equivalent, and the three Assistant Director positions are APS SES Band 1 equivalent.

Enterprise Agreement

Following successful negotiation s for a new Enterprise Ag reem ent, Fair Work Au stralia approved the National Gallery of Australia Enterpri se Agreement

2011-2014 on 4 January 2012.

Australian Workplace Agreements and Common Law Agreements

Three Australian Workp lace Agreem ents and two Common Law Agreements were current as at 30 June 2012, with only Senior Executive Service staff remaining on these Agreements. All other staff are covered by the condition s of the Enterprise

Ag reem ent.

Performance pay

Performance bonuses totalling $62 689 were paid to eligible employees. The amount of each bonus is determined by performance review.

Workplace diversity and equal employment opportunity

The Gallery values the contribution made by all staff through their diversity of backgrounds, experiences and perspectives. The Gallery continues to implement the strategies of our Workplace Diversity Plan.

Industrial democracy

The Gallery is committed to consultin g and communicating with emp loyees and emp loyees' representatives about workplace issues. The Gallery Consultative Committee m et on five occasions during the year. Its agreed purpose is to discuss workplace issues in a spirit of cooperation and trust.

Individual Development and Performance Agreements

Individual Development and Performance Agreements (IDPAs) enable staff, in consultation with their supervisors, to achieve a shared understanding of key strategic priorities and to

identif ying training and development needs for career planning, includin g in relation to the key areas of work health and safety, caring for the collection, and risk management.

IDPA s contribut e to the development of a strong performance cultur e, increase productivity and individual performance and ensure the alignm ent of individual effort to the key strategies and target s identified in the Gallery's annual and strat egic plans.

The IDPA process provides for formal feedback every six months as to the individual' s performance against key activities.

Learning and development

Staff partic ipated in a broad range of corporate, program and professional learning and development activities.

A numb er of targeted , Ga llery-specific training packages we re provided, including the NGA 3/4 Development Program, Australian Quarantine and Inspection Service Accreditation, Care of the Collection, Art Handling, Disaster Recovery, Risk Management and Bu siness Continuity Planning.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 61

General learning and development activities covered a wide range of programs includin g: Information Technology, Time Management , Effective Commu nication, Writing Skills, Financial Management, Me ntal Health First A id and Effective

People Management. Additionall y, a number of staff attended a variety of conferences, seminars and symposiums.

Expenditur e on staff learnin g and development during the year totalled $150958.

DEVELOP AND MAINTAIN STRATEGIC RELATIONSHIPS

The nature of the Ga llery's business requires it to deal w ith Commonw ealth, state and local government representativ es and agencies, as we ll as diplomati c missions, art dealers, auction houses, other galleries and mu seum s, universiti es, art schools, schools, and related professional bodies, nationally and internationall y.

Interaction with other agenc ies

1he Gallery has worked cooperatively with the Office for the Arts, Department of Regional Australia, Local Government, Arts and Sport and other portfolio agencies and continues to consult and act collaboratively.

The Gallery wo rks collaboratively and cooperative ly w ith other agencies through the Commo nwealth C ultural , Collecting and Exhibitin g Agencies Corporate Management Forum. The purpose of the forum is to explore and implem ent opportunities for ongoing collaboration between cultur al agencies with regard to provision of corporate services and other areas of common interest. The forum met on four occasions during the year and considered such

issues as joint procurement opportuniti es, shared services, collection depreciation arrangements, enterprise agreements, human resource management, information technology, work health and safety, the efficiency dividend and financial management, risk management, insurance and facilities management.

The forum's working groups met on a total of twelve occasions and focused on operationa l issues related to financia l management, facilities m anagem ent, hum an resource management, risk management, insurance and information technology.

Non-government stakeholders

The Gallery continues to develop and maintain positive relationships and wo rk collaborative ly and cooperative ly with colleagues in other collecting institution s, the private sector and the m edia.

National Gallery of Australia Fo undation

The National Gallery of A ustra lia Foundation is a not-for-profit organisat ion establis hed to support the Gallery. It is a company limited by guarantee under Corporations Law . The Foundation is governed by a Board of D irectors appointed by the Gallery's Co uncil. TI1e Foundation Board includes

the Gallery's Director, the Council C hair and two Council memb ers. John Hindmarsh was appointed as Chairman of the Foundation in October 2010.

The activities of the Foundation are focused primarily on generating funds for the acquisiti on of works of art in accordance w ith the Ga llery's published Acquisitions Policy and ten-year acquisition strat egy. The Gallery's financial

reports incorporate the financial activit ies of the Foundation.

The Foundation gratefully received cash donations in support of a numb er of campaigns, includin g the Masterpieces for the Nation Fund, Members Acquisition Fund and 100 Works for 100 Yea rs. The 100 Works for 100 Years program seeks to raise funds for the acquisition of one hundred signific ant

works of art in celebration of Canberra's centenar y in 2013.

The Foundation also received many generous gifts of important works of art and a number of significant bequests that greatly assisted the Gallery to make strat egic acquisitions and further develop the national art collection.

The National Gallery of Australia Foundation Annual Report 2011-12 details the operations and activities of the Foundation and lists the Board of Directors. Further information can be obtained by contacting the Foundation Office via telephone, +61 2 6240 6408, or email, foundation @ nga.gov.au.

Am erican Friends of the National Ga llery of Australia

American Friends of the National Gallery of Australia, Inc is an independent charitable organisation in the United States of America. Since it was established in 1983, the Friends organisation has made generous donations to

the Gallery in support of events, activities and acquisitions and has facilitated loans of significant works of art. The Friends organisation has recently enjoyed the generous support of donors such as K enneth E Tyler AO, Marabeth Cohen-Tyler, Graham Howe, Dr Lee MacCormick Edwards, Susan Talbot, and Elaine and Jim Wolfensohn

through the Wo lfensohn Family Foundation.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011 -12 63

Australian National

Audit Office

IN D E PEN D ENT AU DITOR 'S R E POR T

T o the Minister for the Arts

I have audited the accomp anying financial statem ents of the Na tional Ga lle1y of Australia and controlled entiti es for the year ended 30 June 2012, w hich comprise: the Statem ent by the Co uncil, Chief Executive and Chief Financial O fficer; Statement of Compre hensive

Incom e; Balance Sheet; Statem ent ofChanges in Equity; Cash Flow Statement; Schedule of Co mmitm ents; Schedule of Co ntingencies; and No tes to and F01m ing Part of the Financial Statem ents, including a Summ a1y of Significant Accounting Policies. The consolidated entity com p " â‘ ises the Na tional Ga lle1y of A ustralia and the entiti es it controlled at the year's end or f rom time to time during the financial year.

Councils' R e!!>ponsibility for the Financial Statem ent ...

The m emb ers of the Co uncil of the Na tional Ga lle1y of Au stralia are responsible for the preparation of the financial statem ents that give a true and fair view in accordance w ith the Finance M inister's O rders m ade under the Comm onll'ea lth Authorities and Co mpanies Act /997, includin g the Au stralian Accounting Standards, and for such intem al control as is necessa1y to enable the preparation of the financial statem ents that give a true and fair view and are free from m ate1ial misstatem ent, whether due to fraud or error.

Auditor's Responsibility

M y responsibilit y is to express an opinion on the financial statem ents based on my audit. I have conducted my audit in accordance w ith the Au stralian Na tional A udit Office A uditin g Standards, w hich incorporate Australian A uditing Standards. These auditing standards require that I comply with relevant ethical r equirem ents relating to audit engagem ents and plan and perfom1 the audit to obtain reasonable assurance about w hether the financial statem ents ar e fiâ‘ee from m aterial misstatem ent.

An audit involves performing procedures to obtain audit evidence about the am ounts and disclosures in the financial statem ents. The procedures selected depend on the auditor's judgem ent, includin g the assessm ent of the 1isks of mate1ial misstatem ent of the financial statem ents, wh ether due to fraud or enor. Ln m aking those risk assessm ents, the auditor

considers intemal control r elevant to the National G alle " y of Au stralia's preparation of the financial statem ents that give a true and fair view in order t o design audit procedures that are approp1iate in the circum stances, but not for the pUipose of expressing an opinion on the efTectiveness of the Na tional Ga llery of A ustralia's internal control. An audit also

includes evaluating the appropriateness of the accounting policies used and the reasonableness of accounting estimates m ade by the Council, as we ll as evaluating the overall presentation of the financial statements.

GPO Box 707 CANBERRA ACT 2601 19 National Circuit BARTON ACT 2600 Phone (02) 6203 7300 Fax (02) 6203 7777

I believe that the audit evidence I have obtained is suffic ient and appropt;ate to provide a basis for my audit opinion.

Independence

In conducting my audit, I have followed the independence requirements of the Australian National Audit Office, which incorporate the requirements of the Australian accounting profession.

Opinion

In my opinion, the fmancial statements of the National Gallety of Australia and controlled entities:

(a) have been prepared in accordance with the Finance M inister's Orders made under the Commonwea lth Authoriti es and Companies Act 1997, including the Australian Accounting Standards; and

(b) give a llue and fair view of the matters required by the Finance Minister 's Orders including the consolidated entity's financial position as at 30 June 20 I 2 and of its financial perf01mance and cash flows for the year then ended.

Australian National Audit Office

Sean Benfield

Senior Director Delegate of the Aud itor-General

Canberra

29 August 2012

NATIONAL GALLERY OF AUSTRALIA ANNUAL FlEPORT 2011-12 67

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES

STATEMENT BY THE COUNCIL, CHIEF EXECUTIVE AND

CHIEF FINANCIAL OFFICER

In our opinion. the attached financial statements for the year ended 30 June 2012 are based on properly maintained financial records and give a true and fair view of the matters required by the Finance Minister's Orders made under the Commonwealth Authorities and Companies Act 7997. as amended.

In our opinion, at the date of this statement, there are reasonable grounds to believe that the National Gallery of Australta will be able to pay its debts as and when they become due and payable.

This statement is made in accordance with a resolution of the Council.

Tim Fairfax AM Chairman 29 August 2012

Ron Radford AM Director 29 August 2012

David Perceval Chief Financial Officer 29 August 2012

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES

STATEMENT OF COMPREHENSIVE INCOME For the year ended 30 June 2012

CONSOLIDATED NGA

Note 201 2 2011 201 2 2011

$'000 $'000 $'000 $'000

EXPENSES

Emp loyee benefits 3A 20,892 19,652 20,892 19,652

Supp lier expenses 38 18,386 18,371 18,386 18,357

Depreciation and amortisation 3C 18,183 16,340 18,183 16,340

Write-down and impairment of assets 30 408 82 301 54

Losses from asset sales 3E

Total expenses 57,869 54.445 57,762 54.403

LESS:

OWN-SOURCE INCOME Own-source revenue

Sa le of goods and rendering of services 4A 8,659 4.120 8,659 4,120

Contributions 48 10,947 10,155 9,925 14,240

Interest 4C 657 251 520 88

Works of art - gifts 40 2,979 5.447 3,035 5,501

Other 4E 1,635 3,652 1,621 3,623

Total own -source revenue 24,877 23.625 23.760 27,572

Gains

Sale of assets 4F

Other gains 4G

Total gains

Total own-source income 24,877 23,625 23.760 27.572

Net cost of services (32,992) (30,820) (34,003) (26,831)

Revenue from government 4H 32,609 32,598 32,609 32,598

Surplus/(Deficit) attributable to the Au stralian Government (383) 1,778 (1,39 4) 5.767

OTHER COMPREHENSIVE INCOME

Changes in asset revaluation reserves 403,794 240.013 403,794 240,013

Total other comprehensive income 403.794 240,013 403,794 240,013

Total comprehensive income attributable to the Au stralian Government 403,411 24 1,791 402,400 245,780

The above statement should be read in conjunction with the accompa nying notes.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 201 1-12 69

NATIONAL GALLERY OF AUSTRA LIA AND CO N TROLLED ENT ITIES

BALANCE SHEET As at 30 June 201 2

CONS O LIDATED NGA

Note 201 2 2011 201 2 2011

$'000 $'000 $'000 $'000

ASSETS

Financial assets

Cash and cash equivalents 5A 11,917 5,015 8,232 2.477

Trade and other receivables 5B 1,096 1.745 1,053 1.678

Other investment s 5C 1,193 1.299

Other 50 76 13 72 5

Total financial assets 14,282 8.072 9,357 4.160

Non-financial assets

Land and buildings 6N E 306,850 323,682 306,850 323,682

Property, plant and equipm ent 6B/E 2,058 1,993 2,058 1,993

Heritage and cultural assets 6C/E 4,602,055 4,174,925 4,602,055 4,174,925

Intangible s 60/E 461 503 46 1 503

Inventories 6F 1,223 1,339 1,223 1.339

Other 6G 33 33

Total non-financi al assets 4,912,680 4.502.442 4,912,680 4,502.442

To tal assets 4,926,962 4,510,515 4,922,037 4,506,602

LIABILITIES

Payab les

Sup plier s 7A ( 1,311 ) (2,198) (1,302) (2,191)

Other 7B (1,499) (1,571) (1,499) (1.571)

To tal payables (2,810) (3.769) (2,801) (3.762)

Interest bearing liabilities

Loan s 8A (3,000 ) (6,000) (3,000) (6,000)

Total Interest bearing liabiliti es (3,000 ) (6.000) (3,000) (6.000)

Provisions

Emp loyee provisions 9A (5,995 ) (5.219) (5,995) (5.219)

Total provisions (5,995) (5,219) (5,995) (5,219)

Total li abiliti es (11,805) (14,988) (11 ,796) (14,981)

N et assets 4,915,157 4.495,527 4,910,241 4.491,622

EQUIT Y

Co ntributed equity 216,160 199,941 216,160 199.941

Reserves 4,028,284 3,624.490 4,028,284 3,624.490

Retained surplus 670,713 671,096 665,797 667.191

Total equity 4,915,157 4.495,527 4,910,241 4.491,622

Th e above statement should be read in conjunction with the accompanying notes.

CONSOLIDATED 11 (/) z

; )>

Asset Contributed ...... -i

Retained surplus revaluation reserve equity/capital Total equity

.-+

0 :::J ~ CD z 2012 2011 2012 2011 2012 2011 2012 2011 -< m )> $'000 $'000 $'000 $'000 $'000 $'000 $'000 $'000 CD s r Q) Gl Opening balance m )> CD 2 r Ba lance carried forward from previous period 671,096 669,318 3,624,490 3,384.477 199,941 182,166 4,495,527 4,235,961 ::J r o_ -1 m Adjustm ent for changes in accounting polic1es CD :::0 o_ 0 -< Adjusted opening balance 671,096 669,318 3,624,490 3,384.477 199,941 182,166 4,495,527 4,235.961 w ., 0 0 "T1 Comprehensive income <- n )> c :I: c Revaluation adjustment 403,794 240,013 403,794 240,013 ::J (/) CD )> -i Surplus for the period {383) 1,778 {383) 1,778 2 :::0 N )> Total comprehensive income 670,713 671,096 4,028,284 3,624,490 199,941 182,166 4,898,938 4.477.752 0 G) r N m )> Transactions with owners (/) )> z Contributions by owners - 0 Equity injection 16,219 17.775 16,219 17,775 2 n 0 Sub-total transactions with owners 16,219 17,775 16,219 17,775 m z 0 -i :::0 Closing balances as at 30 June c 0 670.713 671 .096 4,028,284 3.624.490 216,160 199.941 4,915,157 4,495,527 - r -1 r < m 0 2 NGA m ~ Asset Contributed z 0 ::! 2 Retained surplus revaluation reserve equity/capital Total equity ::! )> m ,.... 2012 2011 2012 2011 2012 2011 2012 2011 (/) Cl )> S'OOO $'000 S'OOO $'000 S'OOO $'000 S'OOO $'000 ,.... ,.... Opening balance m ::0 < Balance carried forward from previous period 667,191 661.424 3,624,490 3,384,477 199,941 182,166 4,491,622 4,228,067 0 "T'I Adjustmen t for changes in accounting policies )> c Adjusted opening balance 667,191 661.424 3,624,490 3,384.477 199,941 182,166 4,491,622 4,228,067 rJ) -1 ::0 Comprehensive Income )> ,.... :; Reva luation adjustment 403,794 240,013 403.794 240,013 )> z {Deficit)/Su rplus for the penod {1,394) 5.767 {1,394) 5,767 z Total Comprehensive income 665,797 667,191 4,028,284 3,624,490 199,941 182.166 4,894,022 4.473,847 c )> ,.... Transactions with owners ::0 m Contributions by owners -o 0 :::0 -1 Equity inject ion 16,219 17,775 16,219 17.775 N Sub-total transactions with owners 16,219 17,775 16,219 17.775 =: I N Closing balances as at 30 June 665.797 667.191 4,028,284 3.624.490 216,160 199,941 4,910,241 4.491,622 .... ....

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES

CASHFLOW STATEMENT For the year ended 30 June 2012

CONSOLIDATED NGA

Note 2012 2011 2012 2011

$'000 $'000 $'000 $'000

OPERATING ACTIVITIES

Cash received

Goods and services 24,618 17,316 22,116 14,398

Receipts from Government 29,609 29,598 29,609 29.598

Interest 642 286 502 115

Net GST received 112 1,732 121 1,725

Total cash received 54,981 48.932 52,348 45,836

Cash used

Em ployees (22,891) (22,810) (22,891) (22,810)

Suppliers (22,219) (20,820) (20,733) (13,723)

Net GST paid

Total cash used (45, 110) (43,630) (43,624) (36.533)

Net cash from/(used by) operating activities 10 9,871 5,302 8,724 9,303

INVESTING ACTIVITIES

Ca sh received

Proceeds from sale of property, plant and equipment

Proceeds from sale of shares

Total cash received

Cash used

Payments for property. plant and equipment (2,395) (17,664) (2,395) (17,664)

Payments for collection assets (16,793) (11,387) (16,793) (11,387)

Payments for shares (68)

Total cash used (19, 188) (29.119) (19,188) (29,051)

Net cash from/( used by) investing activities (19,188) (29,119) (19, 188) (29,051)

FINANCING ACTIVITIES Cash received

Contributed equity 16,219 17,775 16,219 17,775

Total cash received 16,219 17,775 16,219 17,775

Net cash from/{used by) financing activities 16,219 17,775 16,219 17.775

Net increase/(decrease) in cash held 6,902 (6,042) 5,755 (1,973)

Cash and cash equivalents at the beginning of the reporting period 5,015 11,057 2,477 4,450

Cash and cash equivalents at the end of the reporting period 5A 11 ,91 7 5,015 8,232 2,477

The above statement shou ld be read in conjunction w ith the accompanying notes.

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES

SCHEDULE OF COMMITMENTS As at 30 June 2012

CONSO LIDATED

2012 20 11

$'000 $'000

BY TYPE Commitments receivable

Ne t GST recoverable on commi tments 144 77

Total commitments receivable 144 77

Commitments payable C apital commitments

Land and buildings' (737)

Prope rty, plant and equipme nt2 (53) (371 )

Works of art (1,676)

Total capital commitments (53) (2,784)

Other commitments

Operating leases3 (74) (42)

O ther com mitm en ts " (1,477) (60)

Total other commitments (1,551) (102)

Net commitments by type (1,460) (2,809)

BY MATURITY

Commitments receivable

One year or less 142 77

From one to five years 2

Total commitments receivable 144 77

Commitments payable Capital commitments

One year or less (53) (2,784)

From one to five years Total capital commitments (53) (2,784)

Operating lease commitments

One yea r or less (44) (42)

From one to five years (30)

Total operating lease commitments (74) (42)

Other commitments

One yea r or less (1,477) (60)

Total other commitments (1,477) (60)

Net commitments by maturity (1,460) (2,809)

Commitmen ts are GST inclusive where relevant.

Notes 1. Ou tstanding contractual payments for the G allery building enhancement project. 2. Plant an d equipme nt comm itm ents are prim aril y pu rchase orders for the purchase of equipmen t.

NGA

2012

$'000

144

(53)

(74)

(1,477)

(1,551)

(1,460)

142

144

(53)

(44)

(30)

(74)

(1,477)

(1,460)

3. Ope rating leases included are et f ect i~e l y non-cancellabl e and compr ise vehicle leases w here purchase options are not available. 4. O ther commi tmen ts include purchase orders raised as at 30 June 2012 whe re t11e goods or services have not been provided.

2011

$'000

(737)

(371)

(1,676)

(2.784)

(42)

(60)

(102)

(2,809)

(2.784)

(2,784)

(42)

(60)

(2.809)

NAT IONAL GALLERY OF AUSTRALIA AI~NUAL REPORT 2011-12 73

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES

SCHEDULE OF CONTINGENCIES As at 30 June 2012

CONSOLIDATED

Land and buildings Total

Note 2012 2011 2012

$'000 $'000 $'000

Contingent assets

Balance from previous period 11 750 750 750

New 185 185

Total contingent assets 935 750 935

Contingent liabilities

Balance from previous period

Ne w

Total contingent liabilitie s

Net contingent assets 935 750 935

The above schedule should be read in conjunction with the accompanying notes.

2011 $'000

750

NGA

Land and buildings Total

2012 2011 2012 2011

$'000 $'000 $'000 $'000

750 750 750 750

185 185

935 750 935 750

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIE S

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

NOTE DESCRIPTION

Summary of significant accounting policies

2 Events after the reporting penod

3 Expenses

4 Revenue

5 Financial assets

6 Non-financial assets

7 Payables

8 Interest bearing liabilities

9 Provisions

1 0 Cash flow reconciliation

11 Contingent liabilitie s and assets

12 Executive remuneration

13 Remuneration of Council members

14 Remuneration of auditors

15 Related party disclosures

16 Financial instruments

17 Compensation and debt relief

18 Reporting outcomes

19 Net cash appropriation arrangements

20 Financial assets reconciliation

21 Prior-period error

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 75

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

1. SUMMARY OF SIGNIFICANT ACCOUNTING POLICIES

1.1 Objective of the National Gallery of Australia

The National Gallery of Australia is an Australian Government controlled entity. The objective of the National Gallery of Australia IS to serve the public by enhancing understanding and enjoyment of the visual arts. The Ga llery serves the public through the effect1ve and efficient use of its collections, which will be developed, researched, preserved, displayed, interpreted, and complemented with exhibitions and loans.

The National Gallery of Australia is structured to meet a single outcome:

Outcome 1: Increased understanding, knowledge and enjoyment of the visual arts by providing access to and information about works of art locally, nationally and international ly.

Th e continued existence of the National Ga llery of Australia in its present form and with its present programs is dependent on Government policy and on continuing Government revenues for the National Gallery of Australia's administration and programs.

1.2 Basis of preparation of the financial statements

The consolidated financial statements and notes of the National Ga llery of Australia, the N ational Gallery of Australia Foundation and the Gordon Darling Australia Pacific Print Fund are required by clause 1 (b) of Sched ule 1 to the Commonwealth Authorities and Companies Act 1997 (CAC Act) and are a general purpose financial report.

The financial statements and notes have been prepared in accordance with:

" Finance Minister's Orders (FMOs) for reporting periods ending on or after 1 July 2011

" Australian Accounting Standards and Interpretations issued by the Australian Accounting Standards Board that apply for the reporti ng period.

The financial statements have been prepared on an accrual basis and are in accordance with historical cost convention. except for certain assets at fair value. Except where stated, no allowance is made for the effect of chang1ng prices on the results or the financial position.

The financial stateme nts are presented in Australian dollars and values are rounded to the nearest thousand dollars unless otherwise specified.

Unless an alternative treatment is specifically required by an Accounting Standard or the FMOs, assets and liabilities are recognised in the Balance Sheet when and only when it is probable that future economic benefits will flow to the National Gallery of Australia and the amounts of the assets or liabilities can be reliably measured . However. assets and liabilities arising under executor contracts are not recognised unless required by an Accounting Standard. Liabilities and assets that are unrecognised are reported in the Schedule of Commitments or the Schedule of Contingencies.

Unless alternative treatment is specifically required by an Accounting Standard, revenues and expenses are recognised in the Statement of Comprehensive Income when and only when the flow. consumption or loss of economic benefits has occurred and can be reliably measured.

The consolidated financial statements are those of the economic entity, comprising the National Gallery of Australia (the parent entity). the National Gallery of Australia Foundation and the Gordon Darling Australia Pacific Print Fund. The accounts of the National Gallery of Australia Foundation and the Gordon Darling Australia Pacific Print Fund are prepared for the period 1 July 2011 to 30 June 2012 using acc;ounting polic1es consistent with those of the National Gallery of Australia. The effects of transactions and balances between the entities are elimmated in full.

Compar<~tive revisions

Compa rative inlomation has been revised where appropriate to enhance comparability. Unless disclosed in Note 21 as a prior period error. the coonparat1ve information revisions have had no impact on total assets, total liabilities and net cost of services.

1.3 Significant accounting judgements and estimates

In the process of applying the account,ng policies listed in this note, the National Gallery of Australia has made the following judgements thdt have the most significant impact on the amounts recorded in the financial statements:

" The fair value of land and buildings has been taken to be the market value of similar properties as determined by an independent valuer. In some instances, the National Gallery of Australia buildings are purpose built and may in fact realise more or less in the market.

" The fa1r value of heritage and cultural assets has been taken to be the market value of similar heritage and cultural assets as determined by an independent valuer. In some instances. the sale of the heritage and cultural assets may in fact realise more or less in the market.

No accountmg assumptions or est1mates have been identified that have a significant risk of causing a material adjustment to carrying arr~ounts of assets and liabilities within the next accounting period.

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS For the year ended 30 June 2012

1.4 Correction of prior-period errors

The Gallery has one prior-period error that has been reflected in the 2011-12 financial statements. The effect of this error is disclosed in Note 21.

Heritage and cultural assets

The 2011-12 identified error relating to the 2010-11 valuation of heritage and cultural assets. The net impact of this error was an undervaluation of $272.450 million. The Gallery has restated the opening balance to $4.175 billion as at 30 June 2011 to reflect the additional $272.450 million valuation adjustment not identified in the 2010-11 revaluation process. An increase of $272.450 million has been applied to the asset revaluation reserve identified in the Statement of Comprehensve Income .

1.5 New Australian Accounting Standards

Adoption of new Australian Accounting Standards requirements

No Accounting Standard has been adopted earlier than the application date as stated in the standard. The new standards. revised or amended standards or interpretations issued prior to the signing of the statement by the Council, Chief Executive and Chief Financial Officer and app licable to the current reporting period do not have a material financial impact on the National Gallery of Australia.

Other new standards, revised or amended standards or interpretations that were issued prior to the signing of the statement by the Council, Chief Executive and Chief Financial Officer and are applicable to the current reporting period did not have a financial impact and are not expected to have a future financial impact on the entity.

Future Australian Accounting Standards requirements

New standards, revised or amended standards or interpretations issued by the Australian Accountmg Standards Board prior to the signing of the statement by the Council. Chief Executive and Chief Financial Officer have been considered. and it is estimated that the impact of adopting these pronouncements, when effective, will have no material fmancial1mpact on future reporting periods.

1.6 Revenue

The revenues described in this note are revenues relating to the core operating activities of the National Gallery of Australia and of the consolidated entity.

Revenue from the sale of goods is recognised when:

" the risks and rewards of ownership have been transferred to the buyer

" the seller retains no managerial involvement nor effective control over the goods

" the revenue and transaction costs incurred can be reliably measured

" it is probable that the economic benefits associated with the transaction will flow to the Gallery.

Revenue from rendering of services is recognised by reference to the stage of completion of contracts at the reporting date. The revenue is recognised when:

" the amoun t of revenue, stage of completion and transaction costs incurred can be reliably measured

" the probable economic benefits associated with the transaction will flow to the entity.

Receivables for goods and services, which have thirty-day terms, are recognised at the nominal amounts due less any provision for bad and doubtful debts. Collectability of debts is reviewed at balance date. Provisions are made when collectability of the debt is no longer probable.

Interest revenue is recognised using the effective interest method as set out in AASB 139 Financial Instruments: Recognition and Measurement.

Dividend revenue and distributions from property trusts is recognised when received.

Revenue from disposal of non-current assets is recognised when control of the asset has passed to the buyer.

Donation revenue received by the National Gallery of Aus tralia is recognised as revenue when received.

Membership revenue is recognised as revenue in accordance with the membership category and length of term.

Revenue from Government

Funding received or receivable from agencies (appropriated to the agency as a CAC Act body payment item for payment to the National Gallery of Australia) is recognised as revenue from Government unless they are in the nature of an equity injection or a loan.

Gifts

Gifts of works of art received by the National Gallery of Australia are recognised as revenue in the Statement of Comprehensve Income in the year of receipt at fair value.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 77

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES

NOTES TO AND FORM ING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

1.7 Gains

Sale of assets

Gains from disposal of assets are recognised w hen control of the asset has passed to the buyer.

1.8 Transactions with the Government as owner

Equity injections

Amounts that are designated as "equity injections' for a year are recognised directly 1n contributed equity in the year received.

1.9 Emp loyee benefits

Liabilities for services rendered by em ployees are recognised at the reporting date to the extent that they have not been settled.

Liabilit ies for 'short-term e m ployee benefits' (as defined in AAS B 11 9) and termination benefits due within twelve months of balance date are meas ured at their nomi nal amou nts.

The nomina l amount is calculated with regard to the rates expected to be paid on settlement of the liability.

All other emp loyee bene fit liabili ties are meas ured as the present value of the estimated future cash outflows to be made in respect of services provided by employees up to the reporting date.

Leave

The liabil ity for emp loyee entitlements includes provision for annual leave and long-service leave. No provision has been made for sick leave as all sick leave is non-vesting and the average sick leave taken in future years by employees of the National Gallery of Australia is estimated to be less than the annua l entitlement for sick leave.

The leave liabili ties are calculated on the basis of employees' remuneration. including the National Gallery of Australia's employer superannua tion contribution rates, to the extent that the leave is likely to be taken during service rather than paid out on termination.

The liabili ty for long service leave has been determined in accordance w ith the shorthand method detailed in division 43 of the FMOs . The estim ate of the present value of the liabili ty takes into accou nt attrition rates and pay increases through promo tion and inflation.

Separation and redundancy

Provision is made for sepa ration and redu ndancy payments. The National Ga llery of Australia recognises a provision for termination when it has developed a detailed formal plan for the terminations and has informed those employees affected that it will carry out the terminations.

Superannuation

Emp loyees of the National Gallery of Australia are members of the Commonwealth Superannuation Scheme (CSS). the Public Sector Superannuation Scheme (PSS), the PSS accumulation plan (PSSap) or other superannuation schemes. The CSS and PSS are defined bene fit schemes for the Australian Government. The PSSap is a defined contnbution scheme. Contributions to the other superannuation schemes are made in accordance with the Superannuatton Guarantee (Administration) Act 1992 .

The liability for defined bene fits is recognised in the financial statements of the Australian Government and is settled by the Australian Government in due course. This liabi lity is reported by the Department of Finance and Deregulation as an administered item.

The National Ga llery of Australia makes emp loyer contributions to the employee superannuation schemes at rates determined by an actuary to be sufficient to meet the cost to the Government of the superannuation entitlements of the National Gallery of Australia's employees .

The liability for superannuation recognised as at 30 June 2012 represents outstand1ng contributions for the final fortnight of the year.

1.10 Leases

Operatmg lease payments are expensed on a straight-line basis, which is representative of the pattern of benefits derived from the leased assets. The National Gallery of Australia has no f1nance leases.

1.11 Borrowing costs

All borrowing costs are expensed as incurred.

1.12 Cash

Cash and cash equivalents include notes and coins held and any deposits in bank accounts with an original maturity of three months or less that are readily convertible to known amounts of cash and subject to insignificant risk of changes in value. Cash is recognised at its nominal amount.

N ATIO NAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

1.13 Financial assets

The National Ga ller y of Australia classifies its fmancial assets in the following categories:

" financial assets 'at fair value through profit and loss'

" 'loans and receivables' .

The classification depends on the nature and purpose of the financial assets and is determined at the time of initial recognition.

Financial assets are recognised and derecognised upon 'trade date'.

Effective interest method

The effective interest method is a method of calculating the amortised cost of a financial asset and of allocating interest income over the relevant period. The effective interest rate is the rate that exactly discounts estimated future cash receipts over the expected life of the financial asset or, where appropriate, a shorter period.

Income is recognised on an effective interest rate basis except for financial assets at fair value through profit or loss.

Financial assets at fair value through profit or loss

Financial assets are classified as financial assets at fair value through profit or loss whe re the financial assets are either:

" acquired principally for the purpose of selling in the near future

" part of an identified portfolio of financial instruments that the National Gallery of Australia manages together and has a recent actual pattern of short-term profit- taking

" derivatives that are not designated and effective as a hedging instrument.

Assets in this category are classified as 'current assets'.

Financial assets at fair value through profit or loss are stated at fair value, with any resultant gain or loss recognised in profit or loss. The net gain or loss recognised in profit or loss incorporates any interest earned on the financial asset.

Loans and receivables

Trade receivables, loans and other receivables that have fixed or determinable payments that are not quoted in an active market are classified as 'loans and receivables'. They are included in current assets, except for maturities greater than twelve months after the Balance Sheet date. The se are classified as 'non-current assets'. Loans and receivables are measured at amortised cost using the effective interest method less impairment. Interest is recognised by applying the effective interest rate.

Impairment of financial assets

F1nancial assets are assessed for impairment at each balance date.

Financial assets held at amortised cost. If there is objective evidence that an impairment loss has been incurred for loans, receivables or held to maturity investments carried at amortised cost, the amount of the loss is measured as the difference between the asset's carrying amount and the present value of estimated future cash flows discounted at the asset's original effective interest rate. The carrying amount is reduced by way of an allowance account. The loss is recognised in the Statement of Compre hensve Income .

1.14 Financialliabilitie s

Financial liabiliti es are classified as either financ ial liabilities at fair value through profit and loss or other financial liabilities. Financ1alll abilities are recognised and derecognised upon trade date.

Financial liabilities are derecognised when the obligation under the contract is discharged or cancelled or expires.

Other financial liabili ties

Other financial liabilities, including borrowings, are init ially measured at fair value, net of transaction costs.

Supplier and other payables are recognised at amo rtised cost. Liabilities are recognised to the extent that the good s or serv1ces have been received (and irrespective of having been invoiced).

1.15 Contingent liabiliti es and contingent assets

Con tingent liabilities and contingent assets are not recognised in the Balance Sheet but are reported 1n the relevant schedules and notes. They may arise from uncertainty as to the existence of a liabili ty or asset or may represent a liability or asset in respect of which the amount cannot be reliably measured . Contingent assets are disclosed when settlement is probable but not virtually certain and contingent liabilities are disclosed w hen settl emen t is greater than remote .

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 79

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

1.16 Acquisition of assets

Assets are recorded at cost on acquisition except as stated below. The cost of acquisitions includes the fair value of assets transferred in exchange an d liabili ties undertaken. Financial assets are init ially measured at their fair value plus transaction costs where app ropriate.

Assets acquired at no cost or for nom inal consideration are initia lly recognised as assets and revenues at their fair value at the date of the acquisition.

1.17 Property, plant and equipment

Asset recognition threshold

Purchases of property, plant and equipment are recognised initially at cost in the Balance Sheet, except for purchases costing less than $2,000. wh ich are expensed in the year of acquisition (other than where they form part of a group of similar items which are significant in total).

A ll heritage and cultur al assets are recognised initially at cost in the Balance Sheet.

Revaluations

Fair values for each class of assets are determined as show n below:

Asset class

Land

Building

Infrastructure. plant and equipment

H eritage and cultural assets

Fa ir value measured at

Marke t selling price

Depreciated replacement cost

Market selling price

Fo llowing initial recognition at cost, property, plant and equipment are carried at fair value less accumulated depreciation and accumu lated impairment losses. Va lua tions are conducted w ith sufficient frequency to ensure that the carrying amounts of assets do not differ ma terially from the assets' fair values as at the reporting date. The regularity of independen t valuations depends upon the volatility of move m ents in m arket values for the relevan t assets.

Reva luation adjustme nts are ma de on a class basis. Any revaluation increment is credited to equity under the head ing of asset revaluation reserve except to the extent that i t reverses a previous revaluation decrement of the same asset class that was previously recognised through operating result. Revaluation decremen ts for a class of assets are recognised directly through operating result except to the extent that they reverse a previous revaluation increment for that class.

Any accumulated depreciation as at the revaluation date is eliminated against the gross carrying amount of the asset and the asset restated to the revalued amount.

Depreciation

Deprec iable infrastructure, property plant and equipment assets are written off to their estimated residual values over their estimated useful lives using, in all cases, the straight-line method of depreciation.

Depreciation rates (useful lives). residual values and methods are reviewed at each reporting date and necessary adjustments are recognised in the current, or current and future, reporting periods as appropriate. Res idual values are re-estimated for price changes on ly whe n assets are revalued.

Depreciation rates app lying to each class of depreciable asset are based on the following useful lives:

Buildings

Infrastructure, plant and equipment

Heritage and cultural assets

2011 -201 2

10 to 200 years

3 to 20 years

20 to 480 yea rs

2010-2011

10 to 200 years

3 to 20 years

20 to 480 years

The National Ga llery of Australia has heritage and cultural assets that have limited useful lives and are depreciated.

The aggrega te amount of depreciation allocated for each class of asset during the reporting period is disclosed in Note 3C.

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

Impairment

All assets were assessed for impairment at 30 June 2012. Where indications of impairment exist, the asset's recoverable amount is estimated and an impairment adjustment made if the asset's recoverable amount is less than its carrying amount.

The recoverable amount of an asset is the higher of its fair value less costs to sell and its value in use. Value in use is the present value of the future cash flows expected to be derived from the asset. Where the future economic benefit of an asset is not primarily dependent on the asset's ability to generate future cash flows, and the asset would be replaced if the National Gallery of Australia were deprived of the asset, its value in use IS taken to be its depreciated replacement cost.

Derecognition

An item of property, plant and equipment 1s derecogn1sed upon disposal or when no further future economic benefits are expected from its use or disposal.

H eritage and cultural assets

The entity has 159,365 items (2011 : 155180) in the collection of heritage and cultural assets with an aggregated fair value of $4.602 billion (2011 : $4.175 billion), comprising sculpture, objects, paintings, drawings, prints. books and photography. The entity has classified them as 'heritage and cultural assets' as they were primarily used for purposes that relate to their cultural significance .

The entity has adopted appropriate curatorial and preservation policies for the heritage and cultural assets that are depreciated accord1ng to the assessment of useful lives. The Gallery's curatorial and preservation policies are publicly available at and .

1.18 Intangible assets

The National Gallery of Australia's intangibles comprise purchased software. There IS no software developed for internal use. These assets are carried at cost less accumula ted amortisation and accumulated impairment losses.

Software is amortised on a straight-line basis over its anticipated useful life. The useful life of the National Gallery of Australia's software is 3 to 5 years (2011 : 3 to 5 years). All software assets were assessed for indications of impairment as at 30 June 2012 .

1.19 Inventories

Inventories held for sale are valued at the lower of cost and net realisable value. Inventories not held for sale are valued at cost, unless they are no longer required, in which case they are valued at net realisable value.

Provision is made for slow-moving and obsolete inventory items.

1.20 Taxation

The National Gallery of Australia, the National Gallery of Australia Foundation and the Gordon Darling Australia Pacific Print Fund are exempt from all forms of taxation except fringe benefits tax (FBT) and the goods and services tax (GST).

Revenues, expenses and assets are recognised net of GST except:

" where the amount of GST incurred is not recove rable from the Australian Ta xation Office

" for receivables and payables.

1.21 Restricted assets

The National Gallery of Australia controls the following assets that have restrictions on the mann er in which the assets can be deployed:

" funds that represent donations and bequests, which are subject to limitati ons as to the purpose for w hich they may be applied.

The carrying amount of these funds as at 30 June 2012 is $6,121,571 (30 June 2011 : $2,096,313).

2. EVENTS AFTER THE REPORTING PERIOD

There are no events that occurred after balance date that have an impact on the 2011-12 financial statements.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 81

NATIONAL GALLERY OF AUSTRALIA AND CONTRO LLED ENTITIES NOT ES TO AND FORMING PART O F TH E FINANCIAL STAT EMENT S

For the year ended 30 June 2012

3. EX PEN SES

3A Emp loyee benefits

Wages and sa lanes Superannuation Defined benefit plans Defined contribution plans Leave and other entitlements Separa tion and redundancies O ther em ployee benefits Total employe e benefit s

Counc il fees Total employe e benefit s

38 S uppliers Good s and services Insurance Workers com pensation premiums Opera ting lease expenses Freight and travel Advertising Cos t of goods sold U tilit ies

Repairs and m aintena nce Information technology Ex hibition services Other goods and services Total goods and services Goo ds from :

external entities Total good s received Services from: related entities

external entities Total services received Total goods and services

3C Depreciation and amortisation Depreciation Property, plant and eq uipm en t Buildi ngs

Wo rks of art Library collection

Amortisation Intangibles To tal depreciation and amo rtisation

30 Write-down of assets Provis1on for slow-moving and obsolete stock Bad debt expense Ne t loss from remeasur ing financial assets held at fair value To tal write-dow n of assets

3E Losses from sale of assets Property, plant and equipment Ca rrying value of assets sold N et loss from sale of assets

3F Operating expenditure for heritage and cultural assets O perating expenditure Total

CONSO LIDATED NGA

2012 201 I 2012 201 I

$'000 $'000 $'000 $'000

(15, 192) (14,718) (15, 192) (14,718)

(1,550) (1,606) (1,550) (1,606)

(1,257) (1,027) (1,257) (1,027)

(2,312) (1,575) (2,312 ) (1,575)

(95) (95)

(394) (426) (394) (426)

(20,705) (19,447) (20,705) (19,447)

(187) (205) (187) (205)

(20,892) (19,652) (20,892) (19,652)

(1,208) (1,042) (1,208) (1,042)

(272) (308) (272) (308)

(13) (3) (13) (3)

(1,864) (2,129) (1,864) (2,129)

(3,377) (2,725) (3,37 7) (2,725)

(1,881) (1,119) (1,881) (1,119)

(2,928) (3,195) (2,928) (3,195)

(1,039) (1.417) (1,039) (1,417)

(965) (903) (965) (889)

(617) (975) (617) (975)

(4,221) (4,555) (4,22 1) (4,555)

(18,386) (18,371) (18,386) (18,357)

(3,677) (3,674) (3,677) (3,671)

(1,48 1) (1,350) (1,481) (1,350)

(13,228) (13,347) (13,228) (13,336)

(14,709) (14,697) (14,709) (14,686)

(18,386) (18,371) (18,386) (18,357)

(691) (845) (691) (845)

(5,327 ) (4,057) (5,327) (4,057)

(11 ,612) (10,911 ) (11 ,612) (10,911)

(419 ) (406) (419) (406)

(134) (121) (134) (121)

(18,183) (16,340) (18,183) (16,340)

(284) (50) (284) (50)

(18) (4) (17) (4)

(106) (28)

(408) (82) (301) (54)

(3,242) (3,709) (3,242) (3,709)

NATIONAL GALLERY OF AUSTRALIA AND CONTRO LLED ENTITIES NOTES TO AND FORMING PART OF THE FINANC IAL STATEMENTS

For the year ended 30 June 2012

4. REVENUE

4A Sa le of goods and rendering of services Admissions Membership Catering Merchandising Total sale of goods and rendering of services

Provision of goods to: external entities Total sale of goods

Rendering of seNices to: external entities Total rendering of services

Total sale of goods and rendering of services

48 Contributions Donations {excluding works of art - gifts) Sponso rship

Dividends and distributions Total of contributions

4C Interest

Deposits Total interest

40 Art acquisit ions-gifts Works of art - gifts Total of works of art-gifts

CONSOLIDATED NGA

2012 2011 20 12

$'000 $'000 $'000

3,677 1,020 3,677

629 728 629

415 189 415

3,938 2,183 3,938

8,659 4,120 8,659

3,938 2,183 3,938

4,721 1,937 4,721

8,659 4,120 8,659

7,388 8,454 6,462

3,463 1,523 3,463

96 178

10,947 10,155 9,925

657 251 520

2,979 5,447 3,035

Donations for collection development totalling $8,810.400 {201 0-11: $8,860,858) were received by the National Gallery of Australia in 2011-12 comprising $5,075,269 in donations of cash and $3,035,121 in donations of works of art. This sum which is recognised as operating revenue must be applied to capital purposes.

4E Other revenue Other 785 1.486 772

Grants and subsidies 643 2,106 643

Exhibition management 206 60 206

Total other revenue 1,635 3,652 1,621

4F Sales of assets Investments - sha res

Proceeds from sale Net book value at sale Selling expense Total net gains from sales of assets

4G Other gains

Net gains from revaluation of financial assets Total other gains

4H Revenues from Government Revenues from Government 32,609 32,598 32,609

â‘Total revenues from Government 32,609 32.598 32,609

2011 $'000

1,020 728 189 2,183 4,120

2.183

2,183

1,937 1,937

4,120

12,716 1.524

14,240

5,501 5,501

1,457 2.106 60

3,623

32,598 32,598

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 83

NAT IONAL GALLERY OF AUST RALIA AND CONTROLLED ENTITIES NOTES TO AND FORM ING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

5. FINANCIAL ASSETS

5A Cash and cash equivalents Cash on han d or on deposit Total cash and cash equivalents

58 Trade and other receivables Goods and services - related entities Goods and services - external parties

Other receivables G ST receivable from Australian Taxa tion Office W ithholding tax receivable Total other receivables

Total receivables (gross)

Less im pairment allowance account

Goods and services Total receivables (net)

Rece ivables (gross) are aged as follows: Not overdue Overdue by: Less than 30 days

31 to 60 days

61 to 90 days M ore than 90 days Total receivables (gross)

The impairment allowance account is aged as follows: Overdue by: more than 90 days Total impairment allowance account

All receivables are current.

Reconciliation of the impairment allowance account

Total goods and services

Ope ning balance Amoun ts written off lncrease/(Decrease) recognised in net surplus Closing balance

5C Other investments Equities Total investments

CONSOLIDATED

2012 2011

$'000 $'000

11,917 5.015

11,917 5,015

11 921

92 1 650

932 1 ,571

152 113

22 66

174 179

1,106 1,750

(10) (5)

1,096 1,745

21 5 248

316 992

48 39

53 42

474 429

1,106 1,750

(10) (5)

1,193 1,299

All investments are current and are treated as financial assets at fair value through the profit and loss.

50 Other-financial assets Accrued income 76 13

Total other financial assets 76 13

A ll accrued income is expected to be recovered in no more than twelve mon ths.

NGA

201 2 2011

$'000 $'000

8,232 2.477

11 921

899 650

910 1,571

152 112

1,063 1,683

(10) (5)

1,053 1,678

172 181

316 992

48 39

53 42

474 429

1,063 1,683

(10) (5)

72 5

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED EN TITIES NOTES TO AND FORM ING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

6. NON-FINANCIAL ASSETS

6A land and buildings land Fair value Total land

Buildings Work in progress Fair value Accumu lated depreciation Total buildings

Total land and buildings

CONSO LIDATED NGA

201 2 2011 201 2 2011

$'000 $'000 $'000 $'000

21 ,750 11 ,000 21,750 11 ,000

285,100 312,682 285,100 312,682

306,850 323,682 306,850 323,682

A n independent valuation of l and and buildings was carried out by CB Richard Ellis to provide a fair value as at 30 June 2012 . Revaluation decremen ts of $23,635,000 for buildings (201 0-11 : mcrement $15,966,000). and revaluation increment of $10,750,000 for land (201 0-11: decremen t $75,000) were credited to the asset revaluation reserve by asset class and included in the equity section of the Balance Sheet.

No indicators of impairment were found for land and buildings in 2011-12 .

No land or buildings are expected to be sold or disposed of within the next twelve months.

68 Property, plant and equipment Property, plant and equipment Fair value Accumulated depreciation Total property plant and equipment

4,693 (2,635) 2,058

No indicators of impairment were found for property, plant and equipment in 2011-12.

3,937 (1,944) 1,993

No property, plan t and equipment are expected to be sold or disposed of within the next twelve mon ths.

6C Heritage and cultural assets Work s of art Fair value 4,567,020 4,141,381

Accumulated depreciation Total works of art 4,567 ,020 4,141 ,381

library Fair value 35,035 33,544

Accum ulated depreciation Total library 35,035 33,544

Total heritage and cultural assets (non-current) 4,602,055 4,174,925

4,693 (2,635) 2,058

4,567,020

35,035

4,602,055

3,937 (1,944)

1,993

4.141 ,382

4,141,381

33,544

33.544

4.174,925

In accordance with Note 1.17, an independent valuation of heritage and cultural assets was carried out by Simon Storey Valuers to provide a fair value as at 30 June 2012 . Revaluation increment of $416.678 million for heritage and cultural assets (201 0-11: $224.122 million) were credited to the asset revaluation reserve by asset class and included in the equity sect1on of the Balance Sheet. A restatement of the opening balance to $4.175 billion was required to reflect an additional $272.450 million valuation adjustment not identified 1n the 2010-11

revaluation process. An adjustment of an additional $272.450 million has been applied to the asset revaluation reserve.

No indicators of impairment were found for heritage and cultural assets in 2011-12.

No heritage and cultural assets are expected to be sold or disposed of within the next twelve months.

60 Intangible assets Computer software at cost Accum ulated am ortisation Total intangibles (non-current)

No indicators of impairment were found for intangible assets in 2011-12.

2,453 (1,992)

461

No intang ibles are expected to be sold or disposed of within the next twelve months.

2,362 (1,859)

503

2,453 (1,992) 461

2,362 (1,859)

503

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 85

"' 6E Analysis of property, plant and equipment, heritage and cultural and intangibles assets (consolidated and National Gallery of Australia) -n z z .,., ~ 0 )> -~:::! ::Tmo TABLE A-Reconciliation of the opening and closing balances ro (/)z For the year ended 30 June 2012 (5 ~ )> ~ O r Other property, ro :J> G1 :::> Z J> Total land plant and Heritage and g- o~ Land Buildings and buildings equipment cultural Intangibles Total C. "Tim w O :o As at 1 July 2011 $'000 $'000 $'000 $'000 $'000 $'000 $'000 o ::o-< '-$ 0 Gross book value 11,000 312,682 323,682 3,937 4,174,925 2,362 4,504,905 c _ , i6 2 )> Accumu lated de preciation/amortisation (1,944) (1,859) (3,803) "'Clc Net book value 1 July 2011 11.000 312,682 323,682 1,993 4,174,925 503 4,501,102 0"1J(fl ~)>-I Additions "-'::o:o ~ )> By purchase 1,212 1,212 924 19,448 91 21,675 oc "Til> By donation/gift 3,035 3,035 ~ )> ::t:z Revaluation and impairment increment/decrement 10,750 (23,635) (12,885) 416,679 403 ,794 mo Depreciation/amortisation expense (5,327) (5,327 ) (691) (12,031) (134) (18,183) :!!n 2 0 Other movements 168 168 (168) )> Z z-1 Disposals (")::0 - o Other :l>r r-r Net book value 30 June 2012 21,750 285,100 306,850 2,058 4,602,056 461 4,911 ,425 (l)m ~0 Net book value as of 30 June 2012 represented by: :J> m ~z Gross book value 21.750 285,100 306,850 4,693 4,602,056 2.453 4,916,052 m-1 s:-Accumulated depreciation/amortisation (2,635) (1,992) (4,627) m:::! z m Net book value 21.750 285,100 306,850 2,058 4,602,056 461 4,911 ,425 ~(/) (/) TABLE B-Reconciliation of the opening and closing balances For the year ended 30 June 2011 Other property, Total land plant and Heritage and Land Buildings and buildings equipment cultural Intangibles Total As at 1 July 2010 $'000 $'000 $'000 $'000 $'000 $'000 $'000 Gross book value 11,075 288,056 299 ,131 3,171 3,942,786 2,055 4,247,143 Accumulated depreciation/amortisation (1 ,098) (152) (1,738) (2,987) Net book value 1 July 2010 11,075 288,056 299 ,131 2.073 3,942,634 317 4,244,155 Additions By purchase 12,717 12,717 766 13,985 307 27,775 By donation/gift 5,501 5,501 Revaluation and impairment increment/decrement (75) 15,966 15,891 224,122 240,013 Depreciation/amortisation expense (4,057) (4,057) (845) (11,317) (121) (16,340) Disposals Other Net book value 30 June 2011 11,000 312,682 323,682 1,994 4,174,925 503 4,501,104 Net book value as of 30 June 2011 represented by: Gross book value 11,000 312,682 323,682 3,937 4,174,925 2,362 4,504,905 Accumulated depreciation/amortisation (1,943) (1,859) (3,802 ) Net book value 11,000 312 ,682 323,682 1,994 4,174,925 503 4,501,103

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

CONSOLIDATED

2012

$'000

6F Inventories Inventories held for sale

Finished goods 2,226

Less: provision for slow-moving and obsolete inventory (1,003)

Total inventories held for sale 1,223

Total inventories 1,223

During 2011-12, $1,881,225 of inventory was recognised as an expense (201 0-11: $1, 118,665).

No items of inventory we re recognised at fair value less cost to sell.

6G Other-non-financial assets

Prepayments Total other non-financial assets

2011

$'000

2,060

(721)

1,339

All prepayments are current assets. There were no indicators of impairment for other non-financial assets.

NGA

2012 2011

$'000 $'000

2,226 2,060

(1,003) (721)

1,223 1,339

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 87

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

7. PAY ABLES

7A Suppliers

Creditors - art acquisitions

Trade creditors and accruals

Other creditors Total supplier payables

Supplier payables expected to be settled within 12 months

External parties Total

Supplier payables expected to be settled in greater than 12 months

External parties

Total

Total supplier payab les

Settlement is usually made net thirty days.

78 Other payables Salaries and wages

Unearned income Total other payables

To tal other payables are expected to be settled in:

less than 1 2 m onths

more than 12 mon ths Total other payables

8. INTEREST BEARLING LIABILITIES SA Loans

Loans from Government Total loans

Payable

W ithin 1 year

In 1 to 5 years

In more than 5 years Total loans

CONSOLIDATED NGA

2012 2011 2012 2011

$'000 $'000 $'000 $'000

(96) (383) (96) (383)

(1,118) (1,571) (1,109) (1,564)

(97) (244) (97) (244)

(1,311 ) (2,198) (1,302) (2,191)

(1,311) (2,198) (1,302) (2,191)

(579) (412) (579) (412)

(920) (1,159) (920) (1,159)

(1.499) (1,571) (1,499) (1,571)

(1.414) (1,244) (1,414) (1,244)

(85) (327) (85) (327)

(1,499) (1,571) (1,499) (1,571)

(3,000) (6,000) (3,000) (6,000)

(3,000) (3,000) (3,000) (3,000)

(3,000) (3,000)

(3,000) (6,000) (3,000) (6.000)

The interest rate applicable to borrowings is 5.23%, the Commonwealth 3-Year Bond Rate as at 25 March 2010 from the Reserve Ban k of Australia website. The term of the Joan is three years with the final $3,000,000 of the loan balance to be repaid on 1 July 2012 .

NATIONAL GALLERY OF AUSTRALIA AND CON TROLLED ENTITIES NOTES TO AND FO RM ING PART OF THE FINANC IAL STATEMENTS

For the year ended 30 June 2012

9. PROV IS IONS

9A Emp loyee provisions

Leave Total employee provisions

Employee provisions are expected to be settled in:

less than 12 mo nths

more than 12 mo nths Total emp loyee provisions

10. CAS HF LO W R EC ONCILI AT ION

Reconciliation of cash and cash equivalents as per Balance Sheet to Cashflow Statement

Cash and cash equivalents as per:

Cash flow Stateme nt

Balance Sheet Difference

Reconciliation of net cost of services to net cash from operating activities

Net cost of services

Add revenue from G overnment

Adjusted for non-cash items

De preciation and amo rtisation

Loss on sale of non-financial assets

Gain on sale of shares

(Loss)/Gain on marke t revaluation of shares

Gain from disposal of non-current assets

Gifts of works of art

Capitalisation of salary costs

Change in assets and li abiliti es

(lncrease)/decrease in receivables

(lncrease)/decrease in inventories

(lncrease)/decrease in other assets and liabilities

lncrease/(decrease ) in creditors

lncrease/( decrease ) in loans

lncrease/( decrease) i n provisions for emp loyee entitlements

N et cash from/(used by) operating activities

CONSO LIDATED

2012 201 1

$'000 $'000

(5,995) (5,219)

(5,995 ) (5.219)

(5,420) (4,761)

(575) (458)

(5,995) (5,219)

11,917 5,015

11,917 5.015

(32,992) (30,820)

32,609 32,598

18,183 16,340

(2,979) (5,501)

(2,942) (2,936)

636 (251)

116 (560)

(48) 27 1

(656) (644)

(3,000) (3,000)

943 (223)

9,871 5,302

NGA

2012 201 1

$'000 $'000

(5,995) (5,219)

(5,420) (4,761)

(575) (458)

(5,995) (5,219)

8,232 2.477

(34,003) (26,83 1)

32,609 32,598

18,183 16,340

(3,035) (5,501)

(2,942 ) (2,936)

590 (201)

116 (560)

(52) 26 1

(685) (644)

(3,000) (3,000)

943 (223)

8,724 9,303

NAT IONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 89

NA TIONAL GAL LE RY O F AUS TR ALIA AND CONTRO LLED ENTI TIES NOTES TO AND FO RM ING PART OF THE FINANC IAL STATEMENTS For the year ended 30 June 2012

11. CONT INGE N T ASSETS AND LIABILITIES

Contingent assets

Ba lance from previous period

New

Remea surement

Assets recognised

Expired Total contingent assets

Contingent liabiliti es

Balance from previous pe riod

N ew

Remeas urement

Liabilities recognised

Ex pired

Total contingent liabilitie s

Net contingent assets/(liabili ties)

Lands and buildings

201 2 2011

$'000 $'000

750 750

185

935 750

Indemnities 2012 2011

$'000 $'000

935 750

Total

201 2 2011

$'000 $'000

750 750

185

935 750

Total

2012 2011

$'000 $'000

935 750

At 30 June 2012, the Na tional Ga llery of Aus tralia has not identif ied any quan tifiable contingencies, unquantifiable contingencies or significant remo te contingencies.

NA TIONAL GALLERY OF AUST RALIA AND CONTROL LED ENTITI E S NOTES TO AND FORM ING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

12. SENIOR EXECUTIVE REMUNERATION

12A Senior executive remuneration expense for thereporting period Short-term emp loyee benefits

Salary

Annual leave accrued

Performance bonuses

Motor vehicle and other allowances Total short-term emp loyee benefits

Post-employment benefits

Superannua tion

Total post-employment benefits

Other long-term employee benefits

Long-service leave

Total other long-term emp loyee benefits

Termination benefits

Total

Notes

1. Note 12A was prepared on an accruals basis.

CONSOLIDATED NGA

2012 2011 2012 2011

$ $ $ $

(1,006,468) (946,862) ( 1 ,006,468) (946,862)

(81, 132) (74,392) (81, 132) (74,392)

(62,669) (75,881) (62,669) (75,881)

(34,614) (48,967) (34,614) (48,967)

( 1 '184,883) (1,146,102) (1, 184,883) (1,146,102)

(109,211) (107,804) (109,211) (107,804)

(109,211) (107.804) (109,211) (107,804)

(36,509) (33.477) (36,509) (33.477)

(36,509) (33.477) (36,509) (33,477)

(1,330,604) (1 ,287 ,383) (1,330,604) (1,287 ,383)

2. Note 12A excludes acting arrangements and part year service where remuneration expensed for a senior executive was less than $150,000.

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 91

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

128 Average annual reportable remuneration paid to substantive senior executives during the reporting period

2011-12

Number of

senior executives Reportable salary

Contributed Reportable superannuation allowances Bonus paid

$ $ $

Total

To tal remuneration

Less than $150,000

$150,000 to $179,999

$180,000 to $209,999

$210,000 to $239,999

$240,000 to $269,999

$360,000 to $389.999

3 160,110 18,304 11 ,210 7,070 196,694

Total

2010-111

Total remunera tion

Less than $150,000

$180,000 to $209,999

$210,000 to $239,999

$240,000 to $269,999

$360,000 to $389,999

Total

Notes

220,625

305,512

146,695

212.459

294,316

24,683

29,617

17,953

24,378

29,567

16,284

114

8,769

32,690

6.782

8.431

47,104

254 ,077

367 ,81 9

187,715

245,381

370,988

1. This table reports substantive senior executives who received remuneration during the reporting period. Each row is an averaged figure based on headcount for individuals in the band . 2. Reportable salary includes: a) gross payments (less any bonuses paid, which are separated out and disclosed in the 'bonus paid' column)

b) reportable fringe benefits (at the net amount prior to 'grossing up' to account for tax bene fits) c) exempt foreign employmen t income. 3. The 'contributed superannua tion' am ount is the average actual superann uation contributions paid to senior executives in that reportable remuneration band during the reporting pe riod. 4. 'Re portable allowances' are the average actual allowances paid as per the 'total allowances' line on individuals' payment summaries. 5. 'Bonus paid' represents ave rage actual bonuses paid during the reporting period in that reportable rem uneration band. The 'bonus paid'

within a particula r band may vary between financial years due to various factors such as individuals commencing with or leaving the entity during the financial year. 6. Various salary sacrificing arrangements were available to senior executives. including super, motor vehicle and expense payment fringe bene fits. Salary sacrifice benefits are reported in the 'reportable salary' column, excluding salary sacrificed superannuation, which is

reported in the 'contribu ted superannuation' column.

NA TIONAL GA LLER Y O F AUS TR ALIA AN D CONTRO LLED ENT ITIES

NOTES TO AND FORM ING PART OF THE FINANCIAL STATEMENTS For the year ende d 30 June 2012

13. REMUNERATION OF COUNCIL MEMBERS

Total remuneration received or due and receivable by Council members of the National Gallery of Australia was $148,155 in 2011 -12 (2010-11: $143,522).

The number of members of the National Gallery of Australia Council included in these figures are shown below in the relevant remuneration band s.

$Nil-$29,999

$30,000-$59,999

2012 2011

Number

Members of the National Gallery of Australia Council are appointed by the Governor-General.

CONSOLID ATED

2012 2011

$ $

14. REMUNERATION OF AUDITORS

Amounts received or due and receivable by the Auditor-General as auditors of the National Gallery of Australia and the National Gallery of Australia Founda tion (66,900) (66,600)

Tota l fair value of services provided (66,900) (66,600)

NGA

2012 2011

$ $

(66,900) (66,600)

RSM Bird Cameron have been contracted by the Auditor-General to provide audit services on the Auditor-General's behalf. Fees for these services are included above . No other services were provided by the auditors.

NATIONAL GALL ERY OF AU STRALIA ANNUAL REPORT 2011 - 12 93

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTI TIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

15. RELATED PARTY DISCLOSURES 15A National Gallery of Australia Fund

The National Gallery of Australia Fund was established by subsection 36(1) of the National Gallery Act 1975 to receive gifts and bequests of money other than on trust and includes the return on investment of those money s. The fund balance is included in cash. and income and expenditure are recorded in the Income Statement. 2012 2011

$'000 $'000

Balance at 1 July 2,097 4,000

Income Donations 7,488 9,764

Interest 14 199

9,598 13,963

Expenditure Acquisition of works of art 3,359 7,266

Other expenses 117 4,600

Balance at 30 June 6,122 2,097

158 Controlled entity-National Ga llery of Australia Foundation

Th e National Ga llery of Australia Foundation is incorporated under the Corporations Act 2007 as a company limited by guarantee and not having share capital.

The National Gallery of Australia Foundation board is constituted in such a way as to give effective control of the Foundation to the National Gallery of Australia under the definition of control in AASB 127 Cons olidated and Separate Financial Statements.

The Foundation's statements have therefore been consolidated with those of the National Gallery of Australia. The National Gallery of Australia has no ownership interest in the Foundation.

Certain expenditure incurred by the National Gallery of Australia on behalf of the National Gallery of Australia Foundation has been charged to the Foundation $426,549 (201 0-11: $480,826), which comprises resources provided free of charge. Any additional expenditure relating to the Foundation paid by the National Gallery of Australia has been waived.

The Foundation donated $996.503 (201 0-11: $6,563.370) to the National Gallery of Australia during the year. Donations consisted of funds for the development of the national collection of works of art and the extension of the Gallery building. This donation is eliminated on consolidation.

15C Controlled entity-Gordon Darling Australia Pacific Print Fund

The Gordon Darling Australia Pa cific Print Fund is a trust established in 1988. The National Gallery of Australia is the trustee of the trust. The National Gallery of Australia. as trustee. holds the trust funds and operates the fund in accordance with the terms and conditions of the trust deed . The trust deed gives effective control of the trust to the National Gallery of Australia under the definition of control in AASB 127 Consolidated and Separate Financial Statements.

The Gordon Darling Australia Pacific Print Fund contributed $55,900 (201 0-11: $54,030) to the development of the national collection of the National Gallery of Australia during the year, consisting of works of art and contributions towards program expenses . Th is contribution is eliminated on consolidation.

15D Council Memb ers

Memb ers of the National Gallery of Australia Council dunng the financial year were:

Mr J Calvert-Jones AM The Hon Mrs A Dawson-Damer Mr T Fairfax AM (Cha irman from 20/4/2012) MrW Hemsley Ms Catherine Harris AO, PSM Mr J Hindmarsh

Ms J Hylton Mr C Morton Mr R Myer AM (Chairman from 20/12/05 to 18/3/12)

M s J Pratt AC Dr R Radford AM

Date commenced 01/08/06 22/04/05 10/03/11

13/12/06 28/05/12 10/03/11

15/06/10 14/05/09 24/09/03 14/09/11 20/12/04

Date retired

18/3/12

No Council member has received or become entitled to receive a benefit by reason of a contract made by the National Gallery of Australia with the Council member or with a related entity of the Council member .

Council members are paid in accordance with Remunerati on Tribunal determinations as provided by section 16 of the N ational Gallery Act 7975 .

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FO RM ING PART OF THE FINANC IAL STATEMENTS

For the year ended 30 June 2012

16. FINANC IAL INSTRUMENTS

CONSOLIDATED

201 2 2011

$'000 $'000

16A Categories of financial instruments Financial assets

Fair value through the profit and loss

Investmen ts 1,193 1,299

Loans and receivab les

Cash and cash equivalents 11,917 5,015

Receivables for goods and services 932 1,571

O ther 76 13

Carrying amount of financial assets 14,118 7,898

Financial Liabilities

At amo rtised cost:

Sup pliers (1,311 ) (2,198)

Loa ns (3,000) (6,000)

Carrying amount of financial liabilities (4,311) (8,198)

168 Net income and expense from financial assets

Loans and receivables

Interest revenue 657 251

Net gain from loans and receivables 657 251

Fair value through profit and loss

Dividend and distribution revenue 96 178

Change in fair value 106 28

Gain/(Loss) on sale

N et gain/(loss) though profit and loss 202 206

Net gain/(loss ) from financial assets 859 457

The net income/expense from financial assets not at fair value from profit and loss is nil.

16C Net income and expense from financial liabi lities

Financial liabilities - at amortised cost

Interest expe nse (157) (314)

N et loss financial liabilities - at amortised cost (157) (314)

Net loss from financial liabilitie s (157) (314)

The ne t income/expense from financial liabilities not at fair value from profit and loss is nil.

NGA

2012 2011

$'000 $'000

8,232 2.477

910 1,571

72 5

9,214 4,053

(1,302) (2,191)

(3,000) (6,000)

(4,302) (8,191 )

520 88

(157) (314)

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 95

NATIONA L GA LLERY OF AUSTRA LIA AN D CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

160 Credit risk

The N ational G allery of A ustrali a is expose d to m inima l credit risk as the m ajority of loans and receivables are cash or amounts owed by the Au stralian Tax O ffice in the form of a G oods and Services Tax refund. The m aximum exposure to credit risk is the risk that arises from potential default of a debtor. Th is amount is equa l to the total amoun t of trade receivables in 2011-12 of $900,327 (201 0-11: $1,566,1 04). The National Ga llery of Aus tralia has assessed the risk of the default on payme nt and has allocated in 2011-12 the amount of $10,000

(201 0/11: $5,000) to an allowa nce for doubtful debts.

The Nationa l Gallery of Aus tralia manages its credit risk by undertaking background and credit checks prior to allowing a debtor relationship. In addition. the Na tional Gallery of Aus tralia has policies and procedures that guide the debt recovery process.

The National Gallery of Australia has no collateral to mitigate against credit risk.

Credit quality of financial instrumen ts not past due or individually determined as impaired:

CONSOLIDATED

Not past due Not past due Past due or Past due or

nor impaired nor impaired impaired impaired 2012 2011 2012 2011

$'000 $'000 $'000 $'000

Cash an d cash eq uivalents 11,917 5,015

Receivables for goods and services 215 248 891 1,502

Total 12,133 5,263 891 1,502

Age ing of financial assets that are past due but not impa ired for 2012 0 to 30 days 31 to 60 days 61 to 90 days 90+ days Total

$'000 $'000 $'000 $'000 $'000

Receivables for goods and services 316 48 53 474 891

Total 316 48 53 474 891

Age ing of financial assets that are past due but not impaired for 2011 0 to 30 days 31 to 60 days 61 to 90 days 90+ days Total

$'000 $'000 $'000 $'000 $'000

Receivables for goods and services 992 39 42 429 1,502

Total 992 39 42 429 1,502

NGA

Not past due Not past due Past due or Past due or

nor impaired nor impaired impaired impaired

2012 2011 201 2 2011

$'000 $'000 $'000 $'000

Cash and cash eq uivalents 8,232 2.477

Receivables for goods and services 172 181 891 1,502

Total 8.405 2,658 891 1,502

Ageing of financial assets that are past due but not impaired for 2012 0 to 30 days 31 to 60 days 61 to 90 days 90+ days Total

$'000 $'000 $'000 $'000 $'000

Receiva bles for goods and services 316 48 53 474 891

Total 316 48 53 474 891

Age ing of financial assets that are past due but not impaired for 2011

0 to 30 days 31 to 60 days 61 to 90 days 90+ days Total

$'000 $'000 $'000 $'000 $'000

Receivables for goods and services 992 39 42 429 1,502

Total 992 39 42 429 1,502

~JATIOI,IAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES

NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For thb year ended 30 June 2012

16E Fair values of financial instruments

No te

Financial assets

Cash and cash equivalents 5A

Trade and other receivables 5B

Other investments 5C

Other 50

Total financial assets

Financial liabili ties

Suppliers 7A

Loa ns SA

Total financial liabilities

No te

Financial assets

Cash and cash equivalents 5A

Trade and other receivables 5B

Other investme nts 5C

O ther 50

Total financial assets

Financial li abili ties

Suppl1ers 7A

Loans SA

Total financial liabilities

Total carrying amount 2012

11,917

922

1,193

14,108

(1,311)

(3,000)

(4,311)

Total carrying amount

2012

8,232

900

9,204

(1,302)

(3,000)

(4,302)

CONSOLIDATED

Total carrying

Fair value amount Fair value

2012 2011 2011

11 ,917 5,015 5,015

922 1,566 1,566

1,193 1,299 1,299

76 13 13

14,108 7,S93 7.S93

( 1,311) (2,19S) (2,19S)

(3,000) (6,000) (6,000)

(4,311) (S,19S) (S, 19S )

NGA

Total carrying

Fair value amount Fair value

2012 2011 2011

S,232 2.477 2,477

900 1,566 1,566

72 5 5

9,204 4,04S 4,04S

(1,302) (2,191) (2,191)

(3,000) (6,000) (6,000)

(4,302) (S,191) (S,191)

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 97

NATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

16F Liquidity risk

The National Gallery of Australia's financial liabilities are payables and borrowings from Government. The exposure to liquidity risk is based on the notion that the National Gallery of Australia will encounter difficulty in meeting its obligations associated with financ1alliab1lities . This is highly unlikely due to appropnation funding and mechan1sms available to the Nat1onal Gallery of Australia (e.g. Internal pollc1es and procedures put in place to ensure there are appropriate resources to meet its financ1al obligations).

The following table illustrates the maturities for financial liabilities :

On demand Within 1 year 1-5 years > 5 years Total

$'000 $'000 $'000 $'000 $'000

201 2

Suppliers 1,311 1,31 1

Loans 3,000 3,000

Total 4,311 4,311

2011

Suppliers 2.198 2.198

Loans 3,000 3,000 6,000

Total 5,198 3,000 8,198

The National Gallery of Australia receives funding from the Australian Government. The National Gallery of Australia manages its budgeted funds to ensure it has adequate funds to meet payments as they fall due. In addition, the National Gallery of Australia has policies 1n place to ensure timely payments are made when due and has no past experience of default.

16G Market Risk

The National Gallery of Australia holds basic financial instruments that do not expose it to certain market risks. The National Gallery of Australia is not exposed to currency risk.

Equity-price risk

The National Gallery of Australia has an investment portfolio that contains shares in companies listed on the Australian Stock Exchange. The value of this portfolio will fluctuate due to changes 111 market prices and is therefore exposed to changes in fair-value risk.

Interest -rate risk

The interest rate applicable to loans is fixed at 5.23%. the Commonwealth 3-Year Bond Rate, and is not exposed to interest rate fluctuations. The term of the loan is three years with the final $3,000,000 of the loan balance to be repaid on 1 July 2012 .

The National Gallery of Australia has assessed nil1nterest -rate risk in relation to the loan from the Commonwealth.

Sensitivity analysis

The National Gallery of Australia undertook an assessment of the reasonable possible change in the price of the investment portfolio over the next twelve months. This assessment was based on the assumption that the investments held in the portfolio remain constant to 30 June 2012. The fair value of the investment portfolio as at 30 June 2012 amounted to $1,193,000. A hypothetical 6% increase/( decrease) in the fair value of the shares within the portfolio wou ld result in a gain/(loss) of $72,000 (such a gain/(loss) would be recognised through the Statement of Comprehensive Income).

17. COMPENSATION AND DEBT RELIEF

The National Gallery of Australia made no payments in relation to compensation and debt relief in 201 1-12 (201 0-11: nil).

1-IATIONAL GALLERY OF AUSTRALIA AND CONTROLLED ENTITIES NOTES TO AND FORMING PART OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

18. REPORTING OF OUTCOMES

18A Outcomes of the National Gallery of Australia

The National Gallery of Australia is structured to meet one outcome:

Outcome 1: Increased understanding, knowledge and enjoyment of the visual arts by providing access to and information about works of art locally, nationally and internationally.

188 Net cost of outcome delivery

Expenses

Total own-source income Net cost/(contribution) of outcome

19. NET CASH APPROPRIATION ARRANGEMENTS Total compre hensive income/(loss) less depreciation expenses previously funded through revenue appropriations

Plus: depreciation expenses previously funded through:

revenue appropriation

Total compre hensive income/ (loss) as per Statement of Comprehe nsive Incom e

Note

Outcome 1

2012 2011

$'000 $'000

(57,762) (54,403)

23,760 27,572

(34,003) (26,831)

CONSOLIDATED

2012 2011

$'000 $'000

415,442 253,108

(12,031) (11 ,317)

403,411 241,791

NGA

2012 2011

$'000 $'000

414,432 257,097

(12,031) (11,317)

402,400 245,780

From 2009-10, the Government introduced net cash fund1ng arrangements, where revenue received from Government for depreciation/ amortisation expenses ceased. The National Gallery of Australia now receives a separate capital acqu1sit10n development budget provided through equity funding.

20 FINANCIAL ASSETS RECONCILATION Total financial assets as per Balance Sheet 14,282 8,072 9,358 4,160

Less: non-financial instrument components

GST receivable from Australian Taxa t1on Office 58 152 113 152 112

Withholding tax receivable 58 22 66

Impairment allowance account (goods and serv1ces) 58 (10) (5) (10) (5)

Total non -financial instrument components 165 174 142 107

Total financial assets as per note on financial instrum ents 14,117 7,898 9,216 4,053

NATIONAL GALLERY OF AUSTRALIA t\f "lr-IUAL REPORT 2011 -12 99

NAT IONAL GALLERY O F A USTRALIA AND CONTROL LED EN TITIES NOTES TO AND FORMING PAR T OF THE FINANCIAL STATEMENTS

For the year ended 30 June 2012

21 PRIOR-PERIOD ERROR

An indepen dent valuation of heritage and cultural assets was performed as at 30 June 2011 by Simon Storey Valuers. This resulted in a fair value decrement of $48.328 million being recognised in the asset revaluation reserve and presented in the Statement of Comp rehens ive Income for the year ended 30 June 2011 . It has since been identified that an additional $272.45 million increment should have been recognised as at 30 June 2011 . In accordance with AASB 108 Accou nting Policies, Changes in Accounting Estimates and Errors, the error has been corrected by retrospective restatement of the comparative figures. As the error only occurred in the prior period, no restatement of prior periods was required.

The error resulted in the following restatements as at and for the yea r ended 30 June 2011:

Heritage and cultural assets we re increased by $272.45 milli on.

Asset revaluation reserve increased by $272.45 m illion .

Total comprehens ive income increased by $272.45 m illi on.

Balance S heet extract

Heritage and cultural assets

Total assets

Net assets

Asset revaluation reserve Tota l equ ity

Income Statement extract

Changes in asset revaluation reserves Tota l other comp rehensive income

100

30 Jun e 2011

3,902.475m

4,238.065m

4,223.077m

3,352.040m

4,223.077m

(32.437m)

Ad justm ent Restated 30 Jun e 2011

272.45m 4,174.925m

272.45m 4.510.515m

272.45m 4,495.527m

272.45m 3,624.490m

272.45m 4.495.527m

272.45m 240.013m

NATIONAL GALLERY OF AUSTRALIA ANN U A L RE PORT 201 1-12 101

APPENDIX 1 COU N CIL OF THE NATIONAL GALLERY

OF AUSTRALIA

The following members served on the Council and on Council comm ittees during the year ending 30 June 2012. The Cou ncil m et on 6 occasions in the year, the Finance, Risk Ma nagem ent and Audit Comm itt ee on 6 occasions

and the Acquisitions Comm ittee on 5 occasions.

COUNCIL Mr Rupert Myer AM (Chairman until18 March 2012)

Master of A rts, Cambridge University, England; Bachelor of Com m erce (Hons) (Melb)

Chairman, lhe Myer Family Comp any

Chairman, Ka ldor Public A rt Projects

C hairman, The A randay Foundation

Director , The Yulgilbar Foundation

Director , National Gallery of Australia Foundation

Me mb er, Felton Bequests' Committee

Director , A ustralian International C ultur al Foundation

D irector, The Myer Foundation

Mr John Calvert-Jones AM (Chairman from 19 March to 19 April2012)

Chairman, Sea first Australia

Trustee, Calvert-Jones Foundation

Director, K imberley Foundation

Trustee, M cClelland Gallery

Mr Tim Fairfa x AM (Chairman from 20 April2012)

Hon DUniv (Sunshine Coast)

C hairman, Tim Fairf ax Fam ily Foundation

C hairman, V incent Fairfa x Family Foundation

Chairman, Salvation Army Brisbane Adv isory Board

Director, Foundation for Rural and Regional Renewal

President, Queensland Art Ga llery Foundation

Member, Philanthropy Australia Council

Councillor, Royal National Association of Queensland

Director, National Gallery of A ustralia Foundation

Patron, AMA Queensland Foundation

104

Patron, U niversity of the Sunshine Coast Foundation

Patron, Vo lunteers for Isolated Students Education

Dr Ron Radford AM (Director)

Doctor of Letters; Affiliate Professor, University of Adelaide; Hon Doctorates RMIT University and University of South Australia

D irector, National Gallery of Australia Foundation

lhe Hon Mrs Ashley Dawson-Darner

Bachelor of Economics (Syd); Diploma of Decorative Arts, Dr Anna Clark's School of Decorative Arts, Sydney

Director , Yuills G roup of Comp anies

Director, Opera A ustralia Capital Fund Council of Governors

Director, National Gallery of A ustralia Foundation

Member, Australian Institute of Company Directors

Director, National Art School

Director, Sydney Festival

Ms Catherine Harris AO, PSM

C hair, Harris Farm Markets

Director, U niversity of New South Wales Australian School ofBusiness

Director, Oz Na turally

Director, National Gallery of Australia Foundation

Director, University of New South Wa les Foundation

Commissioner, Australian Rugby League Comm ission

Governor, University No tre Dam e

Consul General, Bhutanese Consulate

Mr Warwick Hems ley

Bachelor of Commer ce (WA); Associate Diploma of Va luation (Curtin-formerly WAIT)

Certified Practis ing Accountant (Australia)

Fellow , Australian Property Institut e

Director, Western A ustralia Cham ber of Commerce and Industry

C hairman, Wes t A ustralian Opera Com pany

Director, Redfield Holdings

Director, We strade Management

Director, Hems ley Nom inees

Mr John Hindmarsh

Bachelor of Building (Hons), Un iversity of New South Wales

Fellow, Au stralian Institute of Bu ilding

Adjunct Professor, Building and Construction Management , University of Canberra

Executive Chairman, Hind marsh and A ssociated C ompanies

Chairman, Au stralian Capital Ventures and Equity Investments

Director , V illage Building Company

Director, Canberra Business Cou ncil

Chairman, National Ga llery of Au stralia Foundation

Director, Hand Across Canberra Charity

Chairman, Cu ltur al Facilities Corporation

Mrs Jane Hylton

Diploma of Fine Arts (Painting), SA School of Art

Em eritus Curator, Au stralian Art, Art Ga llery of South A ustralia

Visual arts and collections consultant

Trustee, Nora Heysen Foundation

Mr Callum Morton

Artist; Bachelor of Architecture RMIT; Bachelor of Fine Arts (Painting), Victoria College, M elbourne; Samstag Scholar at Art Center College of Design, Pasadena, California; Master of Fine Arts (Sculpture), RMlT

Mrs Jeanne Pratt AC

Senior Vice President , Carlt on Football C lub

Member, National Council of Christians and Jews

Member, A rti stic Advisory Committee, H er Majesty's Theatre

C hairman, The Production Company

M ember, Board of Governors, Jewish Mu seum of Australia

Director , Emergency Services Foundation

Director , Visy Board

COUNCIL COMMITTEES

Finance, Risk Management and Audit Comm ittee

This comm ittee monitors the Gallery's finances and the framework for the managem ent of risks and opportunitie s. The C ommittee also serves as the G allery's Aud it C omm ittee.

Members as at 30 June 2012

Mr Warwi ck Hem sley (Chair)

Mr john Calvert-jones AM

The Hon Mrs A shley Dawson-Dam er

Mr john Hindmarsh (from 26/6/12)

Mr Tim Fairfax AM (Ex-officio from 20/4/12)

Mr Rupert My er AM (Ex-officio untill8 /3/12)

Acqu isitions Committee

This committee review s proposals and makes recommendations to the Gallery Council for the acquisition of works of art entering the national collection.

Members as at 30 June 2012

Mr s jane Hylton (C hair from 26/6/11)

The Hon Mrs A shley Daw son-Dam er

Mr Tim Fairfax AM (from 30/8/11)

Mr Rupert M yer AM (Ex-officio untill 8/3/12)

Bu ilding Committee

This committee oversees the Gallery's man agemen t of major building projects.

Members as at 30 June 2012

Mr John Calvert-jones AM (Chair)

Mr Warwi ck Hem sley

Mr John Hindm arsh

Mr C allum Morton

Mr Tim Fairfax AM (Ex-offici o from 20/4/12)

M r Rupert M yer AM (Ex-officio until 18/3/12)

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 105

APPOINTMENT TERMS COUNCIL MEETINGS COUNCIL COMMITTEE

MEETINGS

eligible to attended eligible to attended

attend attend

Mr Rupert Myer AM * 4 4 7 7

24/9/03 - 26/9/06 20/10/05- 19/12/08 20/12/08 - 19/12/l1 20/12/11 - 18/3/12

Mr john Calvert-Jones AM *' 6 4 6 4

l/8/06- 31/7/09 29/10/09- 28/10/12

Mr Tim Fairfax AM *** 6 5 7 5

10/3/11 - 9/3/14

Dr Ron Radford AM (Director) 6 6 11 11

20/12/04 - 19/12/09 20/12/09 - 19/l/13 20/4/12-30/9/14

The Hon M rs A shley Dawson -Damer 6 6 11 11

22/4/05 - 21/4/08 30/5/08 - 29/5/11 16/6/11 - 15/5/14

M s Catherine Harris AO, PSM

24/5/12- 23/5/15

Mr Warwick H em sley 6 6 6 6

13/12/06- 12/12/09 14/4/10- 13/4/13

Mr John H ind marsh 6 6

10/3/11 - 9/3/14

M s Jane Hylton 6 6 5 5

15/6/10- 14/6/13

Mr Callum Mor ton 6 5

14/5/09 - 13/5/12 24/5/12- 23/5/15

Mrs Jeanne Pratt AC 5 3

14/9/11 to 13/9/14

" C hairman from 20/12/05 to 18/3/12 ~,. C h a irm an from 19/3/12 to 19/4/12

*** C hairm an from 20/4/12 to 31/12/12

106

APPE N D IX 2 MANA GE M EN T STRUCTURE

The following details management structure as at 30 June 2012.

Alan Froud

Gove rnance and Reporting

CHAIRMAN June }01} Council

Tim Fairfax AM

DIRECTOR

Ron Radford AM

Simon Elliott

Learning and Access

Adam Worrall

Exhibiti ons

CHAIRMAN

I .'\ation.t l Galler) ul Amto .tloJ Found.ttoun

John Hindmarsh

Shanthini Naidoo

Foundation

Finance, Business

Research Library Travelling Exhibition s Development

Services

IT and Imaging

Facilit ies Management

Human Resource Manageme nt

C uratorial - _)

Publishing

Registration

Conservation

Sponsorship

Marketing and Communi cations

M embership

Commercial Operations

. ..,

NATIONAL GALLERY OF AUSTRA LIA ANNUAL REPORT 2011-12 107

APPENDIX 3 STAFF A N D VOLUNTEERS

The following details the staff and volunteers at the Gallery as at 30 June 2012.

STAFF Marcus Hayman Paul Hulford Ian Stuart

David Hempenstall Alan Hulford Charles Summ erell

Exec utive Wilhelmina Kemperman William Irvine Salesi Tahi

Ronald Radford, Director Eleni Kypridis Michelle Izzard Zdenka Topic

H ester Gascoigne (on leave) Barry LeLievre Philip Jeffries

Sophie Hunter

Lorraine Jovanovic Stephen Jones Curatorial and

Alan Froud, Educationa l

Lisa Mattiazzi Brendan Jordan Services Deputy Director Kirsti Partrid ge David Pang Len Kershaw

Simon Elliott, Assistant

John Tassie Peter Lavery Director

Adm inistration Joanne Tuck-Lee Paula Leglise (on leave) Lucy Davis

H elen Gee, Manager, Tony Rhynehart, Head Darrel Lord Robert Bell, Senior Curator,

Governance and ofHuman Resource

Mark Mandy

Decorative Arts and

Reporting Management Design

David Perceval, C hief A mand a Corbett Mark Mayne Roger Butler, Senior Curator,

Finance Officer

Debra Luck

Andrew McLeod Australian Print s,

Mehran Akbari Brett Millikin

Drawings and illu strated

Janine Ossato Books

Lachlan Cartland

Manolita Ramsey

Gale Millwood (on leave) Christine Dixon, Senior

Zoe Hutchison Fiona Moore Curator, International Joanne Sultana Anne Lupton Mikey Pettit John O'Malley Painting and Sculpture

Rory McQuinn

Helen Ward (on leave) James Parker Anna Gray, Head of

Australian Art and Senior

Kirsten Pace

Dean Marshall, Head of Dennis Penny

Curator, Australian

Trinity Poonpol Facilities Management Peter Petryk Painting and Sculpture

Andrew Powrie Doris Acoymo Patrick Pulbrook

pre-1920

Barbara Reinstadler Sylvain Brudo Kadrinka Ratajkoska

M ichael Gunn , Senior Curator, Pacific Arts

Sarah Robinson Debbie Bulger Joseph Read

Deborah Hart, Senior

John Santolin Jose Camp uzano Brett Redfern Curator, Australian

Roberto 1l1omas Annette Connor Maurice Renton Painting and Sculpture

V ictoria Worley Joye Dawe Svetlana Rodic

post-1920

Luke Marks, Head of IT Antonia Del Rio Josip Rukavina

Jane Kinsman, Senior Curator, International

and Imaging

Jalal Elmoudawar Taron Scholte Prints, Drawings and

Anthony Bezos

Philip Essam Eduardo Serrano

Illustrated Books

Alanna Bishop

Laurence Geraghty David Sharrock

Robyn Maxwell, Senior

Robert C heeseman

C urator, Asian Art

Sue Howland Zelyko Stefek (on leave)

108

Gael Newton, Senior Christine Nicholas Hannah Barrett Tedd Nugent

Curator, Photography Egidio Ossato Shu-Ian Birch (on leave) Aaron Pollock

Jaklyn Babington

Dorothy Rollins Nicolette Black Jane Saker

Tina Baum

Katie Ru ssell Kate Eccles-Smit h Mark Van Veen

Ke lli Cole

joanne Walsh Micheline Ford Belinda Cotton, H ead of

Melanie Eastburn

Peter White Scott Franks

Travelling Exhibitions

Rebecca Edwards

Frances Wild Greg Howard

Bronwyn Campbell

Lucie Folan

Edith Young Fiona Kemp

Mary-Lou Nugent

Charmane Head

joye Vo lker, Chief Librarian Blaide Lallemand Development,

Crispin Howarth

Kate Brennand Roy Marchant Marketing and

Miriam Kelly

Kathleen Collins Cheree Martin Commercial

Emma K indred

G illi an C urrie Sarah McHugh

Operations

Simeran Maxwell

David McRoberts

Shanthini Na idoo,

Helen Hyland

Assistant Director

O livia Meehan

Peta Jones Jael Muspratt

Ka te Groves

Sarina Noo rdhuis-Fairf ax V icki Marsh Kassandra O'Hare (on leave)

Elizabeth Ma lone, Manager,

Anne O'Hehir

Cheng Phillips Sheridan Roberts Commercial Operations

Em ili e Owe ns

Samantha Pym Beata Tworek-Matuszkiewicz A nne Frisch

Rebecca Scott

Adrian Reid James Ward Steven Lawlis

Beatrice Thompson

Jane W ild Stephen Roberts

Lucina Wa rd Exhibitions

Andrea Wi se An na Saboisky and Collections Karie W ilson Services David Wise Emma lise Sprott Kirsty Mor rison, Publishing Adam Worrall, Natalie Beattie, Stephen Tsakalos Carla DaSilva Pastrello Assistant Director Head of Registration Tanya Wieneke Susannah Luddy Dominique Nagy, Valerie A lfonzi Maryanne Voyazis, Eric Meredith Head of Exhibitions Pam Bailey Executive Director, Kristin Thomas jing-Ling Chua Salvatore Bottari Foundation Nick Nicholson Emma Doy Mark Bradley Corrina Cullen Peter Nauman n, Head of Lloyd Hurrell Kate Buckingham Sarah Carlson Learning and Access Derek O'Connor David Cover Nicole Short, Manager, (on leave) Corporate Sponsorship Katrina Power Georgia C unningham Lynde! A rnett Eleanor Kirkham Patrice Riboust Pam Debenham M ichelle Belford Elizabeth Wilson, Ben Taylor Bruce Egan Manager, Membership Adriane Boag Dav id Turnbull John Gryniewicz Irene Delofski Rose Cahill Peter Vandermark Chris Harman Christopher Hastings Sally-Jane Colli gnon Debbie Ward, Andrew Kaminski David Edghill, Head Michelle Fracaro Head of Conservation Adam Ma nn of Marketing and Cami lla Greville Megan Absolon Jane Marsden (on leave) Communications Gwen Horsfield Lisa Addison Philip Murp hy Jennifer Dobbins Joanna Krabm an Sharon Alcock Rebecca Nielsen Siobhan Ion . Rose Montebello NATIONAL GALL ERY O F AUSTRALIA ANNUAL REPORT 2011-12 109

VOLUNTEERS Photography Research Library

Wendy Coxhead

Robert Deane Pam Cossey

Merrilyn Crawford

Aboriginal and Bernard Lilienthal Bill Geering Dodie C richton

Torres Strait Islander Art

Julia Nicholls Meridith Crow ley

Conservation Kay Smith Paloma Crowley

Georgia Mokak Melissa Bolin Sumie Davies

Jacqueline Chlanda Bethany Corrigan Sponsorship and Suzie Dearn

Mar ion Vidal Gudrun Genee Development Ruth Dobson

Asian Art

Bill Hamilton

Kirby-Lee Rushby

Bea Duncan

Margo Geering

Con nie Koh

Voluntary guides Margaret Dunkley

Jan Smith Exhibitions W in Abernethy

Heather Duthie

Blake Fenwick

Chitrani Abeysekera Margaret Enfield

Australian and International Anna Thurgood

Marianela Aguilera Brian England

Decorative Arts Mega n W illi ams Janet A itken

Phyllis Evenett

and Design Ga il A llen Peter Field

Jane Herring Membership Lesley Band Sharon Field

Meredith Hinchliffe Dorothy Anderson Marilyn Barclay Miriam Fischer

Judy Burns Susan Bastian Judith Fleming

Australian Painting Doreen Butler Hilary Batten Patrick Fleming and Sculpture Betty Camp bell Judy Bell Marcia Fletcher Julia Greenstreet Mau reen Chan Elizabeth Bennett Colleen Fox C laire Capel-Stanley Cathie Collins Vivienne Blundell Monty Fox Australian Prints Helen Deane Lynne Booth Margaret Frey and Drawings Sylvia Dicker Christine Bowen Janet Garrett An ne McDonald Helen Douglas Carolyn Brennan Jean Gifford Gwe nyth Mac namara Kay Dunne Robyn Brick Robert Goodrick Victoria Perin Karin Fyfe Lena Britton Ross Gough International Margaret Gerahty Margaret Bromley Christine Grose Painting and Audrey Harvey Merredy Brown Beverly Hackett Scu lpture Isabelle Hayward Laurel Brummell Barrie Hadlow Caitlin Eyre Beryl Legge-Wilkinson Meralyn Bubear Jann Hallenan Pamela Wa lker Doris McCau ley Frances Butterfield G lenys Harris Gad ia Zrihan Heather Mears Helen Campbe ll Fiona Hase Estell e Ne ilson Shelley Clarke Toni Hassan Pacific Arts A lison Thoma s Brit Helgeby Bruce Cook Sylvia Cockburn Gene Willsford Beverley Copeland Rosanna Hind m arsh Gerda Zietek Kerin Cox Marga ret Hollis 110

Mie Ling Huisken Jennifer Power Pamela Weiss

Elspeth Humphries Julia Pratt Danelle Whee ler

Carol Hunt Norma Price Jenny Wi lliams

Ode tte Ingram Anna Prosser Jenny Wi lson

Robin Irvine Joan Purkis Ma rjorie W ilson

Roslyn Jackson Kaye Rainey Judith Wood

Phoebe Jacobi Sara Rapp Robert Worley

Tami Jacobsen Anne Reese Sylvia Xav ier

Mar ilyn Jessop Georgia Renfree

C lara johns Helen Richmond

Diane Johnson Fred Roberts

Kay Johnston Judy Roberts

Mary Ke lly Jayne Ro ss

Jilli an Kennedy Lindy Ross

Meg Lambeck Myra Rawling

Lucinda Lang Margot Sawyer

Rachel Letts Sergio Sergi

Bernard Lilienthal Sylvia Shanahan

Robyn Long Mary Lou Sheppard

Paloma Lopez Carol Slater

Carm en Luddy Elizabeth Sloan

A lva Maguire Jan Smith

Karen Manton jane Sm yth

A udrey McKibbin Peggy Spratt

Phylli s McLea n Marilyn Stretton

Frances Menz Carol Summ erhayes

Jennifer Morris Bob Sutherland

Margaret Morris Catherine Sykes

Geraldine Mountifield H eather Thomp son

Patti Mulcare Jo Thomson

Maryan n Mussared Janet Tomi

Rhonda Nobbs-Mo hr Arthur Tow

Kate Nockels Meryl Turner

Caroline Nott Roberta Turner

Susan O 'Con nor Pamela Wa lker

Evelyn Paton Deirdre Wa rd

Karen Powell Judy Ware

NAT IONAL GA LLERY OF AUSTRALIA ANNUAL REPORT 2011-12 111

APPENDIX 4 EXH IB ITIONS AND NEW D ISPLAYS

EXHIBITIONS AT THE NATIONAL GALLERY OF AUSTRALIA

Out of the West art of W estern A ustralia from the nationa l collection

8 July 2011 - 9 April2012, Orde Poynton Ga llery and Project Ga llery

Out of the We st was the first exhibiti on at the National Gallery of A ustralia to present works by a large sample of arti sts from Western Australia. The exhibition took a unique look at the art from Western A ustral ia from pre-settlem ent to today and highlighted the richness of the National Ga llery's collection of works from this state.

Fred Williams infinite horizons

12 Augu st- 6 November 2011, Temporary Exhibition Ga llery

Fred W illi ams is one of Australia's greatest painters. He created a highly original and distinctive way of seeing the Australian landscape and was passionate about the paintin g process itself . Fred Williams: i11j111ite horizo11s was the first major retrospective of Wi lliams's wo rk in over 25 years.

Renaissance 15th and 16th century Italian pa intings from the Accadem ia Carrara, Bergamo

9 December 2011 - 9 April2012, Temporary Exhibition Ga llery

TI1is unique exhibiti on offered audiences an unparallel ed

chance to see Early and High Renaissance paintings by som e of the greatest European artists. Raphael, Botticelli, Bellini and Titian were represented among an am azing gamut of talent and creative splendour. More than 70 works on canvas and panel mad e between 1400 and 1600 by painters in northern and central Italy were on display.

Von Guerard nature revealed

27 Ap ril- 15 July 2012, Orde Poynton Ga llery and Project Ga llery

Eugene von Guerard is arguably Australia's and certainly V ictoria's mo st important colonial landscape painter.

112

TI1e work of von Guerard has not been the subject of a

dedicated exhibit ion since 1980. This exhibition included m any ofvon Guerard's beloved iconic landscapes , as we ll as illustrated sketchbooks and some never-before-seen paintin gs. This exhibiti on was a National Ga llery of Victoria touring exhibiti on.

unDisclosed 2nd National Indigenous Art Triennial 11 May - 22 July 2012, Temporary Exhibiti on Ga llery

C urated by guest curator Carly Lane, liiiDisclosed: 211d Nntio11nfllldige11ous Art Trien11inl provided visitors with the opportunity to experience the dynamic visual expression of contemporary Aborigi nat and Torres Strait Islander art. From across the country, 20 Aboriginal and Torres Strait Islander artists we re selected to represent Indigenous arts today.

Connections

16 October 2010 - 18 September 201 1, C hildrens Ga llery

Co 11nections explored the rich conversations that can take place between works of art across cultures, place and time. Islamic works of art were paired with others in the national art collection under themes such as calligraphy, geom etry, colour and the garden.

Good strong powerful

1 October 2011 - 15 January 2012, C hildr ens Ga llery

Good strong powe1jul featured the works of 10 established and em erging Aboriginal artists from three art centres in the Northern Territory. A collaboratio n between Artback NT and curator Penny Campton, the exhibition celebrated the ongoing productio n of good, strong and powerful art by these artists and reflected traditional and contemporary subjects through both painting and drawings.

Play

4 February-24 June 2012, Childrens Ga llery

Piny embraced painting, photography, prints and sculpture from across the National Ga llery of A ustralia's collection. TI1e exhibiti on reminded us of the importance of play in an artist's practice, and in our lives.

NE W D ISPLAYS AT THE NATIONAL GALLERY OF AUSTRALIA

Upsta irs downstairs photographs of Britain 1874-1990

3 September 2011 - IS Decemb er 20ll I Photography Gallery

TI1e social documentary tradition has been a driving force

in Briti sh photography. This new display showcases some of the National Gallery of Au stralia 's best examples from I874 to 1990.

Penguins and ice photographs of Antarctica 1910-2010

23 D ecember 2011 - 25 March 20I21 Photography Gallery

Antarctica has long been a region that has fascinated and captivated imaginations. This focused collection display marked the centenary of the Australasian Antarctic Expedition in 1911 with photographs from various expedition s to Antarctica over the past 100 years.

Underground photographs of mining and miners 1850 to the present

31 March - 29 july 20121 Photography Gallery

This display of photographs from the collection showed the landscape, architecture and mec hanics of mining, as well as it s impact on workers and the environment.

TRAVELLING EXHIBITIONS NATIONALLY AND INTERNATIONALLY

In the Japanese manner A ustralian prints 1900-19 40

ln the ]npnnese mann er highlight ed the work of A ustralian arti sts inspir ed by the tradition al japanese woodblock printin g art of rrkiyo-e.

Perc Tucker Regional Ga llery, Town sville, Qld, 19 May - 14 Augu st 2011

Space invaders Australian . street. stencils . posters . paste-ups . zines . stickers

This exhibition looked at street art of the past 10 years by more than 40 of the mo st prolifi c and infamous street arti sts working in Australia today.

U Q Art Mus eum , University of Qu eensland, Brisbane, Q ld, 9 April- 5 June 20ll

RMIT G allery RMIT University, M elbourne, Vic, 2 Septemb er- 5 N ovemb er 2011

We stern Plains C ultur al Centre, Dubb o, NSW, 18 Novemb er 20Il- 18 March 2012

In the spotlight Anton Bruehl photographs 1920s-1950s

ilr tire spotli ght featured the G allery's collection of Australian -born Anton Bruehl' s wide range of photographic work.

Mon ash Ga llery of Art, Wh eelers Hill, Vic, 25 June-I I Septem ber 201 I

QUT Art Mus eum, Brisbane, Qld, 18 February- IS April 2012

Australian portraits 1880-1960 paintings from the N ationa l Gallery of A ustralia collect ion

This exhibiti on took a fresh look at portrait s from the period 1880 to 1960 held in the national art collection and included 34 leading Au stralian painter s.

Museum and Art Gallery of the Northern Territor y, Darwin, NT , 9 April- 10 July 2011

Warrnambool Art Gallery, Warrnambool, Vic, 23 July- 4 September 2011

Queen Victoria Mu seum and Art Gallery, Launceston, Tas, 17 Septemb er- 13 Novemb er 2011

H azelhurst Regional Gallery & Arts Centre, Gy m ea, N SW , 3 D ecemb er 2011 - 29 January 2012

Gladstone Regional Art Gallery, Gladstone, Qld, 11 February-12 Ma y 20I2

Fred Williams infinite horizons

Fred William s is one of Au stralia 's greatest painters and this exhibition w as the first major retrospective of his work in over 25 years.

I2 Au gust- 6 N ovemb er 2011, Temp orary Exhibition Gallery

Roy Lichtenstein Pop remix

This exhibiti on showcased som e of the extensive collection of A m erican Pop art icon Roy Lichtenstein's print s in the national art collection.

Mornington Peninsula Regional Ga llery, M ornington, Vic, 19 April- 11 June 2012

QUT Art Mu seum , Brisbane, Qld, 29 June-26 Au gust 2012

NATIONAL GALL ERY OF AUSTRALIA ANNUAL REPORT 2011-12 113

LOCATIONS VISITED BY TRAVELLING EXHIBITIONS 1988-2012

" 201 t-12 locations visited

" 1988-2011 locations visited

ACT Parkes x I Charleville x I Naracoorte x I 1\lornington x 9 International

Canberra x 3 Penrith x 2 Dalbj " x I Port Adelaide x 3 Mo rwell x 2 Auck land, NZ x 3

Lanyon x 2 Sydney x 34 Emerald xI Port Augusta x I Sale x 5 C hristchurch, NZ x 3

Tamworth x 6 G ladstone x 5 Port Lincoln x 2 Shepparton x 1 Dunedin, NZ x 2

NSW Wagga \Vagga x 5 Ipswich x 4 Port Pirie x 5 Swan Hill x 2 Gifu City, japan x I

A lbuq " x 7 Wallaga Lake x I Logan x I Renmark x 2 Warrnambool x ~ lnvercargill, NZ xI

Armidale x II Wind sor xI Mackay x 4 Whyalla x 3 Waverley x 3 London, UK x I

Bathurst x 5 Wollongong x 5 I\ lou nt 1sa x I Wheelers Hill x 5 1\lanila ,

Bourke x 1 Noosa x 4 TAS The Philippin es x I

Broken Hill x 5 NT Rockhampton x 5 Bu rnie x I WA Masterton, NZ x I

Campbe llt own x 7 Alice Springs x 13 Stan thorpe x 2 Devonport x I Albany xI New Delhi,1ndiax I

Dubbo x ~ Brunette Downs x I Surfers Paradise x 7 Hobart x 24 Broome x 2 Noumea.

Eden x I Darwin x 18 Toowoomba x ~ Launceston x 17 Bun bury x 5 New Caledonia x I

Gosford xI )abiru x I Town s,â‘ille x 13 Carnarvon x 2 Port Moresby, PNG x I

Grafton x I Katherine x 2 Wintonx 1 VIC Derby xI San Diego, USA x I

Gymea x 3 Palmerston x I Araratxl Geraldton x 10 Singapore x I

Lake Macquarie x 5 Pine C reek x I SA Ballarat x 9 Kalgoorlie x 4 St Petersburg, Russia x I

Moree x 4 Tennant Creek x 2 Adelaide x 30 Benalla x 3 Karratha x I Washington DC,

1vloruya xI G lossop xI

Bendigo x 10 Katanning x 1 USA x2

Mosman xI OLD Goolwa x I Castlemaine x I Ku nunurra x I Wellington, NZ x 4

Mud gee x I Barcaldine x 1 Kadina xI Geelong x 9 Perth x 26

Murwillumbah x 4 Blackwater xI Meningie x I Hamilton x 3 Port Hed land x 1

Newcastle x I ~ Brisbane x 36 Millicent x 3 Langwarrin x 2 W yndham xI

O range x 6 Bundaberg x I Mt Gambier x 6 1\lelbourne x 3 ~

Cairns x 9 Mildura x I

114

THE ELAINE AND JIM WOLFENSOHN GIFT SUITCASE KITS

Blue Case: Technology

Swan Hill Regional Art Gallery, Swan Hill, Vic, 1 july-1 Augu st 2011

Community Arts Network, Perth, WA, 1 A ugust- 14 Septemb er 2011

Arts Access WA , Perth, WA , 16 September-I November 2011

Ka ngaroo Island Community Education Centre, Ka ngaroo Island, SA, 2-23 Nove mb er 2011

Arts OutWest, Bathurst, NSW, 14 March - 30 April2012

jindalee N ursing Home, Narrabundah, ACT, 7-21 May 2012

General Practice Education and Training Conference, Sydney, NSW, 24-25 May 2012

Gy mpie Regional Gallery, Gympie, Qld, 30 May - lO july 2012

Red Case: Myths and Rituals and Yellow Case: Form, Space and Design

Education and Public Program s, Na tional Ga llery of Australia , Parkes, ACT, 24-17 july 2011

Burnie Regional Art Ga llery, Burnie, Tas, 20 July-1 September 2011

Tasmanian Museum and Art Ga llery, Hobart, Tas, 1 September- 1 D ecemb er 2011

Gou lburn Regional Art Gallery, Go ulburn, NSW, 30 january-28 February 2012

Ma nning Regional Art Gallery, Taree, NSW , 2 March-9 April2012

A rts No rth West, G len Innes, NSW, 10 A pril- 21 May 2012

Moree Plains Ga llery, Moree, NSW, 22 May- 9 july 2012

The 1888 Melbourne Cup

Rockhampton C ity A rt Ga llery, Rockhampton, Q ld, 2 june-18 August 2011

Bu ndaberg Art Ga llery, Bundaberg, Q ld, 18 August- 10 October 2011

Perc Tucker Regional Ga llery, Townsv ille, Qld, 10 October- 23 November 20ll

C ity of Ho ld fast Bay, G lenelg, SA, 31 january-14 March 2012

Civic Hall Ga lleries, Port Lincoln, SA, 18 Ma rch- 18 April2012

Port Pirie Regional Art Gallery, Port Pirie, SA, 18 April- 25 june 2012

Na racoorte Art Ga llery, Naracoorte, SA, 27 june-27 Au gust 2012

NATIONAL GALLERY OF AUSTRALIA Ai'INUAL F.EPORT 2011-12 115

LOCATIONS VISITED BY THE ELAINE AND JIM WOLFENSOHN GIFT

TRAVELLING EXHIBITIONS 1990-2012

" 20ll-l2 locationsvisited " l990-20lll ocations visited

116

" " . . . " " . . . . . . ' . â‘"'" . ..

ACT Gundaroo Windsor SA VIC International

Ainslie Har Woolb rook Adelaide Airer's Inlet Norfolk Island

Belconnen Hent)' Yanko Airdale Bairnsdale Singapore

Brad don Hill End Yarrowitch Andamooka Ballara t Washington DC, USA

C hisholm Hu skisson Yeoval Balhannah Beechworth

C ivic II abo Young Beach port Benalla

Cu rtin Inverell Berri Bendigo

Fraser junee NT Bordertown Beverford

Holt Ke lso Adelaide River Coober Pedr Buronga

Hu ghes Ken tucky Alice Springs Coom andook Caulfield

N .1rrabundah Kingscliff Bathurst Island Coonalp)'n C oomoora

Nicholls Kirkconnell Berrirna h Glenelg Co rio

I'Jrkc' Koo tingal Darwin G lossop C ulgoa

Phillip Laggan I loward Springs Kangamu hl.uul Dove ton

Red H ill Lake Cargelli go Katherine Karcultaby Endeavour Hills

S) " m onston Leeton Kings Canron Keith Geelong

Woden Lightning Ridge Larrakeyah Leigh Creek H amilton

Yarralumla Lismore Man ingrida ~laitland Hern Hill

Liverpool Melvill e Island ~leningie Horsham

NSW Maitland ~Iou ld e n Millicent Keysborough Albuq " Marra Creek Pine C reek Mount Burr Lake C harm Adelong Marulan OLD Mount Gamb ier Lalberl Armidale Matong Nar.u.:onrt~ Latrobe Balranald ~le r ewet h e r Alexandra Hills Port Lincoln Manangatang Banora Point Mendooran Augathella l'ort Pirir Mandam a Barham Monaro Bli Bli Rendelsharn Melbourne Barooga Moonb i Bloomfield River Risdon Park Mildura Barraba Moree Boulia Roxbr Down s Murrarvill e Bathu"l Moulamein Brisbane Solomontow n N ullaw il Bat low MtOu sley Budcrim Streak)' Bay Orbost Beg a Murwi llumbah Bundabcrg Tanlanoola Ouyen Bermagui Narrandera Caboolture Tintinara Pon1ona Berrigan Na rromine Cairns Woomera Queenscliff Bigga Newcastle Caloundra Yorke town RedcliO"s Blighty N iangala Charleville Robin vale Bo renorc Ny ngan C hilders TAS Rutherglen Bourke Parkes Cleveland Boat Harbour Sale Bowning Penrose Cook town Burnie Sea lake Brewarrina Perthvill e C unnamu lla C larence Shepparton Broken Hill Port Macquarie Dow s Creek Cooee Springvale Bunaloo Queanberan Eton De\'Onport Stanley Bunda noon Rockdale Eungella Edith C reek Sunnycliffs By rock Shell harbour Gargett Flinders Island Swan II oil Campb ellt own Sofa Ia G in Gin Forth Tamb o Upper Cartwri ght Spion Cop G ladstone Hagley Tempy Cessnock Spring Ridge G lenview I Iobarl Torquay Cobar Stokers Siding Gold Coast King bland Ultima Coffs H arbour Srdncr Goondiwindi Launceston Warrnambool Coleambally Tallong Grmpie Montello Wangaratla Conargo Tamworth lmbil Natone Wimmera Condong Taralga Kilkivan New Norfolk Wodonga Coolabah Taree t-Iacl eay Island Penguin Woomel ang Coolah Tocumwa l Malenr Queenstown Yarrawonga Coonabarabran Toronto Marian Redpa Coon amble Trangie M cK inla)' Ridgeler WA Coraki Tullibigeal ~Iirani Rhâ‘e rside Albany Cowra Tumbulgum t-lontville Rosebery Broome C udgen Tweed H eads Moura Smithton Cervantes C ulcairn Tweed River Ml C harlton Somerset Cue Darlington Point Tyalgum ~lurgan St Leonard's Derby Den iliquin Unanderra No rm anton Strahan Don gara Dubbo Ungarie Oaker Table Cape Eneabba Dunedoo Uralla Peachester U lverstone Gerald ton Dungowan Wagga Wag ga Pinnacle Waratah Kalbarri Eglint on Wahroonga Q uilpi e Wilmot Kalgoorlie-Boulder Euabalong Wakool Ru

APPENDIX 5 PUBLICATIONS

Sale titl es are available from the NGA Shop and via mailorder and are distribu ted in Australia by New South Books and in the Un ited States of Amer ica by Universit y of Washington Press.

Out of the West Western Australian art 1830s to 1930s

An ne Gray

July 2011, 52 pages, paperback, RRP $19.95

Out of the West: We stern Australian art 1830s to 1930s offers a stimulating intr oduction to history of Wes tern A ustralian art, presenting a fresh interpretat ion from pre-settl ement to the 1930s and placing it for the first time

in the wider context of the history of Au stralian art. TI1e book accompanied 'The early years' part of the exhibiti on Out of the West: art of Western Australia from the national collection, wh ich was the first exhibiti on at the National Ga llery of Au stralia to present a large sample of We stern

A ustralian art from pre-settl ement to today.

Fred Williams infinite horizons

Deborah Hart, w ith Sebastian Sm ee

A ugust 2011, 240 pages, paperback, RRP $49.95

This engaging publication is a fittin g tribut e to an outstanding Au stralian artist and coincided w ith the exhibition Fred Williams: infinit e horizons, the first major retrospective of his work in over two decades. TI1e book highlights W illi am s's strength as a painter and includes a wide range of oil paintings and luminous gouaches, along w ith new material from the arti st's diaries and his

rem arkable C hina sketchbook. TI1e clarity and richness of W illi ams's distinctive arti stic vision that i s his legacy w ill continue to inspire generations to come.

Renaissance table

Jam es K idman

Nove mber 2011, 204 pages, hardback, RRP $59.95

James K idman 's Renaissance table is a beautifull y conceived and photographed collection of recipes designed for the hom e cook. It is lavisW y illu strat ed and includes over 100 recipes and an introduction on Italian

food, art and history by Christine Dixon, Senior C urator, International Paintin g and Sculptur e.

118

Renaissance 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo

Ron Radford, G iovanni Valagussa, Jaynie Ande rson, A ttili o Pizzigoni and Dav id W ise

Decemb er 2011, 244 pages, paperback, RRP $49.95

Renaissance: 15th and 16th century Italian paintings from the A ccademia Carrara, Bergamo features paintings by some of the greatest arti sts in Renaissance Italy. Raphael, Bottice lli , Bellini and T itian, amon g others, form an ama zing array of talent and creative splendour. This beautiful book reflects the genius and creativity of the

two centuri es of Italian Renaissance art that are the foundation of the grand tradition of European painting. It include s essays b y Italian and Au stralian scholars and descripti ons of each painting in the exhibition as we ll as biographies on the artists featured in the exhibition and a detailed timeline.

Roy Lichtenstein Pop remix

Jaklyn Babbington

April2012, 96 pages, paperback, RRP $24.95

Th is dynamic book traces Roy Lichtenstein's print projects from the 1950s to the 1990s, exploring how he appropriated, transformed and remixed numerous art histori cal sources. Lichtenstein identified cultu ra I cliches and repackaged them as monumental remixes and his wo rks stand today as icons of 1960s and 1970s Ame rica. Slick, intelli gent and humorous, Lichtenstein's remixes of

romance and war comics, brushstrokes and nude girls are amo ng the best known Pop print s.

Stars of the Tokyo stage Natori Shunsen's kabuki actor prints

Lucie Folan, with C hiaki Ajioka, Me lanie Eastburn, C Andrew Gerstle, Robyn Maxwell and A m y Reigle New land

June 2012, 144 pages, paperback, RRP $39.95

Stars of the Tokyo stage celebrates the glamo ur of kabuki theatre amid the dynamic atmosphere of Japan in the 1920s and 1930s. Natori Shunsen's superb woodb lock portraits of the superstar actors of the time are exquisitely

reproduced and discussed in detail, alongside a selection of spectacular costum es from the kabuki stage. The book brings together essays by experts in the fields of kabuki, printmaking and m odern Japan and is an entertaining and valuable resource for anyone with an interest in Japanese art, culture and theatr e.

unDisclosed 2nd National Indigenous Art Triennial

Edited by Carly Lane and Franchesca Cub illo

May 2012, 160 pages, paperback, RRP $49.95

1l1is book accomp anies the second National Indigenous A rt Triennial, unDisclosed, which is touring nationally in 2013.lt charts the traject ory of Abo riginal and Torres Strait Islander art in Australia since the first triennial, Culture Warriors, in 2007. ll1e second triennial explores the work of20 exemplary Indigenous Australian arti sts. It celebrates and examines the importance of an Indigenous voice in framing an Australian identit y and serves as a platform for Aboriginal and Torres Strait Islander artists determined to present their individual and shared perspectives.

ARTONVIEW

Published quarterly, paperback, free to memb ers/RRP $9.95

ArtonvieiV previews exhibiti ons and displays at the National Gallery of A ustrali a as well as the Gallery's exhibition s touring worldw ide. It also provides in-depth focus on the national collecti on, includin g important works newly acquired for the collection and a wealth of information on the Gallery' s public, education and support programs.

No 67, spring 2011

Septemb er 2011, 48 pages

Features: Renaissance, Fred Williams, Out of the West, Membe rs Acquisition Fund 2011-12

Contributor s: Jaklyn Babington, Tina Baum , Robert Bell AM, Christine Dixon, A nne Gray, M ichael Gunn, Deborah Hart, Crispin Howarth, Miriam Kelly, Lucina Ward

No 68, summer 2011

December 2011, 56 pages

Features: Renaissance, unDisclosed: 2nd National Indigenous Art Triennial, the Ga llery's activity room program, conservation of two C harles Hill paintin gs, 100 Works for 100 Years campaign

Contribut ors: Sharon Alcock and Sheridan Roberts, Tina Baum , Robert Bell AM, Ke lli Cole, Franchesca C ubillo, An ne Gray, Deborah Hart, Crispin Howarth, Simeran Maxwell, Gael Newto n, Elspeth Pitt, Katieâ‘

Ru ssell, Maryanne Voyazis, Lucina Ward

No 69, autumn 2012

Ma rch 2012, 52 pages

Features: Renaissance, \fon Guerard, unDisclosed: 2nd National Indigenous Art Triennial, Play, Masterpieces for the Na tion Fund 2012

Contributors: Robert Bell AM, A nne Gray, Deborah H art, C rispin Howarth, Miriam Kelly, Carly Lane, Sarina Noordhuis-Fairfax, Anne O'Hehir, Ruth Pullin , Lucina Ward

No 70, winter 2012

June 2012, 48 pages

Features: Von Guerard, unDisclosed: 2nd National Indigenous Art Triennial, Abstract Expressionism, Sydney Long: the Spirit of the land, Wesfarmers A rts Indigenous Fellowship, Goog le Art Project , the nine-milli onth visitor to a touring exhibiti on

Contributors: Roger Butler, Geo rgia Con nolly, Franchesca Cubillo, Christ ine Dixon, A nne Gray, Deborah Hart, C rispin H owa rth, Jane K insman , Peter Nauma nn, Lucina Ward, Peter White

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 119

APPENDIX 6 ATTENDANCES

ATTENDANCES FROM 2006-07 TO 2011-12

a: <(

> ..J <( c:; 2 <( 2 u:::

.....

......

.....

......

885031

724914

122646 14327 973348

liB 744 1340306

t-!. 158909 1065514

120

I' 0 I \J;) 0 0 N 0 500000

to the National Gallery in Canberra

100 172 98 328 686 388

1000000

ATTENDANCE

to National Gallery exhibition s in Australi a

1500000 2000000

to National Ga llery exhibiti ons internation ally

APPENDIX 7 WEBSITE VISITATION

V isits to National Ga llery of A ustralia websites totalled 1.83 million.

Pages view ed for National Ga llery of Au stralia websites totalled 6.2 milli on.

REFERRALS

Indicates hO\v m any people arrived at the Ga llery's websites. In order of percentage.

REFERRER NUMBER OF VISITS PERCENTAGE

Search Engines I 281524 70.15%

Referring Sites 267051 14.62%

D irect Traffic 278307 15.23%

VISITS BY GEOGRAPHIC LOCATION

In order of numb er of visits.

GEOGRAPHIC LOCATION NUMBER OF VISITS

Global distribution

A ustralia 11 19 125

U nited States 224411

U nited Kingdom 99873

France 39262

Germany 29226

Canada 26312

Italy 21 508

New Zealand 15414

Spain 14 989

The Netherlands 12698

National distribution

New South Wa les 480081

V ictoria 240316

Australian Capital Territ ory 181844

Q ueensland I 10694

South A ustralia 48675

Western A ustralia 42031

Tasm ania 12790

Northern Territ ory 1970

(not set) 724

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 121

TOP 25 MOST POPULAR WEBSITE SECTIONS

In order of numb er of visit s.

WEBSITE LOCATION NUMBER OF VISITS PAGE VIEWS

Collection search

Exhibition (aggregates of all exhibition s sites)

Hom e

International

Renaissance: 15th and 16th century Italian pailltingsfromthe Accademia Carrara, Bergam o

Exh ibiti ons (general exhibition information)

Artonline

Federation: Australian art and society 1901-2001

A bout us

Mo11et and japan

Ocean to 011tback: A11stralianlandscnpe paintings 1850-1950

Ma sterpieces from Paris: \fan Gogh. Gauguin, Cezanne and beyond

Tumer to Monet: the triumph of landscape

Ballets Russes: the art of costume

Internationa l Print s

TI1e Edwardians: secrets a11d desires

Fred Williams: infinite horizons

Space i11vaders: Australian. street. stencils. posters. paste-ups. zines. stickers

Soft swlpture

Visiting

Imants Tillers : one world many l'isions

Culture Warriors: Na tional indigenous Art Triennial

Grace Cossington Smith: a retrospective exhibition

George W Lambert retrospective: heroes and ico11s

Out of the West: art of Westem Australia jiâ‘ om the national collection

122

491105 1611378

352531 1911 854

294820 412605

98033 198697

84 708 600921

78867 200562

47612 73 331

45471 109566

33804 158256

26529 63849

25920 182266

23846 114 181

20956 42016

18630 108005

18191 90624

17 114 54924

16646 128902

16616 57213

11793 74297

11 280 68523

10537 50629

10269 43264

9118 70730

6859 56522

3730 55556

APPENDIX 8 SPONSORS

The National Gallery of Australia acknowledges the following sponsors and partners for their generous financial and in-kind support throughout the year:

Accor Ho spitality through the Novotel Canberra as the official Accommodation Partner for Renaissance: 15th and 16th century Ita/inn paintings from the Accnde111in Carrara, Bergn111o and for providin g accommodation to the National Gallery of Australia's guests

ACT Government through Australian Capital Tourism as a Presenting Partner for Rennissnnce: 15th and 16th century Italian painting s fro Ill the Accade111in Carrara, Bergamo and for the ongoing support of major summer exhibitions at the National Gallery of Australia

Aesop for its support of the National Gallery of Australia Foundation Fund raising Ga la Dinner and Melbourne Cup lunch for Gallery members

AGB Events for its support of the National Gallery of Australia Foundation Fundraising Gala Dinner

The American Friends of the National Gallery of Australia, Inc for its continued generosity to the National Ga llery of Australia

AMP as a Corporate Member of the National Gallery of Australia

Australia Council for the Arts for its support of unDisclosed: 2nd National 1ndigenous Art Triennial

Australian Broadcasting Corporation for its continuing support through ABC Local Radio around the country and through ABC TV and ABC Online

Avant Card for its annual support of National Gallery of Australia exhibitions

The Brassey of Canberra for its continuin g support of the National Summer Art Scholarship students and for providing accommodation to the National Ga llery of Australia's guests

The Canberra T imes as an annual partner and as a Supportin g Partner for Fred Willia111s: infinite horizons and Media Partner for Renaissance: 15th and 16th century Ita/inn paintings from the Accndemia Carrara, Bergamo

Canberra Airport as a Major Partner for Renaissance: 15th and 16th century Ita/inn paintings from the Accademin Carrara, Bergamo and for additional exhibition marketing support

Clayton Utz as a Corporate Member of the National Gallery of Australia

Co ncepts Interior Design for the design and set-up of the Sculptur e Bar featuring Veuve Clicquot

Coopers Brewery as the officia l Beverage Partner of the National Ga llery of Australia

Cre8ive as the official Branding Partner of the Sculpture Bar featuring Veuve Clicquot

1l1e Department of Regional Australia, Local Government, Arts and Sport for its support through the Australian Government International Exhibitions Insurance Program, an Australian Government initiativ e providing assistance for the purchase of insurance for significant cultural exhibitions

The Department of Regional Australia, Local Government, Arts and Sport for its support through the National Collecting Instit utions Touring and Outreach program, an Australian Government program aiming to improve access to the national collections for all Australians

The Department of Regional Australia, Local Government, Arts and Sport for its support through V isions of Australian, an Australian Government program supportin g tourin g exhibition s and providing

funding assistance for the development and touring of Australian cultural material across Australia

Department of Health and Ageing Dementia Community Support Grants Program for its support the Art and Alzheimer's Outreach Project and training DVD

Diamant H otel Canberra for its support of the National Ga llery of Australia Foundation Fund raising Ga la Dinner accommodation and the 9-milli onth visitor to our travelling exhibitions program

1l1e Honourable Mrs Ashley Dawson -Damer as Exhibition Patron of Renaissance: 15th n11d 16th century Ita/inn paintings from the Accndemin Carrara, Bergamo and for her continued support of the National Ga llery of Australia

Eckersley's Art & Craft for its support of the Big Draw and Sculptur e Garden Sunday

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 123

Fairfax Media through The Age and the Sydney Morning Herald as a Supporting Partner for Fred Williams: infinit e horizons and Media Partner for Renaissance: 15th and 16th century Italian painting s from the Accademia Carrara, Be1gamo

Flash Photobition as the Sign age Partner of the National Ga llery of Australia

Forrest Hotel and Apartments for it s support of the Indigenous Arts Leadership program (part of the Wesfarmers Arts Fellowship program )

Google for launching Google Arts at the Na tional Gallery of Australia and for support through Google G rants

Gordon Darling Australia Pacific Print Fund for its continuing support of the development and promotion of the Australian and Pacific print collection

Gordon Darling Foundation for its continued generosity and support; in particular, for /11 the japanese 111anner: Australian prints 1900-1940

Hill ross as a Corporate Member of the National Ga llery of Australia

H yatt Hotel Canberra for its support of the National Ga llery of Australia Foundation Fundraising Gala Dinner and as the Accommodation Partner for Fred Williams: infini te horizons

JCDecaux as a Supporting Partner for Fred Williams: infinit e horizons and Media Partner for Renaissance: 15th and 16th century italian paintin gs from the Accademia Carrara, Be1gamo

Lazard as a Major Partner for Renaissance: 15th and 16th century Itali an paintings from the Accademia Carrara, Be1gamo

Mac quarie Foundation as a Corporate Me mb er of the National Gallery of Australia

Mantra on Northbourne as the official Accommodation Partner for unDisclosed: 2nd National Indigenous Art Triennial and for providing accommod ation to the National Ga llery of Australia's guests

Mi ll maine as a supporter of National Ga llery of Australia's marketing for Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo

Moet H ennessy Australia as the official Beverage Partner of the National Gallery of Australia and for its continued support of the Sculptur e Bar featuring Veuve C licquot

Molonglo Group and New Acton/Nishi as the Cultural Partners of Roy Lichtenstein: Pop remix and for its continued support of the National Gallery of A ustralia

124

The Myer Foundation for its continued support and encouragement of the National Ga llery of A ustralia Council Exhibiti ons Fund

National Australia Bank as the National Ga llery of Australia's A rt Education and Access Partner, a Principal Partner for Renaissance: 15th and 16th century italian paintings from the Accademia Ca rrara, Bergamo and for supportin g the 2011 National Summ er Art Scholarship, the Big Draw and Sculptur e Garden Sunday

National Ga llery of A ustrali a Council Exhibition Fund for its continuous support; in particular, for Out of the West: art of Western Australia from the 1wtional collection and Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo

N ine Entertainment Company for its continuous support, includin g C hannel N ine as Princip al Partner and ACP Magaz ines and T icketek for their support of Renaissance: 15th and 16th century italian paintings from the Accademia Carrara, Be1gnmo

Qantas as a Major Partner for Renaissance: 15th and 16th century Italian paintings from the Accademia Canâ‘arn, Be1gamo, as the Airlin e Partner for unDisclosed: 2nd National Indigenous Art Triennial and the Wesfarmers Arts Indigenous Fellowship program and for its continued support of the National Ga llery of A ustralia

Queensland Government through the Indigenous Arts Marketing and Export Agency, Arts Queensland, for the support of the exhibition book unDisclosed: 2nd National Indigenous Art Triennial

Ten and a Half Catering as a Major Partner and for its support of the opening of Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Be1gamo and the Na tional Gallery of Australia Foundation Fundraising Gala Dinner

The Thyne Reid Foundation for its continued support of the Art and Alzheimer's program at the Na tional Gallery of Australia

The Italian Embassy in Canberra for its support of Renaissance: 15th and 16th century Ttalim1 paintings from the Accademia Carrara, Be1gamo and the ABC winner's function

Rio Tinto as the Principal Partner for Fred Williams: infinite horizons

The Sidney Myer Fund for its continued support and encouragement of the National Ga llery of Australia

San Remo as the Exhibition Partner for Renaissance: 15th and 16th century Italian paintin gs from the Accademia Carrara, Be1gamo and for producing a collaborative television com m ercial and generous marketing support during the exhibiti on

Sound Advice for its support oft he Sculptur e Bar featuring Veuve Clicquot

1l1reesides Marketing for its support of tourism initiativ es during Renaissance: 15th and 16th century Italian paintings from the Accademia Cmâ‘rnrn, Bergamo

Voyager Estate for its support of the Melbourne Cup lunch for Gallery members

Wesfarmers for its continued support of the Wesfarmers Arts Indigenous Fellowship program and as the official Indigenous Art Partner of the National Gallery of Australia and Principal Partner for unDisclosed: 2nd

National indigenous Art Triennial

WIN Television as an annual partner and as a Supporting Partner for Fred Williams: infinite horizons and Media Partner for Renaissance: 15th and 16th century Italian paintings from the Accndemia Carrara, Bergamo

1l1e Yulgilbar Foundation for its generous support of the family activity room and children 's program for Fred Williams: infinite horizons and Renaissance: 15th anrl16th century Italian paintings from the Accndemia Carrara, Bergamo

N AT ION A L GA LLE RY OF A U STRA LIA ANNUAL REPORT 2011 -12 125

APPENDIX 9 ACQUISITIONS

ACQUISITIONS 2006-07 TO 2011-12

a: <(

....I

u z <( z u::::

......

['-. 0

929 1183 2112

640 960 1600

452 583 1035

674 540 1214

968 289 1257

2000 4000 6000 8000

ACQUISITIONS

Total numb er of purchases To tal number of gifts

9931 1063 10994

10000 12000

No te: Purchases in 2007-08 include a collection of approximately 7000 Indonesian photographs and a number oflarge print archives.

126

LIST OF WORKS ACQUIRED 2011-12

Australian art page 127 Indigenous Australian art page 145 Asian art page 154 Pacific art page 158

International art page 160

Australian art

Paintings page 127 Sculptures page 129 Prints page 130

Drawings page 135 Photography page 138 Decorative arts and design page 143

Paintings

BLANCHFLOWER, Brian born England 1939 Au strali a from 1972

Canopy 67 (high yellow) 2004/07 synthetic polymer paint, oil, pumice, sili ca on laminated hessian 182.2 x 252.3 em 2011.980

BRYANS, Lina Ge rmany 1909-A ustralia 2000 A ustrali a from 1910

Mr Hill ofNarre Warren 1949 oil on canvas 60.5 x 50.4 em gift of Em eritu s Professor Barbara van Ernst AM , 2012 201 2.727

BULL, Knut No rway 1811 - Australia 1889 A ustralia from 1846

Mary, Mr s ]a111es Ainslie c 1853 oil on canvas 36.3 x 30.1 em 2012.2

CHURCHER, Peter born Au stralia 1964

A strange, hot night 1997 oil on canvas 107 x 122.3 em

gift of the Margaret Hannah Olley A rt Trust, 201 2 2012.903

COSSINGTON SMITH, Grace A ustrali a 1892-1984 England, Europe 1912-14; England, Italy 1949-51

Trees in blossom c 1930 oil on cardboard 38.2 x 34.4 em gift of the Hobbs children in m emo ry of their mother, Reverend Theodora

Hobbs, 2011 donated through the Australian Governme nt' s Cultural G ift s Program 20 11.1279

CROTHALL, Ross born New Zealand 1934 Australia 1958-65

Untitl ed c 1966 synthetic polymer paint, enamel and pencil on found wooden crates, found metal 71.4x 113.6cm gift ofEske Hos, 201 2 2012.1218

CUPPAIDGE, Virginia born A ustralia 1943 United States of America from 1969

Lyon 1972 synthetic polym er paint on canvas 200 x 305 em gift of the artist, 2012 20 12.65

DAWSON, Janet born Au stralia 1935 England 1957-59

St Ge01ge and the Dragon 1964 oil on canvas 166 x 197 em gift of An n Lewis AO, 2011 20 11.1277

111e origin of the Mi lky Way 1964

oil on canvas 165.2 x 196.6 em gift of A nn Lewis AO, 2011 2011.1278

Scribble rock cauliflow er 1993-97 oil on canvas 122.1 X 121.6 gift ofPeta Phillip s in m emory of Jennifer Lorraine See Bowan, 2012 201 2.746

DRIVER , Don New Zealand 1930-2008

Painted relief no 2 1977 synthetic polymer paint on canvas mounted on aluminium 85.4 x 104.5 em gift of Eske Ho s, 2012 2012.12 19

DUKE , W illi am Ireland 1814 - Australia 1853 Australia from 1840

Hoh epa Te Umuroa 1846 oil on canvas 70.6 x 60.3 em purchased with the assistance of the Catherine Margaret Frohlich Memorial Fund, 2011 2011.937

FULLWOOD, A Henry

England 1863-Australia 1930 Australi a from 1883; U nited States of America and England 1900-20

Bad news 1894 oil on canvas 76 x 101.6 em purchased with funds from the Ruth Robertson Bequest, 2011, in m emory of Edwin C live and Leila jeanne Robertson 201 1.945

GLOVER, John England 1767 - Australia 1849 Australia from 1831

Landscape with piping shepherd (after Claude) 1833 oil on canvas 72.5 x 111.5 em 201 1.1273

HAWTHORN E, Do re

Australia 1895-1977

Lithgow munitions factory canteen 1944 oil on board 24.7 x 37.4 em 20 11.977

Lithgow munitions factory, tobacco rations c 1944 oil on board 21.2 x 77.3 em 2011.978

NA TIONAL GALL ERY O F AU STRALIA ANNUAL REPORT 2011 - 12 127

JENNER, Isaac Walter England 1836-Australia 1902 Australia from 1883

Off the Queensland canst c 1893 oil on academy board 10.2 x 30.5 em 2012.906

LAHEY, Vida Australia 1882-1968 England 1915-18; France 1918-20

TI1e zinc works, Risdon 1923-24

oil on canvas 38.2 x 44.8 em 2012.904

LAWLOR, Adrian England 1889 - Au stralia 1969 Australia from 1910

Still life and fruit 1937 oil on board 53.9 x 40.8 em 2012.905

LEASON, Percy Australia 1889-United States of America 1959 United States of America from 1938

TI1e woodcutter 1914

oil on board 45.5 x 35.5 em 2011.1282

MACCORMAC, Andrew Ireland 1826 - Australia 1918 Australia from 1854

Mi1111ie Watt c 1860

oil on canvas 71.2 x 56.2 em 2012.55

MAIS, Hilarie born England 1952 United States of America 1977-81; Australia from 1981

Mist JI2011 oil on wood and canvas overall130.2 x 257.6 x 3 em gift of the artist, 2012 donated through the Australian Government's Cu ltural G ifts Program 201 2.808.A-B

128

McCAHON, Colin New Zealand 1919-1987

Kauri 1955-57 oil on composition board 76.3 x 54.2 em acquired in honour of the distinguished leadership of Rupert Myer AM, Chair of the National Gallery of Australia Council 2005-12 2012.3

Composition 1956 oil on cardboard 53.8 x 75.5 em gift of Gordon H Brown, 2012 2012.979

O'CONNOR, Derek born England 1957 Australia from 1969

Melt2006 oil on canvas 121.5 x 244.3 em 2012.814

Lake side 2008/09 oil on canvas 79.5 x 100.4 em gift of the artist, 2012 donated through the Australian Government's Cultural Gifts Program 2012.844

OLLEY, Margaret Australia 1923-2011 France, England 1949-53

Hawkesbury wildflowers and pears c1973 oil on composition board 101.5 x 76 em

purchased with the assistance of the Members Acquisition Fund 2011 201 1.981

PATERSON, John Ford Scotland 1851 -Australi a 1917 Australia 1872-75, and from 1892

In the country c 1890 oil on canvas 71.2 x 35.5 em purchased with funds from the Ruth Robertson Bequest, 2012, in memo ry of Robert and E lizabeth Dennis 2012.54

PATTERSON, Ambrose Australia 1877 - United States of America 1966 France 1898-99; United States of America 1899-1901 and from 1916; Europe 1901-10

Daisy Patterson cl906 oil on canvas 88.8 x 50.2 em gift of the estate of Miss Yvonne

Patterson, 2012 2012.959

PLATE, Carl A ustralia 1909-1977 United States of America of Ame rica, Mexico, England, Europe, Russia

1935-40

not titled (Abstract) 1963 oil on cardboard on composition board 60.5 x 71.6 em gift of the Hobbs children in memory of their mother, Reverend Theodora Hobbs, 2011 donated through the Australian Government's Cultural Gifts Program 2011.1280

RAMSAY, Hugh Scotland 1877-Australia 1906 Australia from 1878; England and

France 1900-02

Paris rooftops 1901 oil on canvas 45.4 x 35.2 em 2011.1281

REES, Lloyd Australia 1895-1988 England and Europe 1923-24

TI1e red field c 1947

oil on board 39.5 x 45.2 em gift of Malcolm and Christopher Lamb , 2012 donated through the Australian Government's Cultural Gifts Program 2012.753

THAKE, Eric Australia 1904-1982

Brownout 1942 oil on paperboard 40.8 x 50.9 em 2011.1274

TUCKSON, Tony Egypt 1921 - A ustralia 1973 A ustralia from 1946; Europe, U nited States of Am erica 1967-68

TP 562 Man in hat, blond 1vom a11 c 1952-56 oil on cardboard 63.7 x 76.3 em 2012.58

TP 149 c 1955 oil on cardboard 102.2 x 68.5 em 2012.59

VALAMANESH , Hossein born Iran 1949 Australia from 1973

Lotus vault 2011 lotus leaves on paper on plywood 210.5 x 527.3 em purchased with the assistance of Susan Armitage, 2012 2012.1150.A-C

VICKERY, John Australia 1906 - United States of A m erica 1983 United States of A merica from 1936

Intruders no 2 c 1967 synthetic polymer paint on composition board 122.4 x 141.2 em 2012.752

Windows c 1970 synthetic polymer paint on composition board 85.5 x 153.2 em 201 2.817

WAKELIN, Roland New Zealand 1887-A ustralia 1971 Australia from 1912; England, France 1922-24

Berry's Bay 1934 oil on cardboard 45.4 x 79.2 em gift of Ellen Waugh , 2011 donated through the Australian Government's C ultur al G ifts Program 2011.1275

WRIGHT, Judith born A ustralia 1945

A continuingfable 2008 synthetic polymer paint on paper overall 200 x 715 em 2012.1105.1-3

ZAVROS, Michael born A ustralia 1974

The lioness 2010

oil on canvas 210.1 x 180.2 em 2011.982

Sculptures

BORGELT, Marion born Au strali a 1954 United States of America 1979-80; France 1989

Lunar arc: figureD 2007 hoop pine plywood, compo sition board, aluminium leaf , shellac, French polish, polyurethan e 146 x 364 x 16 em 2012.779.A-j

FUNAKI, Mari Japan 1950 - A ustrali a 2010 A ustralia from 1979

Untitled 2010 painted mild steel 80 x 68 x 79 em 201 1.1283

HINDER, Frank Australia 1906-1992 United States of America 1927-34

Blue harmony 1968 electr ic m otor, incandescent lights, perspex, aluminium, board 49 x 37.5 x 19.3 em gift of Ellen Wa ugh, 2011 donated through the Au stralian Government's C ultural G ift s Program 2011.1276

JENSZ, D avid born Au strali a 1957

Co nvolution 2003 fibregla ss, lace, steel, synthetic fur 150 x 340 x 320 em gift of the artis t, 2011 donated through the Australian Governm ent' s Cultural G ift s Program 2011 .974

KENNEDY, Peter born A ustralia 1945

A language of the dead 1997-98 neon lighting, transformer and fittin gs 312x646x30cm 2012.937

KING, Inge born Germany 1918 England 1939-49; Europe, United States of Ame rica 1949-50; Australia from 1951

Red rings 1972-73 painted steel 60.8 x 45.7 x 121.9 em gift of the artist , 2012 donated through the A ustralian Governme nt' s Cu ltur al Gifts Program 2012.816.A-C

VALAMANESH, Angela born A ustralia 1953

Airborne 2011 cast plast er overall 35 x 437 x 4.5 em 2012.1145.A-N

WALKER, Theresa England 1807 - A ustralia 1876 Au stralia from 1837

jo/111 Clark of Cluny, Tasman in 1848 cast wax 8.5 em (diam) 201 2.36

WRIGHT, Judith born A ustralia 1945

Propositions 2010 27 bronzes overall 100 x 900 x 35 em gift of the artist, 2012 donated through the Australian Government's Cu ltur al G ifts Program 2012.1146.1-30

NATIONAL GALLERY OF AUSTRALIA ANNUA L REPORT 201 1-12 129

Prints

ANGAS, George French (print after) England 1822-1886 Au strali a 1844-45, 1850-63 BOYS, Thomas Shotter

(litho grapher) England 1803-1874

T11e city and harbour of Sydney 1852

lithograph , print ed in buff and black inks, from tw o stones (or plates); hand-coloured; on paper printed image 31.6 x 55.1 em sheet 34.8 x 55.8 em 201 1.1166

ASHBY, Lyn born England 1953 Au stralia from 1960

K iss: a book of conjunctions 2010 laser and archival digital print s, print ed in colour, from digital file; on tracing paper book 29.8 x 38.3 em (closed) Gordon Darling Au stralia Pacific Print Fund, 2012 2012.807

BOT,GW born Pakistan 1954 Australia from 1955

group of 21 print s and 3 arti st books 1992-2009 various media and dimensions purchased with the generous

assistance of the arti st, 2011 2011.1133-2011.1156

BOYD, Arthur Merrie N ew Zealand 1862-Au stralia 1940 Australia from 1886; England, Europe 1890-92

T11e lo11g ship's light, Lands End c 1891

etching, printed in ink, from one plate; on paper plate-m ark 12.5 x 17.7 em sheet 14.4 x 18.8 em 2011.1176

Ti-trees c 1895 etching, printed in ink, from one plate; on paper plate-mark 8 x 11.7 em sheet 8.8 x 12.6 em 2011.1177

130

BRUCE, C harles (print after) Scotland 1807-A ustralia 1851 Au strali a from 1829

BACKHOUSE, Edward (engraver) active Au stralia 1840s

A elwin gang, convicts going to work near Sydney, New South Wn les 1842 etching, print ed in black ink, from one plate; on smooth off-white wove paper printed image 16 x 30.3 em sheet 21.8 x 33 em 2011.1167

CLEVELEY, James (print after) born En gland 1750 active England 1780s JUKES, Francis (engraver) England 1745-1812

Views of the South Sens 1788 etching and aquatint , print ed in black ink, each from one copper plate; hand-coloured; on medium " w eight smooth off-white wo ve paper various dimensions 2011.1157-2011.1160

CLINCH , Robert born Australia 1957 LANCASTER, Peter (litho grapher) THE LYTLEWODE PRESS

(publisher)

d'ART: T11e art of Robert Clinch 2007 lithogr aphs, printed in black ink, each from one aluminium plate; on off-white wove paper book 38.7 x 29.2 x 4.5 em (closed) Gordon Darling Au stralia Pacific Fund, 2011 2011.1175.1-2

COLE-ADAMS, Brigid born Au stralia 1938

Mountain geom etry 1973 screen print , print ed in colour, from mu ltipl e stencils; on cream wove paper print ed image 34 x 37 em sheet 36 x 38.8 em

Gordon D arlin g Au stralia Pacifi c Print Fund, 2011 2011.1180

COOKE, Albert Charles (after) England 1836 - Au stralia 1902 Au strali a from 1854 UNK N OWN engraver

Hobart Town 1879 woo d-engraving, printed in black ink, from one block; hand-coloured; on paper print ed image 32.9 x 52.9 em sheet 37.4 x 54.4 em 2011.1161

C RICHT O N , Richard born A ustralia 1935 Europe, U nited States of Ame rica 1966-70

not titl ed (Memor ial) c 1970 woo dcuts, print ed in black ink, each from one block; on thin sm ooth off-white laid paper overall97.2 x 130 em

G ordon Darling Australia Pacific Print Fund, 2012 2012.728.A-B

D E CLARIO, Dom enico born Ital y 1947 A ustralia from 1956; Italy 1967-68 LOAN E, John (print er) born Au stralia 1950 VIRIDIAN PRESS (print workshop) established Au stralia 1988

Settevoltecieco (In pmise of darkness) 2010 litho graphs, print ed in colour, each from one stone/plate; hand-coloured; on off-white wove paper sheets each 56 x 76.2 em G ordon Darling Australia Pacific Print Fund, 2011 2012.793.1-7

D'EMDEN,HJ England 1824-Au strali a 1875 Au strali a from 1852 CHERRY, George (print after) England 1818-A ustralia 1878

N orfolk Island from 1849; Au stralia from 1852 HOOD, RV (print er, lith ographic) England 1802 - A ustralia 1888 A ustrali a from 1833

( v\fil/ialll Nicolson) 1861 litho graph, print ed in black ink, from one stone; on chine-colle on cream paper print ed image 21 x 20 em sheet 25.6 x 20.5 em 2012.42

DEXTER, William England 1818-Australia 1860 Australia from 1852

Hothpatlwpatha: the favourite Lubra of Darga Chief, GippsLand 1858 lith ograph, printed black ink, from one stone; on thin smoo th buff paper printed image and text 14.6 x 9.2 em sheet 20.8 x 13.3 em 201l.l462

DIXON, Robert died Australia 1858 Australia 1829-36, 1838-58 WEBB & SON (lithographer) active England c 1830s

A view ofGummrlln Plains and Liverpool Range NS Wales taken from Brindley Park 1837 lithograph, printed in black ink, from one stone (or plate); on white wove paper

printed image and text 22.2 x 29.9 em sheet 30.3 x 44.5 em 2011.1463

DIXON, Robert died Australia 1858 Australia 1829-36, 1838-58 WEBB & SON (lithographer) active England c 1830s

An exploring party 011 the River Bogen NS Wa les after a heavy rain 1837 lithograph, printed in black ink, from one stone (or plate); on white wove paper

printed image and text 20.4 x 33.6 em sheet 30.2 x 44.7 em 2011.1464

DIXON, Robert died Australia 1858 Australia 1829-36, 1838-58 WEBB & SON (lithographers) active England c 1830s

A view from Camden 011 the River Nepean NS Wales 1837 lithograph, printed in black ink, from one stone (or plate); on white wove paper printed image and text 22.2 x 29.9 em sheet 30.3 x 44.5 em 201 1.1465

DOBSON, Rosemary born Australia 1920 BOLTON, Alec (printer) Australia 1926-1996 CHAPMAN, EC (binder) BRINDABELLA PRESS (publisher) Australia 1972-1996

Greek coins: a sequence of poems with line drawings by the author 1977 letterpress text; transfer-lithographs, printed in brown ink, each from one stone (or plate); on thin smooth paper book 12.8 x 18.7 em (closed) gift of Meredith Hinchliffe , 2011 2011.1296.1 -5

DOWLING, WP (print after) Ireland 1822-Australia 1877 Australia from 1847

HOOD, RV (lithographer) England 1802-A ustralia 1888 Australia from 1833

St Patrick's Catholic Church, jerusalem 1856 lithograph, printed in buff and black ink, from two stones; on paper printed image and text 30 x 43.2 em sheet 32.4 x 47.2 em 2012.44

DUNNETT,F Scotland 1822 - Australia 1891 Australia from 1856 HOOD, RV (publisher)

England 1802-Australia 1888 Australia from 1833

Clralmer's Free Church and Manse Hobart Town 1858 lith ograph, printed in colour, from three stones; on paper

printed image 34.2 x 47.6 em sheet 40.6 x 51.2 em 2012.43

FW (lithographer) active Australia by 1876

Launceston Harbour as it is in 1876 1876 lithograph, printed in black ink, from one stone (or plate); on thin smooth off-white wove paper

printed image and text 27 x 32.6 ern sheet 27.8 x 37.4 em gift ofWanvick Oakman, 2011 2011.1295.1

Larwceston Harbour as it should be 1876 lithograph, printed in black ink, from one stone (or plate); on thin smooth off-white wove paper printed image and text 26.8 x 32.1 em sheet 27.8 x 37.4 em gift of Warwick Oakman, 2011 2011.1295.2

FAIRSKYE, Merilyn born Australia 1950 SELIG, Sandra (printer's assistant) born Australia 1972

Alphabets of loss for the late 20th century: Administrator-Zoologist 1993 photocopies, printed in black and red ink, on thin off-white wove paper and acetate book 22.9 x 18.2 em (closed) gift of the artist in memory of her mother, Sylvia White, 2012 2012.5

FRANKLAND, George (print after) Great Britain 1800-Australia 1838 BOCK, Thomas (engraver) England 1790-Australia 1855 Australia from 1824

(Hobart street and bird) 1827 etching, printed in black ink, from one plate; on paper plate-mark 12.2 x 19.8 em sheet 13.2 x 20.7 em

2012.45

GALERIE R CREUZE (publisher)

La Peinture d'Australienne aujourd'hui (Australian painting today) 1964 offset-lithograph , printed in colour, from multiple rollers; on thin smooth white plastic-coated papet printed image 27.4 x 27.6 em printed image and text 50.6 x 37.4 em sheet 55 x 40 em gift of David Pestorius in memory of Mary Webb, 2011 2011.1297

NATIONAL GALLERY OF AUSTRALIA AI JI~UAL REPORT 2011-12 131

GARLING, Frederick (print after) England 1806-Australia 1873 A ustralia from 1815 COUZENS, Charles (lithographer)

A view of Sydney Cove c 1840 lithograph, printed in black ink, from one stone; on chine-colle of thin smooth cream tissue laid down on medium -weight smooth off-white wove paper printed image and text 36 x 49 em sheet 39.6 x 53.4 em 2012.800

GILL, ST England 1818-Australia 1880 Australia from 1839 DE GRUCHY & LEIGH (printer) Australia 1858-1866

group of 4 print s 1866 litho graphs, printed in black ink, each from one stone (or plate); hand " coloured; on paper various dimensions 2011.1467-2011.1470

GILL,ST England 1818-Australia 1880 Australia from 1839 PENMAN & GALBRAITH (printer, lithographic) Australia 1848-1883

Old colonists' festiva l dinner 1851 lith ograph, printed in black ink, from one stone; hand-coloured; on thin wove paper printed image and text 37.6 x 50.8 em sheet 38.2 x 51.4 em 2012.813

HAMEL & CO (print er) established Australia 1865

I11e m en of \fictoria c 1859

lithographs, printed in black ink, each from one stone; on thin wove paper various dimensions 2011.1461.1-20

HOS, Kees born The Netherlands 1916 New Zealand 1956-71; Australia from 1971

group of 73 prints 1941 - c 1970 various media and dimensions gift of Eske Hos, the artist's daughter, 2012 2012.618-2012.688,2012.695,2012.781

132

HUGGINS, JW (after ) England 1781-1845 DUNCAN, Edward (engraver) England 1803-1882

Ho bart Town on the River D erwent, \fan Diemen's Land 1830 etching and aquatint, printed in black ink, from one plate; hand " coloured; on thin wove paper

printed image 29.8 x44.6 em sheet 31.8 x 45.9 em 2011.1162

KOSSATZ, Les Australia 1943-2011

group of 11 prints 1964-65 various media and dimensions Gordon Darling Australia Pacific Print Fund, 2012

2012.729-2012.739

LE PLASTRIER, Henry J born 1831 -Australia 1915 A ustralia from 1849 STRINGER, MASON & CO

(pub! isher) active Australia c 1853-54

1l1e travels and adventures of Mr

Newchamp 1854 pen-lith ographs, printed in black ink, each from one stone; on thin mauve wove paper book (closed) 19.8 x 13 em 201 1.1183.1-27

LONG, Sydney A ustralia 1871 -England 1955 England, Europe 1910-21; Australia 1921-22; England 1922-25; Australia

1925-52; England from 1952

Australian koalas 1938 line etching, printed in brown ink with plate-tone, from one plate; on thin smooth cream laid paper

plate-mark 18.8 x 25.2 em sheet 21 x 27.4 em 201 1.1312

not tit led (Rum/ landscape with road) c 1927? etching, printed in black ink with plate-tone, from one plate; on thin smooth cream laid paper plate-mark 11 x 15 em sheet 20.2 x 22.6 em gift of Gallery Savah, 2011 2011.1313

LOUIS HENN & CO (publisher)

Twenty-one miscellaneous views of Adelaide c 1883 lith ographs, print ed in bluff and black, each from three stones (or plates); on thin smooth off-white

wove paper sheets each 37.9 x 55.2 em 2012.34.1-21

LYMBURNER, Francis Australia 1916-1972 England 1952-63

not tit led (Couple at tea table) c 1940s etching, printed in black ink with plate-tone, from one plate; on thin smooth off-white wove paper

plate-mark 12.4 x 17.7 em sheet 22 x 27.9 em 2011.1179

MACADAM, John (editor) Scotland 1827-at sea 1865 MASON & FIRTH (printer) Australia 1856-1867

Transactions of the Philosophical Institute of Victoria, vol3 1859 lithograph s, printed in black ink; letterpre ss; on paper

book (closed) 21.3 x 13.6 x 1.8 em 2011.1466.1-7

MACADAM, John (editor ) Scotland 1827-at sea 1865 MASON & FIRTH (printer) Australia 1856-1867

Transactions of the Philosophical Institut e of\!ictoria, vol4 1860 lithograph s and engraving, printed in black ink; letterpress; on paper book 22.6 x 15.2 x 3.9 em (closed) 2011.1472.1-19

MARTENS, Conrad (print after) England 1801 - Australia 1878 Australia from 1835 BOYS, Thomas Shotter (lithographer) England 1803-1874 P & D COLNAGHI & CO

(publisher)

\fiew of Sydney from St Leonards 1843 litho graph, printed in black ink, from one stone; hand-coloured; on paper sheet 26.6 x 49.2 em 201l.l163

McLEOD, William THE BULLETIN Australia 1880-2008

Tlze bookfellow 1-4 1899

relief prints; lett erpress; on thin smooth cream wove paper various dimensions 2012.827-2012.831

MINI GRAFF born New Zealand 1974 Australia from 2000 MEGALO ACCESS ARTS (print

workshop) established Australia 1980

Suburban roadhouse No 8 2010 screenprint, printed in colour, from multiple stencils; on paper dimensions variable Gordon Darling Australia Pacific

Print Fund, 2011 2011.1182.A-T

MISSINGHAM, Hal Australia 1906-1994 France, England 1926-27; Canada 1927-28; England 1928-41 GENIS, Fred (printer) born Netherlands 1934 Australia 1950s, Un ited States of America 1965-72, Australia from

1972 FRED GENIS WORKSHOP (print

workshop) BEAGLE PRESS (publisher) establi shed Australia 1980

Bush images 1982 lithograph s, printed in black ink, each from one stone; on white and off-white paper

folio (closed) 39.8 x 29.7 x 1.2 em gift of Lou Klepac, 2011 2011.1299.1-18

NEESON, John P born Australia 1948

group of 4 prints 1987-2007 etching , aquatint and open-bite, printed in colour, each from multiple plates; on thick white wove paper various dimensions Gordon Darling Australia Pacific

Print Fund, 2011 2011.1169-2011.1172

NOONAN, David born Australia 1969 England from 2010 FOXY PRODUCTION (publisher) established United States of America 2003

Pageant2007 bound artist book of offset lithograph s book 26.8 x 19 em (closed) gift of Ro slyn Oxley Gallery, 2012 2012.847

PARR, Mike born Australia 1945 LOANE, John (printer) born Australia 1950 VIRIDIAN PRESS (print workshop) established Australia 1988

Moutztai11s of the moon 2002 carborundum , printed intaglio and relief in colour, from multiple plates; stencil additions; on thick off-white wove paper each 250.4 x 122.3 em gift of Material Pleasures, 2012 2012.1082.A-D

PARR, Mike born Australia 1945 LOANE, John (printer) born Australia 1950 VIRIDIAN PRESS (print workshop) established Australia 1988

Tlze will to power 2010 drypoint and lift -ground aquatint, printed in from twelve copper plates; charcoal additions; on off-white wove Hahnemuhle paper sheets each 106.8 x 78 em overall216 x 468 em gift of Mike Parr and John Loane, 2012 2012.1161.A-L

PATTERSON, Ambrose Australia 1877-United States of America 1966 France 1898-99; United States of America 1899-1901; Europe 1901-10; United States of America from 1916

group of 5 prints c 1906-19 woodcuts and linocuts, printed in colour, each from multiple blocks; on thin smooth cream paper various dimensions gift of the estate of Miss Yvonne

Patterson , 2012 2012.835-2012.838, 2012.840

QUARRILL & CO

active Australia c 1850s

Willoughby Falls, near Sydney c 1850 etching and engraving, printed in black ink, from one plate; on thin smooth cream laid paper printed image and text 9.1 x 5.8 em sheet 17.4 x 21.6 em 2012.826

RALPH, TS (print after) born 1813 - Australia 1891

Australia polyzoa (1 to 9). 1860 lithograph , printed in black ink, from one stone; on white wove paper printed image 17.9 x 10.6 em sheet 21.4 x 13.4 em 2011.1472.1.A-l

Australia polyzoa (1 to 6). 1860 lith ograph, printed in black ink, from one stone; on white wove paper printed image 17.8 x 10.8 em sheet 21.4 x 13.4 em 2011.1472.18.A-E

RATAS, Vaclovas Lithuania 1910-Australia 1973 Australia from 1949

not titled (Camphor woodblock beari11g engravi11gs for Ferry Boat a11d untitled design) 1953 camphor woodblock, engraved with two designs; on held within white metal screw frame block 17.4 x 23.9 x 2.7 em

image (a) 17.4 x 23.9 x 2.7 em image (b) 17.4 x 23.9 x 2.7 em gift of Ramona Ratas. the artist's daughter, 2011 2011.1129

Zuvys (Fish) 1953 camphor-wood block, engraved with one design; on held within white metal screw frame block 17.3 x 14.3 x 2 em gift of Ramona Ratas, the artist's daughter, 2011 2011.1130

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 133

REED, Sweeney A ustrali a 1945-1979

Telepoem 1977 screenprint , printed in colour, from three stencils; on thin sm ooth pale yellow wove paper printed image 40.8 x 50.8 em sheet 40.8 x 50.8 em gift of H eide Muse um of Modern Art, 2012 2012.1

Rosepoema 1975 screenprint, printed in colour, from three stencils; on thin smooth white wove paper printed image 38.4 x 38.1 em printed image and text 42.8 x 42.4 em

sheet 63.2 x 60 em gift of Heide Museu m of Modern A rt, 2012 2012.777

Star 1975 screenprint , printed in colour, from four stencils; on thin smooth off " white wove paper printed image 43.2 x 27.5 em sheet 64 x 51.2 em gift of Heide Museum of Modern Art, 2012 2012.778

RIDER & MERCER (lithographer) Au stralia 1887-1896

Vie IV of Hobart, Tasma nia,fromthe bay 1890 lithograph , printed in colour, from four stones; on paper printed image 60.2 x 95 em sheet 61.2 x 96.8 em 2011.1164

SCARLETTE, Barb E born Australia 1955

group of 3 print s 2010 various media and dimensions gift of the artist, 2011 2011.1300-2011.1302

134

SCHRAMM, Alexander Germany 1813 - A ustralia 1864 A ustralia from 1849 PENMAN & GALBRAITH (lithographer) Australia 1848-1883

Chalmers Church Adelaide 1856 lith ograph, printed in black ink, from one stone; on thin smooth off " white wove paper laid down on thin smooth cream wove paper printed image 13.8 x 15 em (irregular) printed image and text 14.9 x 15 em sheet 15 x 20.4 em (irregular) backing sheet 17.3 x 22.2 em 2011.1181

SCHRAMM, A lexander German y 1813-Au stralia 1864 Australia from 1849 PENMAN & GALBRAITH (lithographer) Australia 1848-1883

Tl1e compa11y's bridge,f ro/11 all

origi11al i11 tile possessio II of G fames, No1jolk Arms, Rundle Street, Adelaide 1856 1856 lithograph , printed in buff and black ink, from two stones; hand " coloured; on thin smooth white wove paper laid down on medium-weight smooth white wove paper printed image and text 35 x 45 em sheet 35.8 x 46.4 em 2012.31

SENBERGS, Jan born Latvia 1939 Australia from 1950; England, Europe 1966-67; Un ited States of America 1989-90

group of 18 prints 1963-77 screenprints, printed in colour, each from multiple stencils; on thin smooth wove cream paper various dimensions

gift of the artist, 2012 donated through the Australian Governm ent' s Cu ltur al Gifts Program 2012.910-2012.927

SILVER, Anneke born The Netherlands 1937 Australia from 1959

group of21 prints 1978-2004 various media and dimensions gift of the artist, 2011 donated through the Au stralian Government's Cultural Gifts Program 2011.1076-2011.1096

SOUTHERN HIGHLANDS PRINTMAKERS establi shed Australia 1993 IMPRESS PRINTMAKERS GROUP established Australia 2004 HAWAII UNIVERSITY PRINT GROUP establi shed United States of A m erica V-6

established Wales 2001

VA RIO print excha11ge 2006-09 various media folio 54.4 x 38.7 x 2.4 em

gift of the participating workshops and artists in the Southern Highlands printmakers' first portfol io exchange, 2011 2011.1097.1-5 1

STRANGE, Frederick England 1807-Australia 1873 Australia from 1838 HOOD, RV (printer, lithographic) England 1802-Australi a 1888 Australia from 1833

City of Hobarto11 fro/11 Knocklofry c l850 lithograph, printed in black ink, from one stone; on paper sheet 39 x 58.4 em 2012.810

THOMSON, George active A ustralia 1855 JAMES J BLUNDELL & CO

(publisher) Australia 1854-1867

Sketch 011 Sn11dridge Pier c 1855 pen-lithograph, printed in black ink, from one stone (or plate); on thin sm ooth white wove paper printed image and text 13.2 x 19.7 em sheet 13.2 x 19.7 em 201 2.35

UNKNOWN artist

\fiew of Sydney and Mossman's Bay, looking south west 1880 lithograph, printed in colour, from five stones; on thin smooth cream

wove paper printed image 40.5 x 61 em sheet 45.8 x 63.6 ern 20 11.1165

VARIOUS artists Australia 19th century

group of 167 wood -engraved proofs c 1860s wood-engravings, printed in black ink, each from one block; on thin pale blue wove letter-paper book 24 x 29 em (closed) 2012.1076.1-167

VARIOUS artists Australia

group of28 prints by artists working in Cairns 1980-2011 various media and dimensions gift of Anna Eglitis, 2012 2012.980-2012.1007

VARIOUS artists A ustralia

group of35 prints 2000-11 various media and dimensions gift of Selena Griffith, 2012 donated through the Australian Government's Cultural Gifts Program 2012.1155-20 12.1189

VARIOUS artists New Zealand

group of38 prints 1960-76 various media and dimensions 2012.689-2012.726

WARNER, Ralph Malcolm Australia 1902-1966

Eve11i11g mists, Lord How e Isla11d

c 1930s? etching and aquatint , printed in brown and black ink, from one plate; on thin smooth cream wove paper

plate-mark 10.6 x 15.2 em sheet 17.6 x 22.4 em (irregular) 20 11.1178

WEEKLY TIMES (publisher) established Australia 1869

}.;[asks a11d faces album from the 'Weekly Times' 1873-75 litho graphs, printed in black ink, each from one stone; lett erpress on paper book 36.8 x 25 x 1.9 em (closed) 2011.1471.1-36

WEGNER, Peter born New Zealand 1953 Australia from 1957 ATKINS, Ros (printer) born Australia 1957 'ROUND THE BEND STUDIOS (print workshop) established Australia 2009 MELBOURNE SAVAGE CLUB

(corn missioner) established Australia 1894

Man looking back II: lvlelbourne Savage Club a1111Ual arts di1111er poster 2010 etching and soft-gro und etching,

printed in black ink with plate-tone, from one plate; on smooth white Fabriano paper

plate-mark 39.5 x 29.7 em sheet 63.8 x 49.5 em gift of Murray Walker, 2011 2011.1098

WILLIAMS, Fred Australia 1927-1982 England 1951-56

not titl ed (Vaudeville pe1jormers) 1967 etching, gum aquatint and drypoint , printed in black ink, from one copper plate; on thin smooth grey-blue laid I ngres paper plate-mark 14.7 x 14.4 em sheet 23.5 x 22.3 em gift of james Mollison AO, 2011 2011.1303

not titled (Two chorus girls) 1967 etching, aquatint and drypoint , printed in black ink, from one brass plate; on thin white paper plate-mark 14.9 x 16.4 em sheet 20.5 x 22 em gift of James Mollison AO, 2011 2011.1304

WM FRANCIS, & GEO

ANDERSON ENGINEERS (print after) PENMAN & GALBRAITH (printer, lithographic) Australia 1848-1883

Morphett Street Bridge 1869 lithograph , printed in colour, from four stones; on thin smooth off-white wove paper print ed image and text 23.8 x 45.4 em sheet 36.3 x 54.2 em 2012.32

ZULUMOVSKI, Vera born Australia 1962

Reveali11g u11usual beauty 2007 suite of5linocuts, printed in black ink, each from one block; on thick off-white wove paper various dimensions 2012.823.1-5

Draw ings

ADIE, Edith H England 1865-1947 active Australia c 1917

Oleanders, Govemment House Perth 1915 watercolour; on paper sheet 25.4 x 17 em gift of Rosamund Dalziell in memory of her great-uncle, Dr Herbert Tymms, 2011 2011.1272

ALLPORT, Mary Morton (attributed to) England 1806-Australia 1895 Australia from 1831

(House and garden with a view of Mount Wellillgtoll, Tasma11ia) c 1840s? pen and ink and wash; on paper sheet 8.8 x 12.2 em 2012.37

ATKINSON, Charles England 1806-Australia 1837 Australia from 1833

(P/oughi11g a field near Mount \1\fellillgtoll, Tasma11ia) c 1833-34 watercolour; on paper sheet 25 x 39.4 em 2012.39

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 135

BAYLISS, C lifford Australia 1916 - England 1989 England from 1935

Screa111 c 1945

pen and black ink; on paper sheet 28 x 21.5 em 2012.799

BENSON, George A ustralia 1884-1960

not titl ed (Landscape) c 1935 watercolour; on paper sheet 30.8 x 43.7 em gift of Rosamund Da lziel!, Michael A ustin and Christopher Austin in memory of their m other Rosemary Austin, 2011 201l.l 271

BRAUND, Dorothy born Australia 1926

group of 30 drawings 1972-89 gouache and wa tercolour; on paper various dimensions gift of the artist, 2011 donated through the A ustralian Government's Cultur al Gifts Program 2011.1099-2011.1128

BUVELOT, Louis Sw itzerland 1814 - A ustralia 1888 Brazil1835-51; Australia from 1865

Picnic Point, Victoria 1878 pencil on paper; on ofl'-white wove paper sheet 24.2 x 36 em gift of Emeritus Professor Barbara van Ernst AM, 2012 2012.818

CAPURRO, C hristian born A ustralia 1968

Compress 41 2007 mag azine erasure with correction fluid additions; on thin smooth white paper sheet 27.5 x 20.6 em The Rotary Collection of Australian Art, 2011 2011.1314

Compress 39 2008 magazine erasure; on thin smooth white paper sheet 27.4 x 20.7 em The Rotary Co llection of Australian Art, 2011 201l.l31 5

136

DURACK, Elizabeth Australia 1915-2000

group of 37 drawings 1947-57 pencil; on paper various dimensions gift ofLiam Durack Clancy, 2012 donated through the Australian Government's Cultural Gifts Program 2012.853-2012.889

FOSTER, Una Au stralia 1912-died 1996 England 1950-1951

group of 442 drawings and prints 1932-96 various media and dimensions gift of Laurie and Robyn C urley, 2012 2012.68-2012.69,2012.73-2012.74, 2012.76-2012.98, 2012.105-2012.106, 2012.108, 2012.110-2012.112, 2012.ll5-2012.l20, 2012.123-2012.238, 2012.295-2012.342, 2012.344-2012.534,

2012.536-2012.547, 552-2012.554, 2012.562-2012.586,2012.764,2012.768

GILL, ST England 1818 - Australia 1880 Australia from 1839

Tlze flower show c 1844 watercolour; on paper sheet 25.5 x 38.5 em 2012.25

GLOVER, John Richardson England 1790 - Australia 1868

(River Derwent, Hobart, Tasmania) c1840-50s watercolour over black pencil; on paper sheet 17 x 25.4 em 2012.38

GOULD, William Buelow England 1803 - Australia 1853 Australia from 1827

(Native pea) 1832? watercolour over black pencil; on paper sheet 22 x 18 em 2012.46

(Native flower) 1832? watercolour over black pencil; on paper sheet 22.2 x 18.4 em 2012.47

GRIGGS, Lucy born Australia 1976

group of 3 drawings 2011 watercolour over black pencil and sun drawing; on Soviet school book covers sheets each 20.6 x 17 em Rotary Collection of Australian Art, 2012 2012.28-2012.30

HEYSEN, Nora A ustrali a 1911-2003 England, Italy 1934-37

Portrait of Ruth 1933 pencil; on paper sheet 36 x 26 em 2012.929

HIRST, CGS

Wurttenberg Cottage, New Farm Road, Brisbane 1882 watercolour; on paper sheet 63 x 93 em 2011.1311

HOS, Tina died New Zealand 1976

group of 6 drawings not dated brush and ink; on paper various dimensions 2012.713-2012.718

IRONSIDE, Adelaide Australia 1831 - Italy 1867 England 1855; Italy 1856-65; England 1865-66; Italy from 1866

group of6 drawings c 1855 pencil and conte crayon; on paper various dimensions 2011.1305-2011.1310

KING, Grahame Australia 1915-2008 England 1947-51; England, United States of America 1967-70

group of 62 sketchbooks and notebooks 1945-99 various media and dimensions gift oflnge King, 2012 donated through the Australian Government's Cultural Gifts Program 2012.1014-2012.1075

LEWER, Richard born New Zealand 1970 Australia from 1996

Visiting hours are over 2006 graphite black pencil; on rag cardboard sheet 105 x 84.5 ern The Rotary Collection of Australian Art, 2011 2011.1316

LONG, Sydney Australia 1871 - England 1955 England, Europe 1910-21; Australia 1921-22; England 1922-25; Australia 1925-52; England from 1952

The market, Bruges 1914 watercolour; on wove paper laid down on paper board sheet 49.2 x 32.4 em 201 1.975

Far1111Iouse c 1907

watercolour; on wove paper laid down on paper board sheet 27.6 x 37.8 em purchased with funds from the Ruth Robertson Bequest, 2012, in memory of Edwin C live and Leila Jeanne Robertson 2012.48

Springti111e c 1907 watercolour; on medium-weight textured cream wove paper sheet 38.8 x 55.7 em purchased with funds from the Ruth Robertson Bequest, 2012, in memory of Edwin C live and Leila Jeanne Robertson 2012.49

MACQUEEN, Kenneth Australia 1897-1960 England 1915-19

Cloud arrange111ent c 1945 watercolour; on paper sheet 40 x 30 em 2012.811

Harvesting the grain c 1945 watercolour over pencil; on paper sheet 38 x 48 em 2012.812

MAUDSLEY, Helen born Australia 1927

group of 4 watercolours 1990 watercolour and lead point; on off-white paper various dimensions gift of the artist, 2012 2012.849-2012.852

McCAHON, Colin New Zealand 1919-1987

not titled (Single figure) water-based paint; on medium " weight smooth cream wove paper sheet 31.2 x 25 em gift of Gordon H Brown, 2012 2012.1202

not titled (La111p 011 table) oil-based crayon; on thin smooth cream wove paper sheet 26.4 x 20.3 em gift of Gordon H Brown, 2012 2012.1203

O'DOHERTY, Chris born New Zealand 1951 Australia from 1969

Sketchbook: Mambo sketches, 2003 2003 cartr idge acid-free paper, spiral bound in black plastic cover book (closed) 35.2 x 28 em gift of the artist, 2012 donated through the Australian Government's Cu ltural Gifts Program 2012.805.1-54

Sketchbook: Mambo sketches, ju11e '05-March '06 2005-06 cartridg e acid-free paper, spiral bound in black plastic cover book (closed) 42 x 31 em gift of the artist, 2012 donated through the Australian Government's Cultur al Gifts Program 2012.806.1-46

PATTERSON, Ambrose Australia 1877-United States of A merica 1966 France 1898-99; United States of America 1899-1901; Europe 1901-10; Un ited States of America from 1916

not titled (Portrait of Yvonne Patterson, the artist's daughter) c 1917 pastel and watercolour; on light brown cardboard sheet 50.8 x 40.4 em gift of the estate of Miss Yvonne

Patterson , 2012 2012.834

not titled (Portrait of Marguerite Patterson, the artist's first wife) c1906-08 pastel; on thin smooth light brown wove paper sheet 54.6 x 43.2 em gift of the estate of Miss Yvonne Patterson , 2012 2012.839

PULE, John born Niue 1962 New Zealand from 1964

I dreamed I kissed the ocean's lips 2009 black felt-tip pen, brush and black ink and blue oil stick; on paper sheet 94 x 74 em 2012.845

Under the sun's ebullience 2009 black felt-tip pen, brush and black ink and red oil stick; on paper sheet 94 x 74 em 2012.846

SNELL, Ted born Australia 1949 United Kingdom c1973-75

group of 4 drawings 1973-74 pencil and acrylic; on paper various dimensions gift of Rosamund Dalziell, 2012 2012.1078-2012.1081

VARIOUS artists Australia

group of 87 print s 1962-83 various media and dimensions gift of Laurie and Robyn Curley, 2012 2012.66-2012.67,2012.70-2012.72, 2012.75,2012.99 -2012.104,2012.107, 2012.109, 2012.113-2012.114, 2012.121-2012.122,2012.239-2012.294,2012.343, 2012.535,2012.548-2012.551,2012.555-2012.561

NATIONAL GALLERY OF AUSTRALIA ANNUA L REPORT 2011-12 137

VAUTHIER, Antoine-Charles France 1790-1831

(Tasman inn tiger) c 1830s pen and ink and watercolour ; on paper sheet 13.4 x 19.4 em 201 2.40

VON GUERARD, Eugene Au stria 1811 - England 1901 Italy 1830-38; Ge rmany 1838-52, 1882-91; Au stralia 1852-81;

England from 1891

(Two m en by a stream in a valley, J'vlount W ellin gton, Tasman ia) 1855 pen and bistre ink; on cream paper sheet 17.5 x 24.8 em 201 2.41

VONGPOOTHORN, Savanhdary born Laos 1971 Australia from 1979

Floating words 2005-06 acrylic and coloured pencil; on Vietnamese Braill e dimensions variable gift of Dr A shley Carruther s, 2012 donated through the Au stralian Government's Cultural Gifts Program 2012.848.1-312

WILLIAMS, FM England 1855 - Au stralia 1929 Australia from c 1878

Coach builder c 1898 watercolour; on paper sheet 25.1 x 38.6 em 2011.976

WILSON, Eric Au stralia 1911-1946 England 1937-39

Self portrait as a lif e saver c 1932 black pencil; on paper sheet 77 x 49 em 2011.1168

WLODARCZAK, Gosia born Poland 1959 Australia from 1996

Easter tablecloth for two 2009 black marker pen; on paper sheet 90 x 150 em purchased w ith the generous assistance of Dr Andrew Lu OAM, 2011 2011.1131

138

Toaster-moming 2003 coloured marker pens; on sm ooth white wove Fabriano 5 paper sheets each 76.6 x 50.2 overall 135.2 x 150.6 em purchased with the generous assistance of Dr Andrew Lu O A M ,

2011 2011.1132.A-F

D esire 3: Beo (Suite) 2007-08 fibre-tipped pen on wallpaper " covered panels; digital print s and multimedia dimensions variabl e gift of Dr Andrew Lu OA M, 2012 donated through the Au strali an Governm ent' s Cultural Gifts Program 2012.1084.A-G

WOODWARD, Margaret born Au stralia 1938

Bread,fntit and wine 2003 charcoal, graphit e and conte crayon over watercolour; on paper sheet 128.4 x 128.4 em gift of the arti st, 2011 2011.1298

Photography

ALLPORT, Morton England 1830 - Australia 1878 Australia from 1831

9 albumen silver stereo photographs on glass: From M elrose (Wivenhoe) toward St Joseph's Church 1856

On Lake StClair 1863 1\!It Byron and the N ine Mountains

1863 T11e camp J\!It Arrowsmith 1863

From Mt Arrowsmith 1863 Mt Ida, Lake StClair 1863 Our camp Lake StClair 1863 Mt G ell1863 Mt Arro1vsmith 1856

images each 7 x 7.2 em glass each 7.5 x 14.5 em 2011.1445-51,2011.1453,2011.1473

BEATTIE,JW Scotland 1859-Au stralia 1930 Au stralia from 1878

Jones jam factory, Hobart c 1913 gelatin silver photograph image 17 x 23 em 2011.1421

BURTON , Jane born A ustralia 1966

Available light #12 2003 Type C colour photograph image 109.5 x 109.5 em sheet 117.5 x 117.5 em

gift of Patri ck Co rrigan AM, 201 2 donated through the A ustralian Gove rnment's C ultur al G ift s Program 2012.605

Cul-de-sac #4 2000 Type C colour photograph image 119.5 x 118 em sheet 124 x 122 em gift of Patri ck C orrigan AM, 2012 donated through the Australian G overnment' s Cultur al Gifts Program 2012.606

C ORNISH, Christine born A ustralia 1946

4 digital monochrom e photographs from the series TIHâ‘esl10ld 2004: nos I, 2, 8 and 12 image each 99.5 x 78.5 em 2012.1204-2012.1207

COTTON, Olive A ustralia 1911-2003

T11e shell c 1935

gelatin silver photograph 37.6 x 30 em 2012.1148

Surf's edge c 1935 gelatin silver photograph image 13 x 20.3 em 201 2.1149

DAVIES, Ruby born Au stralia 1953

T11e Darling Baaka Shadows 2000

gelatin silver photograph image 64 x 80 em 201 2.787

Timeless 2000 gelatin silver photograph image 64 x 80 em gift of Ruby Davies, 2012 2012.809

DIAZ, Magg ie born U nited States of America 1925 Australia from 1961

Coming or Going. Self portrait with The Canberm, Melboume 1961 prtd c2011 digital monochrome photograph im age 43.5 x 41.5 em 2011.1440

Eleplwnt joy, Luna Park c 1965/2011 digital monochrome photograph image 42 x 42 em 2011.144 1

Girl Hero (for Paddle Shoes) c 1965/2000 gelatin silver photograph image 100 x 100 em 20 11.1442

DUFTY, Alfred W England 1858-A ustralia 1924 Australia from 1868; Fiji 1872-86

Fiji half caste girl c 1875 albumen silver photograph image 9.6 x 6 em card 10.5 x 6.3 em 2011.1050

FARRELL AND PARKIN established Australia 1984 FARRELL, Rose born A ustralia 1949

PARKIN, George Australia 1949-2012

Untitled image #4 1985 gelatin silver photograph image 50 x 50 em gift of Farrell and Parkin, 2012 20 12.796

Untitled image #5 1984 Type C colour photograph image 60 x 60 em gift of Farrell and Parkin, 2012 20 12.797

Untitled image #11 1985 silver gelatin photograph image 50 x 50 em gift of Farrell and Parkin, 2012 20 12.798

Elastic electromagnetic waves 2009-10 digital colour photograph image 61 x 95 em 2012.957

Entering the no fly zone 2009-10 digital colour photograph image 75 x 120 em 2012.958

FAUST, Chantal born Australia 1980

City of lost children 2 2007 Type C colour photograph image 80 x 58 em gift of Patrick Corrigan AM, 2012 donated through the Australian Government's Cultural Gifts Program 2012.607

FORD, Arthur

Argyle Cut c 1925 gelatin silver photograph 26 x 35 em 20 12.785

FRITH & SHARP Australia 1855-56 SHARP, John (photographer) Australia 1823-1899 FRITH, Frederick (photographer and colourist)

Un ited Kingdom 1819-Australia 1871 Australia from 1853

William Robertson jr 1856 album en silver photograph, watercolour image 27.9 x 22.6 em 2011.1420

GREEN, Janina born A ustralia 1944

Untitled 1990 gelatin silver photograph image 73 x 80 em gift of Patrick Corrigan AM, 2012 donated through the A ustralian Government's Cultural G ift s Program 2012.598

Untitled 1990 gelatin silver photograph image 73 x 80 em gift of Patrick Corrigan AM, 2012 donated through the Australian

Government's Cultural G ifts Program 2012.616

GREEN, Sharon born Australia 1977 to United Kingdom

Night glow 2005 Type C colour photograph image 118.6 x 118.6 em gift of Patrick Corrigan AM, 2012 donated through the Australian Government's Cu ltural Gifts Program 2012.599

HALLAM, John A ustralia 1899-1960

judith Dmke-Brock111all 1938 gelatin silver photograph image 18.7 x 13.5 em sheet 21.8 x IS em gift ofJudith Drake-Brockman, 2012

2012 .784

HAYES, Siri born Australia 1977

Plein air explorers 2008 digital colour photograph image 107 x 138 em 20 11.1496

JONES, Stephen born Australia 1951

T11e System s Inte1jacing Reports

1978/2012 Report 1: Stonehenge Report 2: TV Buddha-for Na111 june Paik Report 3: Tai Chi Transforms DVD editio ns, colour, sound each 14.01 mins 2012.1196.A-F

KNAPP, August England 1873 - Austra I ia 1943 Australia from 1881

Sunday at Watheroo c 1923 gelatin silver photograph image 19 x 29 em 2011.1045

Perth c 1935 gelatin silver photograph sheet 25 x 35 em mount 40 x 46 em 20 11.1046

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 139

LINDT,JW Germany 1845-Australia 1926 Australia from 1862

Portrait of n mother and l1er two young childr en c 1885 albumen silver cabinet card photograph

image 16.5 x 11 em card 16.6 x 10.5 em 201 1.1041

MACDONALD, Anne

born Australia 1960

4 digit al colour photographs from the series Cherish 2010: Party balloon Cupcake Fairy garland Fake fur heart each 90 x 70 em 2012.933-201 2.936

3 digita l colour photographs from the series Peta/2000: Poppy I 71x8l.5cm Daisy 2000

106 x 52 em Lily II 2000 129x93cm gift of D avid Stephenson, 2012 2012.949-2012.951

4 digit al colour photographs from the series Silk 2005-06: No 1

No3

No7

No 10 each 105 x 70 em gift of D avid Stephenson, 2012 2012.952-2012.955

Omnment 1 (At Rest) 2008 4 digital colour photographs each 27-70 em (diam) gift of David Stephenson, 2012 2012.956

MAPAR, Mandana born Iran 1978 New Zealand 1985-93; Australia from 1993

140

M/2002 Type C colour photograph image 68.6 x 68.8 em sheet 80.6 x 80.6 em gift of Patrick Corrigan AM, 2012 donated through the Australian Government's C ultural Gifts Program 2012.609

MJV2002 Type C colour photograph image 69 x 68.5 em sheet 80.6 x 80.6 em gift of Patrick Corrigan AM, 2012 donated through the Australian

Government's C ultur al Gifts Program 2012.610

MILLAR, W Roy

United Kingdom 1843 - Australia 1942 Australia from 1868

Untitled (Camel rider and bicycle, Coo lgnrdie) c 1895 albumen silver photograph (printin g out paper) image 15.2 x 20.5 em 2012.780

MOORE,RP New Zealand 1881 -Australia 1948 New Zealand 1914-23

Manly Beach c 1925 gelatin silver photograph image 11.3 x 98 em 2012.960

Sydney Harbour and Cirwlnr Quay from Bushell's building c 1925 gelatin silver photograph image 11.4 x 97.6 em

2012.961

Pence Celebrations, Sydney, Scene In McQuarrie Street (sic) 1919 gelatin silver photograph image 11.4 x 97.9 em 2012.962

'TI1e Creel' 0 11 the road to Kosciuszko

(NSW) 1919 gelatin silver photograph image 11.4 x 97.9 em 2012.963

NORTH, Ian

born New Zealand 1945 Australia from 1971

A short wa lk in the country 2010 five colour photographs overall 58 x 765 em purchased w ith the assistance of Susan Arm itage, 2011 2011.1047.A-E

PAAUWE, Deborah born United States of Ame rica 1972 A ustralia from 1985

Prom ise 2002 Type C colour photograph image 182 x 182 em sheet 178 x 177.7 em gift of Patrick Corrigan AM, 2012 donated through the Australian Government' s Cultural Gifts Program 2012.587

Strange Music 2002 Type C colour photograph image 182 x 182 em sheet 178 x 177.7 em gift of Patri ck Corrigan AM, 2012 donated through the Australian Go vernment' s Cultural G ifts Program 2012.588

Restless Sleeping Beauty 2000 Type C colour photograph image 118.5 x 118.8 em sheet 120 x 120 em gift of Patrick Co rrigan AM , 2012 donated through the Australian

Governme nt's Cultural Gifts Program 2012.589

G irl in Red 2000 Type C colour photograph image 118.5 x 118.5 em sheet 125.8 x 121.5 em gift of Patrick Corrigan AM, 2012 donated through the Australian Government's Cultural Gifts Program 2012.590

Red in Recline 2000 Type C colour photograph image 117.5 x 119.5 em sheet 121 x 121 em gift of Patrick Corrigan AM, 2012

donated through the Australian Government's C ultural Gifts Program 2012.591

Evening song 2004-05 Type C colour photograph image 117.6 x 117.2 em sheet 122.7 x 122.7 em gift of Patrick Co rrigan AM, 2012 donated through the Australian Government's Cultural Gifts Program 2012.592

Precious twilight 2004-05 Type C colour photograph image 76 x 76.2 em sheet 83 x 83 em gift of Patrick Corrigan AM, 2012 donated through the Australian Government's Cu ltural Gifts Program 2012.593

Secret Hush 2004 Type C colour photograph image 107 x 105 em sheet 119 x 119 em gift of Patrick Corrigan AM, 2012 donated through the Australian

Government's Cultural Gifts Program 2012.594

Moo11 Song 2004-05

Type C colour photograph image 120x 120cm sheet 125 x 125 em gift of Patrick Corrigan AM, 2012 donated through the Australian Government's C ultural Gifts Program 2012.595

3.24am 2002 Type C colour photograph image 96.5 x 96.5 em sheet 125 x 125 em gift of Patrick Corrigan AM, 2012

donated through the Australian Government's Cultural Gifts Program 2012.596

PAPAPETROU, Polixeni born Australia 1960

T11e Wimmera 1864 #1 2006

digital colour photograph image 105 x 105 em 2011.1037

T11e Harvesters 2009

digital colour photograph 105 x 105 em 2011.1038

T11e Sand Traveller 2009

digital colour photograph â‘image 105 x 105 em 2011.1039

Court beauty 2002 gelatin silver photograph image 84 x 94.7 em sheet 123.3 x 124.5 em gift of Patrick Corrigan AM, 2012 donated through the Australian Government's Cu ltur al Gifts Program 2012.597

'She saw two girls and a boy' 1966 #1 2006 digital colour photograph image 105 x 105 em gift of Robert Nelson, 2012 donated through the Australian Government's Cultural G ift s Program 2012.1108

T11e caretaker 2009

digital colour photograph image 105 x 105 em gift of Robert Nelson, 2012 donated through the Australian Government's Cultural Gifts Program 2012.1109

T11e watcher 2009

digital colour photograph image 105 x 105 em gift of Robert Nelson, 2012 donated through the Australian Government's Cultural Gifts Program 2012.1ll0

T11e wave counter 2012

digital colour photograph image 105 x 105 em gift of Robert Nelson, 2012 donated through the Australian Government's Cultural Gifts Program 2012.1111

PICKERING, Charles (attributed to) Australia 1856-1870

20 albumen silver photographs: General Post Office c 1870 George Stlooking south, Lo11do11 Chartered Bank on right 1871 Exhibilio11 Building (front) 1871 Australia11 Museum 1871 Glebe Isla lid Abbatoir (e11tm11ce) 1871 Australian Club 1871

York St (Ear/toll Termce in centre) 1871 Victoria Club 1871 Mortuary Station, Redfem, Sydney 1871

Unio11 Club 1871

Bridge St, Sydney 1870 Pri11ce Albert Statue 1871

Syd11ey Domain 1871 Botanic Gardens 1871 Botanic Gardens 1871 Botanic Gardens 1871

Royal Bota11ic Garde11s, Syd11ey 1871 Botanic Gardens 1871 U11titled 1871 New City Bank 1871 each 23 x 26.8 em 2012.1085-2012.1104

POIGNANT, Axel England 1906-1986 Australia 1926-56

Fashion study with Barbara Lu11ghi c 1938 gelatin silver photograph 22.5 x 14.5 em 2012.747

QUILTY, Ben born Australia 1973

111e Buck 2004

Type C colour photograph image 48.7 x 72.3 em gift of Patrick Corrigan AM, 2012 donated through the Australian Government's Cultural Gifts Program 2012.600

RIMMER, Brad born Australia 1960

6 digita l colour photographs form the series and book Sile11ce: the West Australia11 \1\fheatbe/t 2005-09: Dowerin, autum11 2005 Farmers Club, Goomalli11g, spring 2005

Kelly, Goonwlli11g, wi11ter 2005 Merredi11, autumn 2009 jay & Percy, Dowerin, wi11ter 2005 Doweri11, spring 2006 images each 75 x 75 em 2012.964-2012.969

6 digital colour photographs form the series and book Sile11ce: the West Austmlia11 Wlleatbelt 2005-09: Sam, Tammi11, autum11 2009 Goo malling, wi11ter 2005 jess, Wyalkatchem, Sll/111/ler 2005/6 Kellerberri11, summer 2008/9

\1\fya/katchem, Christmas 2005

Good Friday, Wo11gan Hills, autumn 2009 images each 75 x 75 em gift of the artist, 2012 2012.970-2012.975

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 20 I 1-12 141

ROBERTS, Luke born A ustralia 1952

3 digital colour photographs: Mother and son 2009 Father and son 2009 Pink cowboys 2009 images each 100 x 150 em 2012.1220-2012.1222

ROSETZKY, David born Australia 1970

Untouchable #3 2003 Type C colour photograph image 37.5 x 42 em gift of Patrick Corrigan AM, 2012 donated through the A ustralian Government's Cu ltural G ifts Program 2012.608

RUDYA R D , Carol born England 1922 A ustralia from 1950

Urban arcadias (2) Me lboume 2002 video installation; DVD, 4 digital colour photographs photographs each llS x 150 em gift of the artist, 2012 2012.766

Unreal City 2002 video installation; 17 digital colour photographs photographs each 42 x 59 em gift of the artist, 2012 2012.765

ZONE: The Ke lly Factor 2002 video installation; various med ia various dimensions gift of the artist , 2012 2012.767

SALVADO, Santos Spain 18ll-1894 Australia 1869-79

not titled (New No rcia Benedictine mission: Priest nursing boy with Aboriginal men 'Chiuck' and 'Biug' wearing skin cloak standing l-1; and mission boys seated on floor) c 1875 albumen silver photograph composition 8 x 5.7 em card 10.5 x 6.3 em 2012.938

142

SLATER, Gayle born A ustralia 1956

Havana 2 2002 Type C colour photograph image 75 x 75 em gift of Patrick Corrigan AM, 2012 donated through the Australian

Government's Cu ltural Gifts Program 2012.611

SLEETH, Matthew born Australia 1972

8 Type C colour photographs 1999: Untitled #14 Tour of Duty Untitled #73 Tour of Duty Untitled #72 Tour of Duty Untitled #88 Tour of Duty Untitled #20 Tour of Duty Untitled #24 Tour of Duty Untitled #56 Tour of Duty Untitled #58 Tour of Duty images each 43 x 43 em gift of Patrick Corrigan AM, 2012 donated through the Australian Government's Cultural Gifts Program 2012.601-2012.604, 2012.612-2012.615

33 Type C colour photographs: HMAS Tobmk , Darwin 1999 Darwin, Australia 1999 3RAR, Oecusse 1999 ADF recruiting office , Darwin 1999

United Nations HQ, Dili 1999 Medec ins Sans Frontieres hospital , Baucnu2000 JnterFET shooting range, Dili 1999 Australian soldiers' barracks, Oewsse 1999 'TourofDuty'concert, Dili 1999 Kylie Minogue 'Tour of Duty' concert, Dili 1999

Nobel Laureate Bishop Ca rlos Bello, Dili 2000 Australian opposition party leader Kim Beazley, heliport , Dili 1999 Hotel Turismo, Dili 2000 Australian snipe1; Oewsse 1999 Australian solider with fascist tattoo,

Oecusse 1999 i\!Iahidi militia leader Cancio Lopez

de Caryarha/o, Kupang, West Timor 1999 CNRT /eade1; Oecusse 1999 Fa/inti/ Commandante Lehre, Soccor match, Dili 1999

Navy cricket match, Dili 1999 Bar, UN barge, off Dili 2000 Sergio Vieira de Mello with Xanana Gusmao, heliport, Dili 1999 Christmas prese11ts, Oecusse 1999 InterFET Santa Claus, Dili wate1jront

1999 Returning refugees, Dili 2000 john Martinkus and Harry Burton (RIP Harry), Hotel Turismo, Dili 1999 American transport helicopte1;

Atauro Island 1999 Australian justice fllld Customs Minister Amanda Vanstone, Hotel Turismo, Dili 1999

New Year's Eve, Dili 1999 Australian barracks, O ecusse 1999 Liquicn massacre site, Liquicn 1999 Militia prisoners, Oewsse 1999

Hotel Dili 2000 Returning refugees, wate1jront, Dili 1999 images each 106 x 106 em sheets each 106 x 127 em gift oflan Sleeth, 2012 donated through the Australian Government's Cultural Gifts Program 2012.1112-2012.1144

SOLOMON AND BARDWELL

Australia 1862-1874

Two gentlemen with a gold mining company share scrip, Ballarat c 1870 albumen silver carte-de-vi site photograph

image 9.1 x 5.6 em card 9.8 x 6.4 em 2011.1042

STENING, James Australia 1870-1953

Nature's decoration 1920s silver gelatin photograph image 29.7 x 30.1 em 2012.786

STORY, George Fordyce England 1800 - Australia 1887 Australia from 1828

Em ma and Esther Mather c 1858 albumen silver photograph image 9.2 x 6 em 2011.1043

SYLVESTER, Darren born Au stralia 1974

What happens will happen #1-5 2010 digital colour photograph each 160 x 120 em 2011.1005.1-5

UNKNOWN artist

Portrait of Mi ss Emma Doubleday c1865 ambrotype, colour dyes 6.4 x 5 em 2011.1044

Australians. Strength and beauty c 1865 albumen silver photograph, carte " de-visite 9x6cm 2011 .1498

VERE SCOTT, Robert Australia 1877-United States of America 1940 United States of America from 1916

Fremantle Harbour (WA) c 1900 gelatin silver photograph image 22.8 x 58 em 2012.748

Ben Buckler, Bo11di (NSW) c 1877 gelatin silver photograph 23.3 x 56.9 em 2012.749

Adelaide from Exhibition Dom e c 1900 gelatin silver photograph 16.5 x 53.6 em 2012.750

WATKINS, Susan Australia 1912-2006

Judith Drake-Brockman 1945 gelatin silver photograph image 17 x 11.8 em sheet 17.4 x 12.1 em gift of Judith Drake-Brockman , 2012 donated through the Australian Government's Cultural Gifts Program 2012.783

WRIGHT, Geo P United Kingdom 1815 - Au stralia 1891 Australia from 1858

Pa11omma of Brisba11e from New Farm c 1875 6 albumen silver photographs . overall18 x 108 em

2011.1040

YANG, William born Au stralia 1943

Alter ego 2001 colour photograph 68 x 88 em

2011.1036

Decorative arts and design

ASAKA, Masahiro born Japan 1979 Au strali a from 2000

Surge 16 2011 cast glass, steel stand glass 40 x 70 x 4 em stand 95 x 101 x 71 em 201 2.1009

BARCLAY, David (manufacturer) Scotland 1804-Australia 1884 Au stralia from 1830

FORRESTER, Joseph {silversmith) Scotland 1805 - died Australia Australia from 1829

Salver 1834 silver 35 em (diam) 2011.943

BASTIN, Nicholas born Au stralia 1968

Landing platform for a cricket (with cricket brooch) 2009 sterling silver , stainl ess steel, polyurethane resin, epoxy resin,

wood, silk brooch 3.5 x 6.2 x 2.4 em pendant 56 x 7 x 2 em 2012.743.A-B

BELFRAGE, Clare born Australia 1966

Fluence 2011 glass 38 x 48 x 7 em

2012.754

BLYFIELD, Julie born Australia 1957

Ti11der; vesse/2008

oxidised sterling silver, enamel paint, wax 9 x 14.5 x 14.5 em gift of Susan Arm itage, 2011 2011.959

BOYD, Arthur Australia 1920-1999 England, Australia, Ital y from 1959

Moses strikin g the sto11e 1951-52 earthenware, coloured slips, clear glaze 57 x 57 em gift of Denis Savill, 201 2 donated through the Australian Government's Cultur al G ifts Program 2012.819

BRITTON, Helen born Australia 1966 Germa ny from 1999

Brooch 2011 925 silver, paint 11.4 x 9.5 x 2.2 em 2012.742

BUTLER, Lawrence Ireland 1750 - Australia 1820 Australia from 1802

The Govemor Ki11g secreta ire bookcase 1803-06 cedar, Au stralian rosewood, beefwood veneers, m etal, glass, baleen

169 x 79 x 71 em (open) purchased through the Euphemia Grant Lipp Bequest Fund, 2011 2011.944

COTTRELL, Simon born Australia 1975

Round and back, brooch 2010 monel 5 x 7.5 x 7.5 em 2011.1291

EDGOOSE, Mark born Australia 1960

Ring and box no 13 2010 niobium and titanium 2.7 x 3.7 x 2.7 em 2012.744.A-B

Rail a11d \'esse/no 1 2011 niobium and titanium 9.7 x 37 x 10 em jug 8.3 x 10.3 x 7.2 em cup 7 x 5 x 4 em

base 5.6 x 37 x 9 em 2012.745.A-C

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011 - 12 143

ERICKSON, Dorothy born Australia 1939

Banksin Menziesii necklace 2011 18 carat gold, steel m esh cable, pink sapphires 80 x 2 x 2 em

2011.961

GORDON, Alasdair born United K ingdom 1931 Au strali a from 1979

Bnrramundi 2010 glass 24 em, 12 em (diam) 2012.1008

HANSEN, Ragnar born Norway 1945 A ustralia from 1972

Ten strainer and stand 1988 925 silver, wood overall 10.5 x 6.5 x 17 em gift ofDinnyKillen, 2012 donated through the Australian Government' s Cultural G ifts Program 2012.60.A-B

HOEDT, Connie born The Netherlands 1936 Australia from 1958

Pair of flower towers 1993 stoneware with underglaze slip decoration (a) 112 em , 34 em (diam)

(b) 112 em, 33.5 em (diam)

gift of Connie Ho edt, 2012 2012.755.A-B

HOGARTH, ERICHSEN & CO

Australia 1852-1859

Bracelet in fitted case c 1858 gold 2 x 18 x 4.5 em 2012.1010

JACKSON, Alfred Thom as Great Britain 1843-Australia 1912 A ustralia from 1866

Brooch c 1900 9 carat gold, ruby 1 x 4.1 x l em

gift of Linley Stopford, 2011 2011.956

144

JOHN CAMPBELL POTTERY A ustralia 1881-1976

Um 1884

glazed earthenware gift of Lorna Podger, 2012 donated through the Australian Government's C ultur al G ift s Program

2012.1 172.A.A-C

Urn 1884 glazed earthenware gift of Lorna Podger, 2012 donated through the Australian Government's C ultur al G ift s Program 2012.1172.B.A-C

KRIMPER, Schulim Austria-Hun gary 1893 - Au strali a 1971 A ustralia from 1939

Record cabinet c 1965 New Guinea rosewood 103.5 x 117 x 42 em gift oflan Hore-Lacy, 2012 donated through the A ustralian Government's Cultur al Gifts Program 2012.740

KUHNEN, Johannes born Germany 1952 Australia from 1981

Brooch 1988 granite, anodised aluminium, stainles s steel 1.7 x 10.3 x 1.4 em

purchased 2011 with funds from the Meredith Hinchliff e Fund 2011.971

Armband 2010 anodised aluminium, titanjum 10.6 x 9.7 x 3 em purchased 2011 w ith funds from the Meredith Hinchliff e Fund 2011.972

Green ten teapot 2008 925 silver, titanium 25.8 x 13.7 x 12 em purchased 2011 with funds from the Me redith Hinchliff e Fund 2011.973.A-B

LEVY, Col born Australia 1933

Tall form pot 1988 stoneware with oil-spot temmoku glaze 39.5 em, 23 em (diam) gift of Pauline Hunter, 20ll donated through the Australian Government's C ultural Gifts Program 2011.1285

MASON, Phill

Finger tiara (ring and stand) 1996 18 carat gold, sterlin g silver, moon stones ring 4.4 x 3.7 x 2 em stand 2 x 4.9 x 4.9 em anonym ous gift, 2011 donated through the Au stralian Governm ent' s C ultur al G ift s Program 2011.957.A-B

MINCHAM, Jeff

born A ustraUa 1950

Sen of grass 2011 stoneware, glazed 52x67x 19cm gift of Susan Arm itage, 2011 2011.970

MOJE, Klaus born German y 1936 Au stralia from 1982

Roll up l'nse 2009 glass 49 em, 11 em (diam) 2012.757

ORBAN, Eva born Hungary 1951 A ustralia from 1976; United States of A m erica from 1999

Flying high 011er the 1vaves 1992 earthenware 65.5 x 44 em gift of Eva Orban, 2011 2011.958

PEOPLES, Sharon born A ustralia 1957

Nina size 10 1999 polyester/rayon thread on cotton 73 x 177 x 1 em 2011.960

PETERS, Felicity born South Africa 1941 to A ustralia 1966

Bear market, pendant 2009 sterling silver, rubber 50 x 5 x 2 em

2011.962

RAINER, Gillian born Australia 1956

Mesembryanthe11111111, brooch 2011 925 silver, almandine garnets 6.6 x 6.7 x 0.8 em 2011.968

STEINER, Henry Germany 1835-1914 Australia 1858-84; Germany 1884-87; Australia 1887-89; Germany

from 1889

Pendant/brooch all( [ pair of ear pendants set, i11jitt ed case c 1870 18 carat gold, seed pearls, diamonds brooch 8 x 4 x 1.5 em

earrings 3.5 x 2 x 0.8 em case 7 x 3.5 x 8.5 em 2012.1011

STOCKHAUSEN, Dore born Germany 1966 A ustralia from 1990

Pendant 2010 999 and 925 silver, enamel, peridots 7 x 5 x 1.5 em 20 11.967

STRACHAN, Tim born Kuwait 1954 A ustralia

Ballerina form 2010 polished porcelaneous stoneware, granite base 33 em, 39 em (diam) 201 1.969.A-B

VANDERLAAN, Christel born The Netherlands 1963 Australia from 1981

Holier than thou 1, brooch 2011 painted silver, ceramic honeycom b block, m icrogeodes 10 x 7 x 1.5 em 20 11.963

Cut price red, bangle 2011 painted silver, polypropylene ' 11 x 11 x3cm 2011.964

VAN KEPPEL, Elsje The Netherlands 1947-Australia 2001

Reconstmction Borobodur 1991 dyed, stitched and felted; woo l, silk 225 x 125 x 2 em 20 11.1287

Heartbeat 1995 batik-dyed , stitc hed; silk, cotton 225 x 200 x 2 em 2011.1288

WALKER, David born United K ingdom 1941 Australia from 1964

Memen to mori II, pendant 2009 silver, stainless steel, Victorian ash, paint 10.5 x 5 x 2.5 em 2011.965

Scar tissue 2, brooch 1989 stainless steel, copper 5.3 x 11.2 x 0.8 em 2011.966

Indigenous Australian art

Paintings page 145 Sculptures page 147 Prints page 148

Photography page 153 Decorative arts and design page 153 Textiles page 154

Paintings

BANCROFT , Bronwyn Bundjalung people born A ustralia 1958

Weav ing of light 2009 synthetic polymer paint on canvas 55.2 x 51.3 em 2012.794

BILLABONG, Willy Kukatja people Australia 1930-2005

Soak waterholes 2003 syntheti c polymer paint on canvas 65 x 91 em 2011.1007

Untitl ed 2002 syntheti c polymer paint on canvas 60 x 60 em

2011.1008

GANAMBARR, Gunyb i

Datiwuy/Ngaymil peoples born Australia 1973

Lorr 2010 natural earth pigments on incised air cell insulation 120 x lll em 2012.945

Balawurm 2011 natural earth pigments on incised air cell insulation 120 x 118 em 2012.946

IYUNA, James Kuninjku (Eastern Kunwinjku) people born A ustralia 1959

Buluwmw at Dilebang 2009 natural earth pigments on bark 216 x 74 em 20 11 .101 7

KERINAUIA, Raelene T iwi people born Australia 1962

Freshwater/Saltwater 2009 natural earth pigments on canvas 90 x 120 em 2012.820.A-B

LUNGKATA TJUNGURRAYI, Shorty Pintupi people Australia 1920-1987

Big Cave Story 1972 synthetic polymer paint on composition board 46.1 x 36.9 em 20 12.11 75

NAIN, Clinton Meriam Mer people born A ustralia 1971

T11111ble against the fence 2010

enamel, bitumen, ink and synthetic polymer paint on canvas 168 x 198 em 2011.149 7

NAMATJIRA, Lenie Western Arrernte people born Australia 1951

West of Mt Gillen 2011 watercolour on paper 26 x 74 em 20 12.26

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 145

NAMATJIRA, O scar Western Arrernte people Australia 1922-1991

Untitl ed c 1965 watercolour on paper on card 27 x 35 em

gift ofl3en Drew and D avid Franklin , 2012 donated through the Australi an Government's Cultur al Gifts Program 2012.18

NAMOK, Rosella U ngku m (A ngkum ) people born Australia 1979

Stinging Rain ... him yah fall do111n ... afternoon time 2007 syntheti c polym er paint on canvas 174 x 342 em 2012.801

NAMUNDJA, Samuel K uninjku (Eastern Kunwinjku) people born Australia 1965

Namorrorddo, a profane spirit 2010 natural earth pigments and synthetic fixative on bark l26x49cm 2011.1012

Crayfish dreaming 2009 natural earth pigments and synthetic fixative on bark

232 x 72 em 2011.1013

NANGALA, Josephine Pintupi people born Australia 1948

Untitled 2003 synthetic polym er paint on canvas 91 x46cm

gift of the Rotary Club of Woden, 2012 2012.932

NAPANGATI, Yukultji Pintupi people born Australia 1969

Untitled 2003 syntheti c polyme r paint on canvas 91x91cm gift of the Rotary C lub of Wod en, 2012 2012.931

146

NGALLAMETTA, Mavis W ik/Kunjen peoples born A ustrali a 1944

Iklet JJJ2010 natural earth pigme nts and charcoal with synthetic binder on canvas 161 x 101 em 2011.1407

NONA, Dennis Ka la Lagaw Ya people born A ustrali a 1973

Usulal 2010 synthetic polymer paint on canvas 210 x 315 em 201 1.1408

PALPATJA, Kunmanara Pitjantjatjara people Australia 1918-2012

Wati 1Nanampi 2010 synthetic polymer paint on canvas 188 x 132 em 2011.1414

PAMBEGAN JR, Arthur Koo'ekka Wik-M ungkan people Australia 1936-2010

Untitl ed #20 (Walkan-a111 and Kalben designs) 2010 natural earth pigments and charcoal with synthetic binder on canvas 152 x 122 em 2011.1410

R ENNIE, Reko Kami laroi/Gamilaraay/Gummaroi people born Australia 1974

Message Stick (Green) 2011 hand pressed textile foil, screen print on Belgium linen 150x 150cm 2012.832

RUPERT, Nura Pitjantjatjara people born A ustralia 1933

Camp dog story 2010 synthetic polyme r paint on canvas 87.4 x 167 em 2011.1409

WALBIDI, Daniel Manga la/Yulparija peoples born A ustralia 1983

Kirriwirri 2007 synthetic polymer paint on canvas 167 x 112 em 2012.1173

WIRRI, Elton Luritj a/Pintupi peoples born Australia 1990

Mt Hermannsburg2011 watercolour on paper 36 x 54 em 2012.27

WOODS, Tjankaya Pitjantjatjara/Ngaanyatjarra peoples born Australia 1935

Seven Sisters 2010 synthetic polymer paint on canvas 100 x 150 em 2011.1415

WULANJBIRR, T imothy Kuninjku (Eastern Kunwinjku) people born A ustralia 1969

Yippa (frog) 2010 natural earth pigments on bark 176 x 74 em 2011.1006

YUNKAPORTA, Roderick Wik-M ungkan/Apelech peoples born Australia 1948

Bodypaint#l20 10 natural earth pigments and charcoal with synthetic binder on canvas 43 x 47 em

2011.1015.A-B

Body paint #2 2010 natural earth pigments and charcoal with synthetic binder on canvas 43 x 47 em

201l.l 016.A-B

YUNUPINGU, Barrupu Gumatj people born Australia 1948

Gurtlw 2009 natural earth pigments on bark 207 x 80 em 2011.1009

G urtha 2009 natural earth pigme nts on bark 220 x 80 em 2011.1010

YUNUPINGU, Gulumbu Gumatj/Rrakpala peoples Australia 1943-2012

Garak 2011 natural earth pigments on bark 123x43cm 201 2.1151

Ganyu 2010 natural earth pigments on bark 100 x 38 em~ 2012.11 52

Ganyu 2009 natural earth pigments on bark 96x53cm~

2012.1153

Ganyu 2009 natural earth pigments on bark 14lx72cm 201 2.1154

YUNUPINGU, Nyapanyapa Gumatj people born A ustralia 1943

Mangutji #1 2010 natural earth pigments on bark 137x67cm 2012.788

Mangutji #2 2010 natural earth pigments on bark 103x 78cm 201 2.789

Mayili111iriw 2010 natural earth pigments on bark l72 x40cm 2012.79 0

Fallen Leaves #3 2010 natural earth pigments on bark 106 x 46 em 2012.791

Pink and white paintin g #3 2010 natural earth pigments on bark 104 x 35 em 201 2.792

Scu lptures

UNKNOWN artist

Tiwi people Australia

Puku111ani pole cl975 natural earth pigments on ironwood 165 x 22 em 2012.1083

Tunga c 1975 natural earth pigments on bark 65 x 27 em 2012.1084

BEERON, Daniel Girramay people born Au stralia 1972

Bagu 2010 natural earth pigments on earthenware 54 x 19 x 4 em

2011.1 395

BEERON, Nancy Jirrb al/Girramay peoples born Australia 1949

Bagu 2010 natural earth pigments on earthenware 43 x 20 x 5.5 em 2011.1 396

BEERON, Theresa Jirrbal/Girramay peoples born Au stralia 1951

Bagu 2010 natural earth pigments on earthenware 37x12.5x3cm 2011.1397

COWAN, Nancy Girramay people born Australia 1952

Bagu 2010 natural earth pigments on earthenware 77 x 23 x 8 em 2011.1400

DENHAM, Nephi Girramay people born Australia 1984

Bagu 2010 natural earth pigments on earthenware 39.5 x 16 x 5 e m 20 ll.l 394

GURRUWIWI , Judy Manany Datiwuy people born Australia 1966

Puddy Git (Pussy Cat) 2010 natural dyes on pandanus 75 x 20 em 2011.1402

Piggy Piggy 2010 natural dyes on pandanus 80 x 15 em 20 11.1403

Rock Cod 3 2010 natural dyes on pandanus 67 x 30 em 20 11.1404

Rock Cod 2 2010 natural dyes on pandanus 60 x 30 em

20 11.1405

Dugong 2010 natural dyes on pandanus 75 x 15 em 201 1.1406

Rock Co d 2010 natural dyes on pandanus 60 x 30 em

20 11.1454

KINJUN, Doris Gulnay people born Australia 1947

Bagu 2010 natural earth pigments on earthenwa re 66.5 x 18.5 x 5 em 20 11.1392

LAWYER, Maureen Beeron Gi rramay people born Australia 1979

Bagtt2010 natural earth pigm ents on earthenware 60 x 31.5 x 7 em 2011.1399

MURRAY, Alison jirrb al!Girrama y peoples born Australia 1958

Bagu2010 natural earth pigments on earthenwa re 39 x 16.5 x 4 em 2011.1391

MURRAY, Debra Jirrbai /Girr ama y peoples born A ustralia 1968

Bagu 2010 natural earth pigm ents on earthenware 43.5 x 16.5 x 3 em 2011.1401

NATIONAL GALLERY OF AUSTRALIA A~JNUAL REPORT 2011-12 147

MURRAY, Emily Jirrbal/Girrama y peoples born Australia 1949

Bagu 2010 natural earth pigm ents on earthenware 97 x 34 x 10 em 2011.1390

MURRAY, John

Jirrbal/Girramay peoples born Au stralia 1979

Bagu 2010 natural earth pigments on earthenwa re 38 x 15 x 4 em 2011.1398

MURRAY, Sally Jirrbal/Girr ama y peoples born Australia 1947

Bagu 2010 natural earth pigm ents on earthenware 43 x 18 x 4 em 2011.1393

NAMUNDJA, Samuel Kuninjku (Eastern Kunwinjku) people born Au stra I ia 1965

Lorrkon 2010 natural earth pigm ents with synthetic fixative on woo d 143 x 20 x 21 em 2011.1014

RENNIE, Reko K a mi laroi /G ami Ia raay/G umma roi people born Au strali a 1974

Message Stick (Totem Pole) 2011 edn 1/5; bronze and steel base 145 X 6.5 X 6.5 2012.833

THAPICH Gloria Fletcher Dh aynagw idh (Thaynakwith) people Au stralia 1937-2011

Th e Legend of Albatross Bay (W eipa

Story) 2008 aluminium 35 x 29 em 2012.769

148

YUMBULUL, Terry Dhurritjini \.Varramiri people born Au stralia 1948

Dhuktm (sceptre) 2006 natural earth pigm ents on cypress wood , natural fibre and feathers 179.5 x 17.5 x 11.5 em 2011.1412

Mudukundja 2007 natural earth pigments on cypress wood, natural strin g and feathers 91 x 9 x 9 em

2011.1413

Prints

ANDREW, Brook Wiradjuri people born Au strali a 1970

Showtime 1999 screenprint , printed in colour, from multiple stencils; on paper printed image 75 x 296.6 em sheet 100 x 315 em gift of the arti st, 2012 donated through the Australian

Government's Cultural Gifts Program 2012.24

ANDREW, Brook Wiradjuri people born Au stralia 1970 RAWLING , Larry (pri11t er) born A ustralia 1938

Black and white special cut 2005

screenprint , print ed in colour, from multiple stencils; on m edium-weight smooth off-white wove paper print ed image 100 x 98.4 em sheet (deckle-edged) 106.4 x 100.2 em gift of the arti st, 2012 donated through the Australi an G overnment's C ultur al Gifts Program 2012.19

Against nil odds 2005 screenprint , print ed in colour, from multiple stencils; w ith collage additi ons; on medium-weight sm ooth off-white wove paper print ed image 100 x 98.4 em sheet (deckle-edged) 106.4 x 100.2 em gift of the arti st, 2012 donated through the Australian G overnment' s C ultur al G ifts Program 2012.20

Black black 2005 screenprint , print ed in colour, from multiple stencils; w ith collage additi ons; on m edium-weight smooth off-w hite wo ve paper print ed image 100 x 98.4 em sheet (deckle-edged) 106.4 x 100.2 em gift of the artist, 2012 donated through the Australian G overnment's C ultur al G ift s Program 2012.21

K nlmaldnin/Comp oser 2005 screenprint , printed in colour, from multipl e stencils; w ith collage addition s; on m edium-weight smooth off-w hite wove paper print ed image 100 x 98.4 em sheet (deckle-edged) 106.4 x 100.2 em gift of the arti st, 2012 donated through the Au stralian

Government' s C ultur al Gifts Program 2012.22

I see you 2005 screen print , print ed in colour, from multiple s tencils; on medium-weight smo oth off-white wove paper print ed image 100 x 98.4 em sheet (deckle-edged) 106.4 x 100.2 em gift of the arti st, 2012

donated through the Australi an Government' s C ultural G ift s Program 2012.23

BAKER , Jimm y Pitjantjatj ara people Au stralia 1913-2010

Ka layn Tjukurpa 2009 screen print , print ed in colour, from multiple s tencils; on paper 59 x 84 em 2011.1025.10

BAKER, Maringka Pitjantjatjara people born Au stralia 1952

Kn linpil 2009 screenprint , printed in colour, f rom multipl e stencils; on paper 84 x 59 em 201l.l0 25.1

BEASLEY, Dion Warumungu people born Australia 1991 NORTHERN EDITIONS PRINTING WORKSHOP (print workshop)

folio of8 etchings, hand-coloured, on paper 2010 sheets each 28.3 x 38.4 em 2011.1024.1-8

CURTIS, Angkaliya Pitjantjatjara people born Australia 1928

Billynya 2009 screenprint, printed in colour, from multiple stencils; on paper 59 x 84 em 2011.1025.6

EGLITIS, Anna born Fiji 1931 Australia from 1936 SAUNDERS, Zane Butchulla people born Australi a 1971 NONA, Dennis Kala Lagaw Ya people born Australia 1973 LAIFOO, Joey Kala Lagaw Ya people born Australia 1978 MEEKS, Arone Raymond

Kokoimudji people born Australia 1957 India 1985; France 1989, 1992 VICTOIRE, Sasi HORN, Ian

NAMOK, Rosella Ungkum (Angkum) people born Australia 1979 TIPOTI, Alick Kala Lagaw Ya people born Australia 1975 ROBINSON, Brian

Kala Lagaw Ya people born Australia 1974 SABATINO, Nino born Australia 1975 LAMPTON, Elaine TREMBLAY, Theo (printer) born United States of America 1952 Australia from 1977

On tlze edge, visions of a tropical coastline 2008 linocut, printed in black ink, from 12 blocks; on thick white textured wove paper print ed images each 75 x 30 em sheet 105.8 x 398 em gift of Anna Egliti s, 2012 2012. 1001

HAYWARD/POOARAAR, Bevan Goreng/Minang/Nyoongar peoples Australia 1939-South Australia 2004

Poison jislz 1987 linocut, printed in black ink, from one block; on m edium weight textured cream woven paper printed image 37.2 x 33 em sheet 53.2 x 36.8 em gift of Anna Eglitis, 2012 2012.981

Antlzropomorplzs 111 idst rock arrangements 1989 linocut and caustic etching, printed in black ink, from one block; on medium-weight textured white wove paper plate-mark 44.4 x 36 em sheet 61.8 x 48 em gift of Anna Eglitis, 2012 2012.982

Ancestral guardian spirits 1988 linocut and caustic etching, printed in black ink, from one block; on medium-weight textured white wove paper plate-mark 33 x 51 em sheet 49 x 62 em gift of Anna Egliti s, 2012 2012.983

Ancestral spirits and symbols of rock art 1990 etching and aquatint, printed in black ink, from one plate; on

medium -weight textured cream wove paper printed image 38 x 41 em sheet 53 x 37.8 em gift of Anna Egliti s, 2012 2012.984

T11e spirit catchers 1980

linocut and caustic etching, printed in black ink, from one block; on thin smooth white wove paper plate-mark 56.8 x 44 em sheet 51 x 38.2 em gift of Anna Eglitis, 2012 20 12.985

TIViliglzt scene 1989 screenprint, printed in blue ink, from one stencil; on medium-weight smooth white wove Arches paper printed image 41.8 x 25.2 em sheet 57.4 x 38 em gift of Anna Eglitis, 2012 20 12.986

not titled (Kangaroo) linocut, printed in black ink, from one block; on medium-weight

textured cream wove paper plate-mark 57.2 x 36.6 em sheet 39 x 33 em gift of Anna Eglitis, 2012 2012.987

HOBBS, Ralph (photographer)

Nyurapayia Nampitjinpa, aka Mrs Benne/ t 2009 photograph; on thin smoo th white paper printed image 24.8 x 37 em sheet 33 x 41.4 em gift of Selena Griffith, 2012 donated through the Austral ian Government's Cultural G ifts Program 2012.1160.7

HOBBS, Ralph (publisher) McGREGOR, Ken (co-publisher)

not titled (Nyurapayia Nampiljinpa justification page) 2010 screen print; on paper gift of Selena Griffith, 2012

donated through the Australian Government's Cultural Gifts Program 2012.1160.9

JIMMY, Beryl Pitjantjatjara people born Australia 1970

Watarr11 2009 screenprint, printed in colour, from multiple stencils; on paper 84 x 59 em 2011.1025.3

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 149

LA IFO O, Joey Ka la Lagaw Ya people born Australia 1978

Dungnl nu biber-r (The po1ver of the dugong) 2001 linocut, printed in colour from one block; on medium-weight textured cream wove Saunders Waterford

paper plate-mark 34.6 x 71.8 em sheet 56.2 x 75.8 em gift of Anna Eglitis, 2012 2012.988

MARA WILl, D jambawa Yithuwa Madarrpa people born Australia 1953

Gnrmngnli 2010 etching and screenprint; on paper 50 x 60 em

2012.761.1

MARA WILl, Marrirra Madarrpa people born Australia 1935

Gurrtjpi 2010 etching and screenprint; on paper 62 x 50 em 2012.761.2

MARAWILI, Marrirra Madarrpa people born Australia 1935 MARA WILl, D jambawa

Yithuwa Mada rrpa people born A ustralia 1953 MUNUNGGURR, Marrnyula #2 Djapu people born Australia 1964 WATSON, Judy Waa nyi people

born Australia 1959 WIRRPANDA, Mulkun Dhudi-Djapu-Dha-malamirr people

born Australia 1947 HALL, Fiona born A ustralia 1953 England, Europe 1976-78; United States of America 1979-82 SCHMEISSER, Jorg

Germany 1942- Australia 2012 Australia from 1976 WOLSELEY , John born England 1938 France 1961-63; Europe 1971, 1974-75; Australia from 1976

150

Djnlkiri: IVe nre standing on their names (Blue Mud Bny) 2010 etchings and screen print s; on paper sheet 105.8 x 398 em 2012.761.1-8

McGREGOR, Ken (producers)

Nyumpnyin Nnmpitjinpn/ Punki !pi rri/Punk i 1/perry/Bungn biddy 2010 gift of Selena Griffith, 2012 donated through the Australian

Government's Cultural Gifts Program 2012.1160.8

MILLER, David Pitjantjatjara people born Australia 1948

Innrki 2009 screenprint, printed in colour, from m ultiple stencils; on paper 59 x 84 em 2011.1025.7

MUNUNGGURR, Marrnyula #2 Djapu people born Australia 1964

Ba~vu 2010

etching and screen print; on paper 38 x 50 em

2012.761.3

NAMOK, Wamud Kuninjku people Australia 1924-2009

Bnrdnynl Bi111 2006 folio of 10 etchings, printed in colour on paper: Dnluk djn Binninj 2006 75 x 57 em

Kn !nlVnn 2006 75 x 57 em Mnnkung Dans Daluk 2006 75 x 57 em Kingn and Nnmnmko/2006 70 x 52.5 em Nnmnrnde 2006 70 x 52.5 em

Kunbid Nuye 2009 57 x 70 em Korlobbnrr Djnng 2009 57 x 70 em Nnrbnlek 2009 52.5 x 70 em

Nnyuyungi2009 52.5 x 70 em Ynwk Yn1vk 2009 52.5 x 70 em 2011.1011.1-10

NAMPITJINPA, Nyurapayia Pintupi people born Australia 1933 GRIFFITH, Pamela (co-ordinator ) born Australia 1943 Europe1972-73, 1981-82 ABLITT, Matthew (printer, intaglio) RIACH, Trevor (printer, intaglio) born Australia 1958 GRIFFITH STUDIO AND GRAPHIC WORKSHOP (print workshop)

Australia 1973-1999 ART EQUITY (publisher)

Wnterholes 2009 relief print, printed in colour using a reduction technique, from one lino block and two medium density fibre (MDF) boards; on m edium-weight textured white wove BFK Rives 300 gsm paper printed image 66.9 x 86.8 em sheet 80.6 x 96.9 em gift of Selena Griffith, 2012 donated through the Australian

Government's Cultural Gifts Program 2012.1156

Untitled IVnterholes (ochre dots) 2009 relief print, printed in orange ink, from one lino block and one medium density fibre (MDF) board; on m edium-we ight textured white wove BFK Rives 300 gsm paper printed image 66.9 x 86.7 em sheet 80.6 x 97.6 em gift of Selena Griffith, 2012 donated through the Australian Governm ent's Cultural Gifts Program 2012.1157

Untitled IVaterholes (black dots) 2009 relief print, printed in black ink, from one lino block and two medium density fibre (MDF) boards; on m edium-weight textured white wove BFK Rives 300 gsm paper printed image 66.9 x 86.7 em sheet 80.7 x 97.6 em gift of Selena Griffith, 2012 donated through the Australian Government's Cultur al Gifts Program 2012.1158

Untitled waterholes (black solid area plate) 2009 relief print , printed in colour, from one lino block and two m edium density fibre (MDF) boards; on

m edium-weight textured white wove BFK Rives 300 gsm paper printed image 66.9 x 85.5 em sheet 80.5 x 96.4 em gift of Selena G riffith , 2012 donated through the Australian Governm ent' s C ultur al Gifts Program 20 12.1159

Nyumpay ia Na mpitjinpa folio of 6 etching s, 1 photograph, I videodisc and I screenprint: Waterholes 1 2010

Wat erholes 2 2010 Wat erholes 3 2010 Waterholes 4 2010 \1\faterho/es 5 2010

Wat erholes 6 2010 Nyumpayia Nampitjinpa, aka Mrs Bennett 2009 Nyumpayia Nampitjinpa / Punkilpi1-ri/Punkillperry /Bungabiddy 2010 not titled (Nyurnpayia Nampi tjinpa justificatio n page) 2010

various dim ensions gift of Selena Griffith, 2012 donated through the Australian Gove rnment' s Cultural Gifts Program 20 12.1160.1-9

NAPALTJARRI, Wentja Luritja/Warlpiri peoples born Au stralia 1953 GRIFFITH, Pamela (co-ordinator) born Au stralia 1943

Europe 1972-73, 1981-82 GRIFFITH, Ross (printer , intaglio) RIACH, Trevor (print er, intaglio) born Australia 1958 GRIFFITH STUDIO AND GRAPHIC WORKSHOP (print workshop) A ustralia 1973-1999 ART EQUITY (publisher)

Rockhole 2011 etching, sugar-lift, deep-biting , aquatint and reduction, printed in colour from one copper plate; on m edium-weight textur ed off-white wove BFK Rives 300 gsm paper print ed image 69.9 x 69.7 em plate-mark 70.2 x 69.8 em sheet 87.3 x 80.4 em gift of Selena Griffi th, 2012 donated through the Australian Government's Cultural G ifts Program 20 12.11 55

NAPALTJARRI, Wentja Luritj a/Warlpiri peoples born Australia 1953 GRIFFITH, Pamda (co-ordinator) born Australia 1943

Europe1972-73, 1981-82 GRIFFITH, Ross (printer, intaglio) RIACH, Trevor (printer, intaglio) born Au stralia 1958 GRIFFITH STUDIO AND GRAPHIC WORKSHOP (print workshop)

A ustralia 1973-1999 ART EQUITY (publisher)

We ntja Napa ltj arri 2010 folio of 4 etchings: Rocklwle and tali Rocklwles

Rock hole west of Kin tore Bluetongue lizard rockholes sugar-lift and aquatint, printed in colour, from two copper plates; on m edium-weight textured off-white wove Ve lin Arches 300 gsm paper print ed images each 24.5 x 17.6 em sheets each 43 x 35 em gift of Selena G riffith, 2012 donated through the Australian Governm ent's Cultural G ifts Program 20 12.11 7 1.1-4

NONA, Dennis Kala Lagaw Ya people born A ustralia 1973

Ama-aw tonah 1992 linocut, printed in black ink, from one block; print ed on hand-coloured paper; on m edium-weight textured cream wove 'vVa terford paper

print ed image 40 x 38.4 em sheet 76 x 59.8 em gift of Anna Egliti s, 2012 2012.992

not titled (Traditional dancers) 1991 linocut, printed in black ink, from one block; on m edium-weight textur ed cream wove Wa terford paper print ed image 76.4 x 56 em sheet 76.4 x 56 em gift of Anna Eglitis, 2012 2012 .993

Headl11111ting and I mding in Torres Straight Island 1991 linocut, printed in black ink from one block; hand-coloured; on

m edium-weight textured cream wove \1\laterford paper

printed image 38 x 53.6 em sheet 56.4 x 76 em gift of A nna Egliti s, 2012 2012.994

not titl ed (Comb and two figures) etching, printed in black ink, from three shaped plate s; on thin smooth cream wove Hanhnemuh le paper plate-m ark (a) 16 x 3 em plate-m ark (b) 16 x 4.5 em plate-mark (c) 16 x 3.5 em sheet 39.2 x 35.2 em gift of A nna Eglitis, 2012 2012.1002

not tit led (Two figures with fishing net) etching, printed in black ink, from shaped plate; on thin smooth w hite wove paper

plate-m ark 26.4 x 50 em (irregular) sheet 54 x 63.6 em gift of Anna Eglitis, 2012 2012.1003

PECK, Lance Manyjilyjarra people born A ustralia 1975

Kata Kala 2009 screen print , printed in colour, from multipl e stencils; on paper 59 x 84 em 2011.1025.9

RIOLI, Diane

Pukamani poles 2003 linocut, printed in black ink, from one block; hand-coloured; on thin textured white wove paper print ed image 18.4 x 11 em sheet 19.2 x 18.2 em gift of Anna Eglitis, 2012 201 2.1006

NATIONAL GALLERY OF AUSTRALIA ANNUAL R!:PORT 2011-12 151

ROBINSON, Brian Kala Lagaw Ya people born Australia 1974

... as the rains fell and the seas rose 2010 linocut , printed in black ink, from one block; on paper 62 x 120 em 2012.1162

And on the 6th day he created man 2010 linocut, printed in black ink, from one block; on paper 59.5 x 98 em 2012.1163

Midas touch II 2011 paper 62 x 120 em 2012.1164

TINGIMA, Wingu Pitjantjatjara people born Australia 1918

Minyma Tjutaku Innw 2009 screenprin t, printed in colour, from multiple stencils; on paper 59 x 84 em 2011.1025.5

TIPOTI, Alick Ka la Lagaw Ya people born A ustralia 1975

Dthogoi ar oksarr kns 2000 linocut, printed in black ink, from one block; on med ium-weight smooth white wove vVhatman paper

printed image 100.2 x 64.8 em sheet 102.2 x 70.2 em gift of Anna Eg liti s, 2012 2012.990

Mawa kedtha 2000 linocut , printed in black ink, from one block; on medium -weight smooth white wove Whatman paper printed image 100.2 x 66.2 em sheet 102 x 70.1 em gift of A nna Eglitis, 2012 2012.991

TIPOTI, A lick Ka Ia Lagaw Ya people born Australia 1975 EGLITIS, Anna

Kala Lagaw Ya people born Fiji 1931 Australia from 1936

152

Together/Kaime/2003 linocut, printed in black ink from one block; hand-coloured; on medium-weight textured cream wove paper printed image 83.4 x 64.4 em sheet 104 x 77 em gift of Anna Eglitis, 2012 2012.989

TJULKARI, Bernard Pitjantjatjara people born Australia 1930

Tjitji Tjuta 2009 screenprint , printed in colour, from multiple stencils; on paper 84x 59 em 2011.1025.4

UNKNOWN artist

not titled (Fish and eel) linocut , printed in black ink, from one block; hand-coloured; on thin textured cream wove paper

printed image 24.6 x 33.2 em sheet 28 x 37.8 em gift of Anna Eglitis, 2012 2012.1007

VARIOUS artists Anmatyerre people

Tjungu Pnlya 2009 screenpr int, printed in colour, from multiple stencils; on paper various dimensions 2011.1025.1-10

WATSON, Judy Waanyi people born Australia 1959

names of the natives 2010 etching; on paper 50 x 38 em

2012.761.4

WATSON, Tommy born Australia 1933 GRIFFITH, Pamela (co-ordinator) born Australia 194 3 Europe1972-73,1981-82 RIACH, Trevor (printer, relief)

born Australia 1958 ABLITT, Matthew (printer, relief) GRIFFITH STUDIO AND GRAPHIC WORKSHOP (print

workshop) Australia 1973-1999 ART EQUITY (publisher)

Umutju rockhole 20 I 0 multiple plate woodcut and embo ssing, printed in colour, from eight medium density fibre (MDF) boards; on medium-weight textur ed off-white wove BFK Rives 300 gsm

paper printed image 68 x 85 em sheet 80.3 x 94.1 em gift of Selena Griffith , 2012

donated through the Australian Governm ent's Cultur al Gifts Program 2012.ll74

Waluntja 2010 multiple embossed plates , printed in colour, from three medium density fibre (MDF) boards; on medium " weight textured off-white wove BFK Rives 300 gsm paper printed image 68 x 85.9 em sheet 80.3 x 95.9 em gift of Selena Griffith, 2012 donated through the Australian Government's Cultural G ift s Program 2012.1176

WATSON WALYAMPARI, Nyunkulya Pitja ntjatja ra people born Australia 1936

Ngnyuku Ngurn 2009 screenprint, printed in colour, from multiple stenci ls; on paper 59 x 84 em

20 II.! 025.8

WIKILYIRI, Ginger Pitjantjatjara people born Australia 1932

Kunamntn 2009 screen print, printed in colour, from multiple stencils; on paper 84 x 59 em

2011.1025.2

WIRRPANDA, Mulkun Dhudi-Djapu-Dha-malamirr people born Australia 1947

Ynlntn 2010 etching and screenprint; on paper 62 x 50 em

2012.761.5

YUSIA, Leo

Sucker fish 1988 etching, printed in black ink, from one plate; on thin textured cream wove paper plate-mark 20 x 12.4 em sheet 28 x 26.4 em gift of Anna Egliti s, 2012 2012.1005

Photography

AH KEE, Vernon Kuku Yalanji/Yidinji/Waanyi/Gugu Yimithirr/Koko Berrin peoples born Australia 1967

tallman 2010 4-channel video installation; charcoal, crayon, synthetic polymer paint on two canvas video ll.IO mins canvasses each 180 x 240 em 2012.782.A-C

BISHOP, Mervyn Murri people born Australia 1945

Cousi11s Ralph a11d jim Richardso11 rowi11g boat 011 the Darling Ri11er, Gu11dawern Statio11 1966/2012 digital archive on fibre based print 90 x 120 em 2012.944

SIWES, Darren Ngalkban people born Australia 1968

Marrkidj wurd-ko 2011 G iclee print on photographic paper 90 x 120 em 2012.947

Biyi Marrkidj 20ll Giclee print on photographic paper 90 x 90 em

2012.948

Decorative arts and design

IDAGI, Ricardo Meriam Mer people born Australia 1957 SAMBO, Obery Meriam Mer people born Australia 1970

Giri Giri Le (Paradise Man)-Marou Mimi 2008 turtle shell, cowrie shells, mu ssel shells, raffia grass, wicker cane, saimi saimi seeds 92 x 75 x 17 em 2011.1411

KIMBERLEY peoples A ustralia

group of60 riji (pearl-shell pendants) c l950s-60s various media, natural earth pigment on pearl shell, human hair, natural string and shells various sizes 2011.1325, 201 I .1327-2011.1347, 201 1.1349-2011.1358,2011.1361-2011.1373,2011.1375-2011.1389

MARTINIELLO, Jennifer Kemarre Arrernte people born Australia 1949

Eel trap 2011 glass 39 x 65 em 201 2.770

MOSBY, Yessie Kulkalgal Ya people born Australia 1982

Dhoeri (Initiate) 2010 bamboo cane, twine, natural earth pigment, goose, cockatoo and cassowary feathers 63 x 56 em 2011.1416

Dho eri (Priest) 2010 bamboo cane, twine, natural earth pigment, goose, cockatoo and cassowary feather s 59 x 49 em 2011.1417

D/10eri (Chief) 2010 bamboo cane, twine, natural earth pigment, goose, cockatoo and cassowary feathers 64 x 70 em 2011.1418

Dho eri (First Kill) 2010 bamboo cane, twine, natural earth pigment, goose, cockatoo and cassowary feathers 70 x 65 em 2011.1419

NANGAN, Butcher Joe Nyikina people Australia 1910-1989

Riji c 1950s-60s natural earth pigment and human hair on pearl shell 15.6 x 10.8 em 2011.1326

Riji c 1950s-60s natural earth pigment on pearl shell 13.5 x 10.5 em 2011.1348

Riji c l950s-60s natural earth pigment on pearl shell 16.5 x ll em 2011.1359

Riji c 1950s-60s natural earth pigment on pearl shell 17.5 x 12.5 em 2011.1360

Riji c l950s-60s natural earth pigment on pearl shell 17 x 11.5 em 2011.1374

NONA, George Kala Lagaw Ya people born Australia 1965

Ariew Baiib Minami Dho eri (Rail! Cloud Headdress) 2010 natural earth pigments, sea bird and cassowary feather s, pearl shell, cowry shell, natural twine on cane 60 x40 em 2011.1489

Gubauaw Minami Dho eri (Wind & Wa11es Headdress) 2010

natural earth pigments, sea bird and cassowary feathers, pearl shell, cowry shell, natural twine on cane 50 x 40 em 2011.1490

Baywa Mineral D/10eri (Waterspout Spiritual H eaddress) 2010 natural earth pigments, sea bird and cassowary feather s, pearl shell, cowry shell, natural twine on cane

53 x 69 em 2011.1491

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 153

Mum Gaubaul Dlweri (Wind H eaddress) 2010 natural earth pigments, sea bird and cassowary feathers, pearl shell, cowry shell, natural twine on cane SOx 46 em 2011.1492

Auhgudarnval Dho eri (Tribal Headdress) 2010 natural earth pigments, sea bird and cassowary feather s, pearl shell, cowry shell, natural twine on cane 47 x 43 em 2011.1493

Koewbuw Dlweri (War & Cere111011ial Headdress) 2010 natural earth pigments, sea bird and cassowary feathers, pearl shell, cow ry shell, natural twine on cane 60 x 40 em

201 1.1494

TIGAN, Aubrey Bardi/Djawi peoples born Australia l94S

Riji-Body paint 2010 natural earth pigment on pearl shell 17 x 14.S em 2011.1026

Riji- Rainbow Serpe11t 2010 natural earth pigment on pearl shell 16 x 12.5 em 2011.1027

Riji- ja11du (old woman design) 2010 natural earth pigment on pearl shell 19 x lS em

2011.1028

Riji-old design 2010 natural earth pigment on pearl shell 19.S x 16 em 2011.1029

Textiles

ALBERT, Tony born Australia 1981

I told you 2008 syntheti c polymer paint on velvet 4S.S x38 em 2011.1018

target 2008 syntheti c polymer paint on velvet 28.8 x 21 em 2011.1019

154

tie me kangaroo down 2008 synthetic polymer paint on velvet SOx 36 em 2011.1020

i see deadly people 2008 synthetic polymer paint on velvet 38.2 x 30.4 em 2011.1021

bars 2008 synthetic polymer paint on velvet 30 x 22.2 em 2011.1022

blak like me 2008 syntheti c polymer paint on velvet 37.4 x 29.6 em 20 ll.l0 23

Asian art

Paintings page IS4 Sculptures page lS4 Prints page ISS

Drawings page IS6 Photography page lS6 Textiles page IS7

Paintings

JAIPUR India

Vishvampa, the COS 111ic form of Vish11u c 1840 opaque watercolour, gold and silver on paper 27 x 40 em 2012.758

KOLKATA (CALCUTTA) India

falayu hinders the abductio11 ofSila 18SS -80 opaque watercolour, pencil and silver paint on paper 4S x 27.6 em 2012.824

MEWAR KINGDOM

India

Maharn11a Sangrnm Singh Il hunts boar at Naramagra c 1720 opaque watercolour and gold on paper 39 x46 em 2012.977

NATORI Shunsen Japan 1886-1960

lchimum Uzae//I0/1 XV I as lviill alllolo Yoshilsu11e ill 'Yoshitsu11e a11d the thousa11d cherry trees' 1949 watercolour on paper 38.1 x 25.4 em Pauline and John Ga ndel Fund, 2011 2011.987

Ichikawa fukai III as YaSIIke ill 'Yoshitsu11e a11d tile thousa11d cherry trees' 1949 watercolour on paper 38.1 x 26 em Pauline and John Gandel Fund, 2011 2011.988

Ichinwra Uzaemon XV I as Be111e11 Kozo i11 '1he glorious picture book of Aoto's exploit s' 19SO watercolour on paper 36.2 x 25.4 em

Pauline and John Gandel Fund, 2011 2011.989

PAHARI region India

A cliff -top village 19th century opaque watercolour on paper 61 x 47.5 em 2012.756

ROY, Jamini India 1887-1972

Seated wo111a11 adjusti11g her hair c 1940s gouache on card 60.5 x 36 em 2012.825

Scu lptures

BALINESE people Indonesia

Shadow puppet (Wayang kulit) parchm ent, pigments, gold paint, wood 66.2 x 67.5 em gift of Ross Feller, 2012 2012.802

Shadow puppet (Waya11g kulit) parchm ent, pigments, gold paint, wood 63.2 x 66.S em gift of Ross Feller, 2012 2012.803

Shadow puppet (Wayang kulit) parchment, pigments, gold paint, wood 77 x 66.5 em gift of Ross Feller, 2012 2012.804

CHAM kingdom Vietnam

Bodhisattva Avalokiteshvara Padmapani 9th-10th century bronze, gold 56 em, 19.8 em (diam) acquired with the assistance of Sally White OAM and Geoffrey White OAM, 2011 2011.946.1

Bodhisattva Vajrapani 9th-10th century bronze, gold 33 em, 12.8 em (diam) acquired with the assistance of Sally White OAM and Geoffrey White OAM, 2011 2011.946.2

Bodhisattva A valokiteshvara Padmapani 9th-10th century bronze, gold 33.4 em, 13.2 em (diam) acquired with the assistance of Sally White OAM and Geoffrey White OAM , 2011 2011.946.3

CIREBON Indonesia

Pane/with flowering tree design 1890 wood, pigments 184 x 64 x 4 em 2011.995

HOYSALA DYNASTY (11th- mid 14th century) India

Sarasvati, goddess of arts and leaming early-mid 12th century chloriti c schist 91 x 58 x 27.3 em

Pauline and John Gandel Fund, 2011 2011.938

KALIMANTAN Indonesia

Funerary figure 20th century wood 198 x 29 x 24 em gift of Frank Watters, 2012 donated through the Australian Government's Cultural Gifts Program 2012.1077

KANDY Sri Lanka

Lime container (Killotaya) 18th century or earlier gold, silver, rubies, garnets container approx 7.5 em chain and spoon 20.3 em 2011.996

Pair of temple candlesticks 19th century silver 35 x 11.4 x 11.4 em 2011.997.1-2

RAJASTHAN India

Celestial maiden (Surasundari) 12th century sandstone 83 x 32.1 x 21.2 em purchased with the assistance of Ro slyn Packer AO, 2011 2011.1324

TAMILNADU India

J\tfarriage pavilion (111a11dapa) mid 20th century wood, pigments 277 x 190 x 142 em gift of John Wood, 2012 2012.976.A-'vV

TIMOR Indonesia

Madonna and child 18th century ivory 18.7 em 2011.998

Prints

NATORI Shunsen Japan 1886-1960

Onoe Kikugoro VI as Hayano Kanpei in '71le treasury of the loyal retainers' 1931

from the series Supplement to collection of portraits by Slum sen woodblock print; ink and colour on paper 37.5 x 24.8 em

Pauline and John Gandel Fund, 2011 2011.990

Matsumoto Koshiro VII as Ikyft in 'Sukeroku: Flower of Edo' 1929 from the series Supplement to collection of portraits by Sllllnsen woodblock print , embo ssing; ink, colour and mica on paper 38.1 x 25.4 em Pauline and John Gandel Fund, 2011 2011.991

Okochi Denjiro as Tange Sazen 1931 from the series Supplement to collection of portrait s by Sllltn sen woodblock print; ink and colour on paper sheet 40 x 27.3 em image 37.5 x 26 em Pauline and John Gandel Fund, 2011 2011.992

Matsumoto Koshiro VII as Benkei in '71!e subscription list' 1935 woodb lock print, embossing; ink and colour on paper sheet 39 x 53 em

image 37.2 x 51.7 em Pauline and john Gandel Fund, 2011

2011.993.A-B

TSUKIOKA Yoshitoshi japan 1839-1892

Picture of the country of New (Holland) South Wales (Shin Omncla Minami Waruresukokuno w) 1866 woodblock print; ink and colour on paper 36 x 72 em Andrew and Hiroko Gwin nett Fund, 2012 2012.1165

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPOR T 2011-12 155

Drawings

DAS, Bhawani born India active India late 18th century

A Gangetic whiting c 1780 watercolour, pencil, gum arabic on English W hatman paper 23.7 x 38.5 em 2012.821

Photography

AFONGLai China 1837-former British Hong Kong 1890

Servants of American consulate, Foochow c 1870 albumen silver photograph image 16 x 21.7 em 2012.1198

BHEDWAR, Shapoor N India 1858 - died after 1914

Self-portrait with mother and son playing chess and two littl e girls c1900 gelatin silver photograph on card

image 26 x 34.6 em 201l.l437

CHUA,TM Indonesia 1931 - Singapore 2003 Singapore from 1945

not titled (Palm tree) c 1969-74 gelatin silver photograph 37.4 x 49 em 2011.1422

not titled (Double palm montage) c 1969-74 gelatin silver photograph 40.6 x 30.8 em 2011.1423

not titled (Portrait of n young girl) c 1969-74 gelatin silver photograph 43.8 x 34.6 em 201 l.I4 24

not titled (Potter) c 1969-74 gelatin silver photography 50.4 x 40.2 em 201l.l 425

156

not titl ed (Market) c 1969-74 gelatin silver photograph 50.7 x 32.8 em 201 l.l4 26

Camera club and model c 1975 gelatin silver photograph 50.8 x 38.1 em gift of the estate ofTM Chua, 2011 2012.815

DAYAL, Lala Deen India 1844-1905

Sacred spring, Gnltn, temple of the sun, outside Jnipur 1886 albumen silver photograph 26 x 18.6 em 2011.1474

Market Street and Choti Chaupnr Palace, Jnipur 1886 albumen silver photograph 18.6 x 26.4 em 2011.1475

Mansion in Hyderabnd 1886 albumen silver photograph 18.6 x 26.4 em 2011.1476

Portrait of Maharaja Sir Pratap Singh of O rchhn 1882 albumen silver photograph 26 x 20.5 em 2012.939

not titled (Young boy) c 1886 albumen silver photograph 26 x 20.5 em 2012.940

not tit led (Family group painted backdrop) c 1886 albumen silver photograph 28 x 21.5 em 2012.941

not titled (Group portrait on folding chairs) c 1886 albumen silver photograph 26x 20.5 em 2012.942

The Maharaja of Ajaigarth c 1886 albumen silver photograph 26 x 20.5 em 2012.943

GR LAMBERT & CO

Singapore 1867-1916

Pennng Kling puppets c 1895 gelatin silver print 21.3 x 27.3 em 2012.1199

GILL, Simryn born Singapore 1959

A small town at the tum of the century no 5 1999-2000 digital colour photograph image 76.2 x 76.2 em 2012.776

1-LANN, Yee born Malaysia 1971

Orang Besnr series: a rousing account of migration in the language of the sen 2010 tript ych; Type C colour photographs overall 61 x 183 em 2011.1187.A-C

JOHNSON, William J Great Britain active India c 1841-68

Indian band, Bombay c 1854 salted paper photograph 15.4 x 17.7 em 2011.1429

KUSAKABE, Kimbei Japan 1841-1934

Yokolwmn, Japan c 1880 albumen silver photograph image 21 x 26.7 em 2012.1012

RAMCHANDRA RAO AND

PRATAPRAO established India 1890s-1930s

Wedding portrait , Indore c 1910 gelatin silver photograph image 19.4 x 14.5 em support 35.4 x 25.1 em 201 1.1432

Maharaja Tujoki Holkar III, Indore or Udaipur c 1920 gelatin silver photograph image 18.5 x 12.4 em support 33.3 x 23.8 em 2011.1433

VON STILLFRIED-RATENICZ, Raimund Czech Republic (former Bohemia) 1839 - Au stria 1911 Japan 1863-85

\fie111s and costumes of japan c 1872

51 albumen silver photographs, watercolou r, letterpress images each approx 19.5 x 30 em album 33.5 x 50 em (closed) 2011.1438.1-51

Textiles

ASSAM, MANIPUR or TRIPURA India

Ce remonial cloth (Nammvali) late 19th- early 20th century satin weaving, chain stitch embroidery; silk 310 x 137 em 2011.994

COROMANDEL COAST

India, for the European market

Coverlet or hanging (Palampore) 1760-80 mordant painting, resist dyeing; cotton, matural dyes, mordants 313 x 234 em 2012.822

GUJARAT India

Krishna as Shrinathji late 19th century shrine hanging (pichhavai) ; embroidery; cotton, silk

181 x 122 em 2011.1292

Autumn Moon festival (Shamd pumima) late 19th century shrine hanging (pichhavai); embroidery; cotton, silk

125 x 184 em 2011.1 293

KHMER people

Cambodia

Buddhist canopy or hanging (Pidan) late 19th -early 20th century weft ikat; silk 81 x 157.5 em 2011.1294

SHOCHIKU COSTUME COMPANY established Japan 1895

Kabuki robe for Tadanobu Rihei in 'T11e glorious pictur e book of Aoto's exploits' c2000 applique, rice paste resist, hand painting ; silk

168 x 151 em Pauline and John Gandel Fund, 2011 2011.1317

Kabuki robe for Akaboshi jflzaburo in 'TI1e glorious picture book of Aoto's exploit s' c 2000 applique, rice paste resist, hand painting; silk

168 x 155 em Pauline and John Gandel Fund, 2011 2011.1 318

Kabuki robe for Nan go Rikimaru in 'TI1e glorious picture book of Aoto's

exploits' c 2000 applique, rice paste resist, hand painting ; silk 165 x 150 em Pauline and John G andel Fund, 2011 2011.1319

Kabuki robe for Nippon Da e1110n in 'TI1e glorious pictur e book of Aoto's

exploits' c 2000 applique, rice paste resist, hand painting ; silk 170 x 151 em Pauline and John Gandel Fund, 2011 2011.1320

Kabuki costume for Princess Yaegaki in 'Japan's tlllenty-four paragons of filial piety' c 2000 embroidery, laid couching; silk

dam ask, gold thread 213 x 169 em

Pauline and John Gandel Fund, 2011 20 11.132l.A -B

Kabuki costume for Benkei in 'TI1e subscription list' c 2000 embroidery, laid couching, pompons, plaited cord, tassels, twill woven plaid; silk and gold thread brocade

176 x 161.5 em Pauline and John Gandel Fund, 2011 2011.1322.A-)

Kabuki robe for Ben ten Kozo in 'TI1e glorious picture book of Aoto's

exploit s' c 2000 applique, rice paste resist, hand painting; silk 185 x 170 em

Pauline and John Gandel Fund, 2011 20 11.1323

SINDH Pakistan

Woman's tunic (Kurta) early 20th century embroidery, buttonhol e stitch , satin stit ch, couching, tie-dyeing; silk,

metalli c thread, core spun m etalli c thread, silk thread, printed cotton lining 88.4 x lll. 5 em 2011.999

Woman's tunic (Kurta) c 1920 embroidery, buttonhol e stitch , satin stitch , couching; silk, cotton, m etalli c thread, sequins, silk thread 92 x 98 em 2011.1000

Wedding shirt (Guj) c 1910 embroidery, couching, buttonhol e stitch; cotton, silk, metalli c thread, silk thread, sequins, beads 90 x 85 em 2011.1001

Blouse (Kanchali) c 1930 embroidery, buttonhole stitch, darning stitch , satin stitc h; cotton, silk thread, metalli c thread, plastic beads, m etal beads, mica, printed cotton lining 65.6 x 50 em 201 1.1003

Blouse (Kanchali) c 1920 embroidery, buttonhole stit ch, darning stitch, satin stitch; cotton, silk thread, m etallic thread, plasti c beads, mica, printed colton linin g 60.5 x 51 em 2011.1004

THANO BULA KHAN

Pakistan

Child's tunic early 20th century embroidery, applique; cotton, silk, metallic sequins 69.2 x 78.6 em 20 11.1002

NATIONAL GALL ERY OF AUSTRALIA ANNUAL REPORT 2011-12 157

TIRTAAMIDJAJA, Iwan (Iwan Tirta) Indonesia 1935-2010

Birds of paradise late 1970s batik; cotton, dyes 200 x 150 em in m em ory of G raham Steer, 2012 2012.50

Pacific art

Scultpures page 158 Prints page 159 Photography page 159

Sculptures

BAHINEMO people Papua New Gu inea

Carra 19th or early 20th century woo d, pigm ents lOS X 18 X 11 em

20 ll.95J

Ca rra 19th or early 20th century wood pigments 74.5 x 28 x 13 em 2011.952

Carra mid 20th century wood , pigme nts 65x 12x8cm 2011.953

Ca rra mid 20th century wood, pigm ents 105 x 32 x 10 em 2011.954

BOGONEMARI RIVER region Papua New Gu inea

Aripa 19th century or earlier woo d

244 x 36 x 12.5 em 2011.955

ESPIRITU SANTO Va nuatu

D ecorated platt er (Rova) 19th century wood 36 x 65 x 6.3 em 2012.899

158

FUTUNA French Polynesia

Snlatasi 19th century barkcloth , pigment 75 x 130 x 0.5 em 2012.842

UVEA (Walli s Island) French Polynesia

Tohihina 19th century barkcloth , pigm ent 56 x 208 x 0.5 em 2012.843

HUON GULF region

Papua New Gu inea

Ma sk c 19th century wood , ochres 54 x 24 x 19 em 2011.948

KOREWORI CAVES region Papua New G uinea

Hunter's helperfi gure (Aripa) c1480-1670 woo d, ochre 244 em 2011.1477

KWAIO people Solom on Islands

Comb (Faa) 2010 wood , fibre 19 x 4 x 0.3 em

gift of Rh ys and Margaret Richards, 2012 2012.759

Comb (Fan) 2010 woo d, fibre 19.5 x 4.5 x 0.3 em gift ofRhys and Ma rgaret Richards, 2012 2012.760

LUANGIUA ATOLL (Ontong Java) Polynesian Outliers (Para-Polynesia )

Ancestorfigure 19th- early 20th century wood , shell 63.5 x 19.5 x 11.5 em 2011.949

MAEWO Vanuatu

Barou early 20th century fibre, dye 99 x 20 x 0.5 em 2012.841

NEW GEORGIA Solomon Islands

Portrait bust of a young nwn early 20th century wood, stain, shell, resin, fibre 28x24x 17.5cm gift in m emory of Captain Arthur M idden way, 2012 2012.6

Po rtrait bust of an elder early 20th century wood , hair, shell, stain, resin, teeth 31.5 x 25.5 x 20 em gift in memory of Captain A rthur Middenway, 2012 2012.7

Figure of a young child early 20th century wood, shell, screws, fibre, stain, resin 57 x 29.5 x 15.5 em gift in m emory of Captain A rthur M iddenw ay, 2012 2012.8

Bowl supported by two figures early 20th century wood , paint, shell, fibre 25 x 47.5 x 17.5 em gift in m emory of Captain Arthur Middenway, 2012 2012.9

Wa lking stick of undulatiHgform early 20th century woo d, shell, resin 90 x 12 x 3 em

gift in memory of Captain Arthur M iddenway, 2012 2012.10

Walking stick decorated with Jour figures early 20th century wood , stain, beads, paint 71.5 x 4.5 x 4.5 em

gift in m emory of Captain Arthur Middenway, 2012 2012.11

Chalice with glass ball early 20th century wood, glass 26 em, 20.5 em (diam) gift in memory of Captain Arthur

Middenway, 2012 2012.13

Comb (Faa) early 20th century black palm, orchid fibre 18 x 5 em

gift in memory of Captain Arthur M iddenway, 2012 201 2.14

Comb early 20th century wood 26 x 13.5 em gift in m emory of Captain Arthur Middenw ay, 2012 2012.15

Sma ll male figure early 20th century wood, fibre, cane, pigment, lim e, wire 30.5 x 1 l.S x 14.5 em gift in memor y of Captain Arthur M iddenway, 2012 2012.16

Sm all female figure early 20th century wood , wire, pigment, fibre 28x !O x !Scm gift in m emory of Captain A rthur Middenway, 2012 2012.17

PENTECOST ISLAND Va nuatu

Clwbwanma sk mid 15th- mid 17th century wood, patina 24 X 14.5 X Ll.S em 2011.1284

RAMU RIV ER region

Papua New Guinea

Gam mut drum 20th century wood , fibre 243.8 em , 79.2 em (diam) 2011.986

TOLAI people Papua New Gu inea

Lor ma sk mid 20th century wood, fibre, ochre, paint, teeth, feathers . 70 x 24 x 30 em

2012.978

VAO Vanuatu

Narut mask late 19th - early 20th century wood, paint 42 x 17 x ll em 2012.900

YIMAM people

Papua New Guinea

}'ipwon early 20th century wood, patina 151x5x 18cm 2011.950

Prints

KAUAGE, Mathias Papua New Guinea 1944-2003

Tupela pisin (two birds) 1968 woodcut, print ed in black ink, from one block; on thin smooth white fibrous paper printed image 27 x 37.8 em sheet 45.8 x 52.4 em Gordon Darling Australia Pacific

Fund, 2011 2011.1173

not titl ed (Horse) 1968 woodcut, printed in black ink, from one block; on thin smooth w hite fibrous paper

printed image 29.8 x 40 em sheet 43.2 x 52.5 em Go rdon Darling Australia Pacific Fund, 2011 2011.1174

Photography

BOPP DUPONT , Maxi me France 1890 - Tahiti 1965 Tahiti from c 1900

Growing Va nill a in Tahiti 1913 gelatin silver photograph image 17.8 x 12.7 em 2012.773

DUFTY, Walter F Australia 1854-New Zealand 1903 New Caledonia, New Zealand 1882-1905

New Ca ledonian woman with clay smoking pipe c 1883 albumen silver cartes-de -visite 10.6x 6.5 em 2011.1049

GAUTHIER, Lucien France 1875-1971 Tahiti 1904-31

\fal!ine Tal!itienne 1910 gelatin silver photograph image 17.1 x 11.7 em 2012.774

HUGHAN, Allan England 1832 - New Caledonia 1883 Australia 1851-1870, New Caledonia 1870-1883

New Caledonian woman wearing necklace, arm ornament and fibre skirt c 1878 albumen silver cartes-de-visite

10.6 x 6.5 em 2011.1048

NOBLE, Anne born New Zealand 1954

3 digita l colour photographs from the series At tile end of the Earth 2008: Antarctic Inventory, AI #12 Green Piece A ntarctic Inventor y, AI #13 Antarctic Inventory, AI #14

images each 46.6 x 70 em 2011.1478-2011.1480

6 digital colour photographs from the series At tile end of the Earth 2008: Antarctic Inventor y, AI #1 Southern

Belle Antarctic Inventory, AI #2 Antarctic Inventory, AI #7 Antarctic Inventory, AI #9 Ha zel Antarctic Inventory, AI #1 1 lee Queen

Antarctic Inventory, AI #16 Hot Lips images each 46.6 x 70 em gift of the artis t, 2011 201l.l4 81-201l.l 486

Roundabout, Ross Island, A11tnrctica 2008 digital colour photograph image 78.8 x 100 em 2011.1487

Chapel of tile snows, Ross Island, Antarctica 2008 digita l colour photograph image 78.8 x 100 em 2011.1488

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 159

PULMAN, Elizabeth England 1836 - New Zealand 1900 New Zealand from 1861

lvlenehim WhntiiVntihoe 1875 albumen silver photograph image 28 x 22 em support 34 x 24 em 2012.741

SEMU,Greg born New Zealand 1971 France 1990-2012, Australia from 2010

Arlfo-portrnit IVith twelve disciples 2010 digital colour photograph image 120 x 34.4 em 2012.930

SIMMONS, Albert T active New Gu inea 1930s

Noogei natives, Mt Hagen c 1930 carbon photograph 26 x 16.5 em 2011.105 I

Native man with body scarification c1930 carbon photograph 16.5 x 26 em 20ll.l052

Noogei nativ e, Mt Hagen c 1930 carbon photograph 16.5 x 26 em 20ll.l053

Go ld lip expert nt work, Mt Hngen c1930 carbon photograph 26 x 16.5 em 2011.1054

Bulolo township c 1930 carbon photograph 26 x 16.5 em 2011.1055

Native man IVith body scarification c1930 carbon photograph 16.5 x 26 em 201J.l056

Isthmus ofSnlnmnun c 1930 carbon photograph 26 x 16.5 em 2011.1057

160

SPITZ, Georges France 1875-1894 Tahiti from 1878

Bassin de Bourguoin (\In/lee de Fntun) c 1890 printing-out paper image 24 x 18.3 em 2012.772

WARR,GR active Papua New Guinea 1940s-50s

Adornment c 1950 gelatin silver photograph 30 x 24 em

2012.901

Kniruku c 1950 gelatin silver photograph 25 x 20.2 em 2012.902

International art

Paintings page 160 Sculptures page 160 Prints page 160

Drawings page 161 Photography page 161 Decorative arts and design page 163 Textiles page 163

Paintings

MATISSE, Henri Fra nee 1869-1954

Oceania, the sen (Ocennie, In m er) 1946 screenprint on linen 172 x 385.4 em gift ofTim Fairfax AM, 2012 2012.4

Scu lptures

BENGLIS, Lynda born United States of Amer ica 1941

Untitled (Polly's pie 11) 1968 pigmented polyurethan e foam 15.2 x 139.7 x 83.8 em partial gift of the artist, and John Cheim and Howard Read, 2011 2011.983

Prints

BECKMANN, Max

Germany 1884-United States of America 1950

Strip tenze (Nnckttnnz) 1922 lithograph printed in black ink 47.3 x 37.2 em The Poynton Bequest, 2011 2011.1185

In the tram (In der Trnnrbnlllt) 1922 drypoint printed in black ink 37.5 x 52.8 em The Poynton Bequest, 2011 2011.1186

SCHMIDT-ROTTLUFF, Karl Germany 1884-1976

Girl from Kovno (Miidclren nus Kowno) 1918 woodcut printed in black ink 61.9 x 51 em The Poynton Bequest, 2011 2011.1185

TOULOUSE-LAUTREC, Henri de France 1864-1901

Mny Be/fort 1895 brush, spatter and crayon lithograph, printed in four colours 80 x 61 em

The Poynton Bequest, 2012 2012.61

Confetti 1894 brush, spatter and crayon lithograph, printed in three colours 42.6 x 55.6 em The Poynton Bequest, 2011 2012.62

Caudieux 1893 brush and spatter litho graph, printed in four colours 89.5 x 125.7 em The Poynton Bequest, 2011

2012.63

fane Avril1899 brush lithograph . print ed in four colours from three stones 36.2 x 54.6 em The Poynton Bequest, 2011 2012.64

Troupe de Mile Eglnntitre 1896 brush, spatter and crayon lithograph 61.4 x 79 em The Poynton Bequest, 2012 2012.1147

Portraits of actors and actresses: thirteen litho graphs (Portrait s d'acteurs et d'actrices: treize litho gmphies) c 1898, published by Les XX c 1906: Sarah Bernhardt jeanne Granier Amza Held May Be/fort (tit le page) Emilienne d'Aienf0/1 Co que/in Ai111 ~ fane Hading Louise Balthy Sybil Sanderson Cleo de Merode

Lucien Guitry Marie-Louise Mar sy Polin two sets of 13 crayon lith ographs (som e with scraper) with suite 1 on white wo ve paper and jonquil wove paper mounted on heavy-or medium -weight cardboard and suite 2 on jonquil wove paper mounted on medium -weight cardboard 41.7 x 35.5 em The Poynton Bequest, 2012 2012.1201.1-2

VARIOUS artists

Independence and Revolutionar y prints (Estampas, Independencia y Revoluci6n) 2010 group of SO print s, includin g

litho graphs, etchings, linocuts, woodcuts, paper works and screenprints various dimensions gift oft he Government of Mexico, 2012 2012.795.1-51

Drawings

KENT RIDGE, William born South Africa 1955

Drawing for the film Other faces (healing to all in global) 2011 charcoal on paper 60 x 79.5 em The Poynton Bequest, 2012 2012.909

Drawing for the film Otherfaces (large landscape) 2011 charcoal, coloured pencil and pastel on paper

122 x 160 em acquired through the National Ga llery of Australia Foundation and the Poynton Bequest, 2012 201 2.907

Drawing for the film Other faces (protestors) 2011 charcoal on paper 62 x 122 em The Poynton Bequest, 2012 2012.908

Photography

BEARD, Richard active U nited Kingdom 1840s

Woman holding a book c 1845 daguerreotype 6x5cm 2012.771

BENYON , Margaret born United Kingdom 1940 Australia 1976-81, from 2005

Richard Hamilton 2 1991 reflection hologram on film image 34 x 43 em gift of the artist, 2012 201 2.51

Web Blue Web Reflec tion 1993 three reflection hologram s on film overall 50 x 180 em gift of the artist, 2012 2012.52.A-C

Eddie Coloured 1993 reflection hologram, film laminated to glass, gouache, wood 53.5 x 64 x 2.5 em 2012.53

CHASE, Henry L United States of Am erica 1832-1901 Hawaii 1856-1885

Hawaii Hula dancers c 1873 albumen silver photograph image 14.5 x 21 em card 24.4 x 32 em 2011.1435

DE LUCY, Louis France 1822-1892

Southem hairy-nosed wombat (Pizascolome a front large) 1860 albume.n silver photograph, letterpress, card compo sition 53.5 x 33.3 em 2011.1436

DIAZ, Maggie born United States of America 1925 Australia from 1961

Skipping, Lower North Ce nter, Chicago c 1960/c2011 digital monochrome photograph image 42 x 42 em 2011.1439

DICKSON, Men zies United States of Am erica 1840-form er Kingdom of Hawaii 1891 Hawaii from 1867

Princess Ruth Ke'elikolani with Samuel Parker ll and john A Cl1111111ins as attendants wearing

royal feathenvork capes (ahu'u/a) and holding Kahili royal standards c 1877 albumen silver photograph image 18 x 26 em 2011.1434

FRITH, Frederick U nited Kingdom 1819 - Au stralia 1871 A ustralia from 1853

Silhouette portrait of a gentleman 1848 silhouette miniature image 29 x 21 em sheet 33 x 25 em 2012.56

GURREY, Caroline Haskins U nited States of America 1875-1927

French-Portugese -Haw aiian type c l905 gelatin silver photograph image 30.4 x 25.4 em 2012.775

G YATSO, G onkar born Tibet 1961 Europe from 1980

My identity 1-4 2003 4 digital colour photographs images each 48 x 65 em 2011.1075.1-4

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011 -12 161

HAFFER, Virna United States of America 1899-1974

Abstract c 1964 gelatin silver photogram 50.8 x 40.6 em gift of the estate of Virna Haffer, 2011 2011.1032

Swirl c 1940 gelatin silver photograph 39.4 x 31.8 em gift of the estate of Virna Hatter , 2011 2011.1033

Self-portrait c 1950 gelatin silver photograph 50.8 x 40.6 em gift of the estate ofVirna Hatter, 2011 2011.1034

not titled (Tree and chair) c 1964 gelatin silver photogram 50.8 x 40.6 em gift of the estate of Virna Haffer, 2011 2011.1035

Califomia horizon c 1963 gelatin silver photograph image 26 x 28.6 em 201l.l430

Life goes 011 c 1963 gelatin silver photogram image 26 x 28.6 em 2011.1431

HANSEN, Oscar United States of America 1874-1924

Yosemite c 1900 gelatin silver photograph 16.5 x 11.4 em 2011.1067

KENTRIDGE, W illi am born South Africa 1955

Otherfaces 2010-11 film

9.35 minutes 2011.1495

KOIKE, Kyo Japan 1878-Un ited States of America 1947 United State s of America from 1917

Mountain lakes in winter c 1935 gelatin silver photograph 24.8 x 19.1 em 2011.1060

162

Song ofboatmetl c 1935 gelatin silver photograph 25.4 x 19.1 em 2011.1061

Virgin forest c 1930 gelatin silver photograph

24.8 x 19.1 em 2011.1062

What a wonder c 1937 gelatin silver photograph 24.8 x 20.3 em 2011.1063

McBRIDE, Ella United States of America 1862-1965

judgi11g a print c 1926 gelatin silver photograph 24.8 x 19.1 em 2011.1058

I11e connoisseur c 1925

gelatin silver photograph 24.1 x 18.7 em 201 1.1059

MENNIE, Donald Scotland 1875-China 1942 China from c 1899

not titled (tl1ree figures in monastic dress) 1920 gelatin silver photograph

sight 28.7 x 39.8 em 2012.928

METCALF, William H United States of America 1830-1892

Temple grounds, Dai-Nichi-Do 1877 albumen silver stereograph image 7.9 x 14.8 em mount 8.9 x 17.8 em 2012.1013

MOON, Carl

United States of America 1879-1948

Pueblo woma11 c 1910 gelatin silver photograph 22.5 x 16.5 em 2011.1074

MORINAGA, Yukio Japan 1888-United States of America 1968

not tit led (Boat painter s) c 1925 gelatin silver photograph 27.3 x 34.6 em 2011.1064

not titled (Dockworkers) c 1926 gelatin silver photograph 22.9 x 35.2 em 201 1.1065

PARR, Martin born Great Britain 1952

5 digital colour photographs from the series No worries: Martin Parr 2012: Sausage sizzle for the Aboriginal scratch football, Cab le Beach, Broom e 2011

101.6 x 152.4 em Frank's Gourmet Meats, Fremantle 2011 101.6 x 152.4 em Float at the Shinju Matsuri, Festival of the Pearl, Broom e 2011 50.8 x 76.2 em Market, Fremantle 20 II 50.8 x 76.2 em

Cable Beach ritual, Broome 2011 50.8 x 76.2 em 2012.1190-2012.1194

SOULIER, Charles France 1830-1900

Notre Dame c 1866 albumen silver stereo photograph on glass composition 8.5 x 17 em 2011.1443

STEPHENSON, David born United States of America 1955 Australia from 1982

Hobar/2010 from the series Light citi es triptych; digital colour photographs overall 110 x 420 em 2012.762.A-C

I11e Zi11c Work s and Mount

Welli11gton, Tasmania 2004 from the series Marking time Type C colour photograph image 127 x 157 em 2012.763

STRAND, Paul United States of America 1890 -France 1976

Boy, Hidalgo, Mexico 1933 photogravure image 16.1 x 12.6 em sheet 17.3 x 13.8 em 201 1.1455

Woman, Pntzcunro, Mexico 1933 photogravure image 16.3 x 12.9 em sheet 17.3 x 14.1 em 2011.1456

Young 1vonwn and boy, Toluca de Lerdo, Mexico 1933 photogravure image 12.8 x 16 em sheet 13.9 x 17.1 em 201 1.1457

Portrait of two m en, Mexico 1933 photogravure image 16.1 x 12.7 em sheet 17.3 x 13.8 em 2011.1458

Architectural study, Mexico 1933 photogravure image 12.8 x 16.1 em sheet 13.8 x 17.3 em 2011.1459

Scenic view, Mexico 1933 photogravure image 12.5 x 16.1 em sheet 13.6 x 17.3 em 2011.1460

TABER&CO established U nited States of America 1875-1906

Wallace Islanders 1894 albumen silver photograph 20.4 x 13.4 em gift of Greg French, 2011 2011.1030

Mikimnu dance of Wallace (Wallis) Islanders 1894 albumen silver photograph image 13.4 x 20.4 em gift of Greg French, 2011 20 11.1031

Samoan chiefLnnulo and his wife c 1880 albumen silver photograph 13.4 x 20.4 em 2011.1068

Samoan warrior c 1880 albumen silver photograph 13.4 x 20.4 em 20 11.1069

Natives Bathing-Hawaiian Islands 1880 albumen silver photograph 13.4 x 20.4 em " 201l.l0 71

Samoan girls Polonga and 0/ongn 1880 albumen silver photograph 21 x 26 em

2011.1072

South Sen Islanders in their pe1jormnnce 1880 albumen silver photograph 13.4 x 20.4 em 20Il.l073

UNKNOWN artist

Charlie and Milmie(?), jordan, Bombay c 1865 albumen silver photograph, carte " de-visite 9x6cm 2011.1066

not titled (Studio portrait of a well dressed woman with gold jewellery) c1865 cased quarter-p late ambrotype, colour dyes, gilt

10.8 x 8.2 em 2011.1070

European river view c 1866 albumen silver photograph on glass image 7.2 x 12.9 em plate 8.4 x 17 em 201 1.1444

not titled (European castle) c 1865 albumen silver photograph on glass image 7 x 14.6 em plate 8.4 x 17.2 em 2011.1452

VANIMAN, Melvin United States of America 1866-1912

Looking west to Taupo Quay, Wnngnt111i, NZ 1902 gelatin silver panorama 23.8 x 77.1 em 2012.751

WILLIAMS, TR England 1824-1871

Gentleman with two boys, one with cricket bat and ball c 1856-60 1/6 plate stereo daguerreotype each 6.8 x 5.6 em overall 8.3 x 17.1 em 2011.1427

D ecorative Arts and D esign

ADIE AND LOVEKIN Great Britain 1870-1918

Kangaroo pin cushion 1912 sterling silver, pearl, shell, ebony, cotton 7 x 7.4 x 6.5 em 2011.1290

CHARLES S GREEN & CO

United Kingdom 1904-1986

Dish with wamtah decoration 1908 sterling silver, enamel 2.3 em, 10 em (diam) 201 1.1289.1

Dish with stenocnrpus decoration 1908 sterling silver, enamel 2.3 em, 10 em (diam) 20 11.1289.2

GODWIN, Edward William (designer) Great Britain 1833-1886 COLLINSON AND LOCK

(manufacturer) Great Britain 1870-1897

Table with folding shelves c 1872 walnut, gilt brass 75.2 x 46.6 x 44.5 em 20 11.947

KAWAI, Kanjiro Japan 1890-1966

\lase c 1959 stoneware, glazed 24 x 22 x 11 em 20 11.985

MOREL ET ClE (manufacturer) France 1827-1858

Egg wp and saucer c 1846 silver -gilt , enamel cup 6.9 em, 5.1 em (diam) saucer 1.4 em, 10.2 em (diam) gift of Raymond Pelham-TI10rman AM in memory of Richard Hugh

Pelham-Thorman, 2011 201l.l 286.A-B

Textiles

KUBApeople Africa

Skirt cloth 20th century natural and dyed raffia, cotton approx 60 x 400 em gift of Claudia Hyles, 2011 20 11.984

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011-12 163

APPENDIX 10 O U T W ARD LOA N S

OUTWARD LOANS 2006-07 TO 2011-12

...J

(..)

f'l

7 ...... ...... 0 f'l

......

f'l

('.

f'l

('.

\()

568

1219

0 500 1000

343

1500

OUTWARD LOANS

164

as part oft rave IIi ng exhibition s program

to exhibiti ons

1532

1675

1673

2000 2500

Other new and continuin g loans

OUT W ARD LOANS TO EXHIBITIONS

Au stralia

AUSTRALIAN CAPITAL TERRITORY

Canberra Museum and Gallery

Ki11g O'Malley

(I work)

National Library of Australia

Treasures Gallery (5 works)

National Museum of Australia

Canberra Museu m and Ga llery, Canberra

National Library of Australia , Canberra

28 October 2011 4 March 2012

6 October 201 1 6 October 2012

Yala11gbara: art of the Dja11g'knwu (I work) National Museum of Australia, Canberra 4 Decemb er 2010 25 September 2011 Museum and Art Gallery of the 26 Novemb er 2011 15 july 2012

Northern Territory, Darwin

Western Australian M useum, Perth 17 November 2012 24 February 2013

Gnmela11 Digul National Mu seum of Australia, Canberra 7 Decemb er 2010

(8 works)

Not just Ned: n true history of the Irish National Museum of Australia, Canberra 17 March 2011 i11 Australia

(I work)

National Portrait Gallery

Portraiture in Australia (inaugural hang) (9 works)

fl111er worlds: portraits a11d psychology

(8 wo rks)

Impressio11s: pni11ti11g light n11d life (12 works)

Elega11ce i11 exile: portrait drnwi11gs from colo11ial Australia (5 works)

The Drill Hall Gallery

Karl Wiebke (l work)

A11tarcticn (3 works)

National Portrait Gallery, Canberra

National Portrait Ga lleqr, Canberra

University Art Mu seum , The University of Queensland, Brisbane

The Jan Potter Mu seum of Art, Me lbourne

National Portrait Gallery, Canberra

National Portrait Ga llery, Canberra

Tasmanian Mu seum and Art Gallery, Hobart

The D rill Hall Ga llery, Acton

The Drill Hall Ga llery, Acton

54 works loaned in Australian Capital Territory

3 December 2008

29 April2011

12 August 2011

18 April2012

25 November 2011

I june 2012

1 A pril2013

7 April2012

26 M ay 2012

7 December 2012

31 July 2011

1 December 2012

24 July 2011

30 O ctober 2011

22 July 2012

4 March 2012

26 August 2012

30 june 2013

20 M ay 2012

3 july 2012

continued

NATIONAL GAL LERY OF AUSTRALIA ANNUAL REPORT 2011-12 165

NEW SOUTH WALES

Art Ga llery of New South Wales

Eikoh Hosoe: theatre of m emory (10 works) Art Gallery of New South Wales, Sydney 12 Ma y 2011 7 Augu st 2011

The mad sqllar e: modemity in German art 1910 -37 Art Ga llery of New South Wa les, Sydney 5 Augu st 2011 6 No vemb er 2011 (48 works)

National Gallery of Victoria , M elbourne 25 N ovember 2011 4 March 201 2

Allstrnlian Symbolism: the art of dreams Art Ga llery of New South Wa les, Sydney 11 M ay 2012 29 july 2012 (11 works)

Australian National Maritime Museum

Fish in Australian art (6 works)

Carriageworks

Bronwyn Bancroft 1981 -2011 (l work)

Australian N ational Maritime Mu seum , Sydney

Carriageworks, Sydney

Historic Houses Trust of New South Wales

Home front: wartime Sydney 1939 -1945 (4 works)

Mu seum of Sydney, Sydney

Museum of Contemporary Art, Sydney

Marking time (5 works)

Museum of Co ntemporary Art, Sydney, Sydney

State library of New South Wales

Lewin: wild art (l work)

86 works loaned in New South Wa les

QUEENSLAND

Caloundra Regional Art Gallery

1l1e promised land: the art of

Lm vrence Daw s (2 w orks)

166

State Libraq " of N ew South Wales, Sydney

N ational Library of Australia , Parkes

C aloundra Regional Art Gallery, C aloundra

Qu eensland University of Technology Art Mu seum , Brisbane

Redcliff e City Art Ga lleq ", Redcliff e

Tw eed River Regional Art Gallery, Murwillumbah

H ervey Bay Regional G aller y, Pialba

Perc Tucker Regional Ga llery, Tow nsvill e

G ladstone Regional A rt Ga llery and Mu seum , G ladstone

SH Ervin Ga llery, Sydney

W ollongong C ity Ga llery, W ollongong

5 April 2012 I October 2012

2 February 2012 17 March 2012

31 March 2012 9 September 2012

30 March 2012 3 june 2012

5 March 2012 27 May 2012

26 july 2012 28 O ctober 2012

20 januaq " 2010 7 March 2010

29 April 2010 27 june 2010

7 July 2010 7 A ugust 2010

13 Au gust 2010 26 September 2010

6 D ecemb er 2010 31 january 2011

7 February 2011 10 A pril 2011

16 Ap ril 2011 28 M ay 2011

24 June 2011 7 A ugust 2011

12 A ugust 20ll 18 Septemb er 2011

continued

Queensland Art Gallery

Art, love a11d lif e: Ethel Carrick a11d E Phillips Fox (11 works)

Dapil11e Mayo: let there be swlpture (I wo rk)

M atisse: drawi11g lif e (51 works)

Queensland Art Ga llery, Brisbane

OUT Art Museum, Queensland University of Technology

William Robinso11: the tra11sjigured la11dscape (I work)

QUT Art Museum , Queensland U niversity of Technology, Brisbane

UO Art Museum, University of Queensland

Return to se11der (4 works)

70 works loaned in Queensland

SOUTH AUSTRALIA

Art Gallery of South Australia

UQ A rt Museum , U niversity of Queensland, Brisbane

16 April 201 1 14 August 2011

5 November 2011 12 February 2012

26 November 201 1 4 March 2012

15 Ap ril 2011 14 August 2011

16 june 2012 26 Augu st 2012

South Australia illustrat ed: colo11ial pailltingfrom the la11d of promise Art Ga llery of South Au stralia, Adelaide 2 june 2012 5 Augu st 2012 (5 works)

Carrick Hill

Russell Drysdale: the drawi11gs (10 works) SH Ervin Ga llery , Sydney Carrick Hill, Springfield

17 Februaqr 2012

5 April2012

Morn ington Peninsula Re gional Ga llery, 30 June 2012 Mo rnington

15 works loaned in South Australia

VICTORIA

Art Gallery of Ballarat

Michael Sha1111011: Australia II roma11tic Art Ga llery of Ballarat, Ballarat realist (2 works)

Bendigo Art Gallery

The lost modemist: Michael O 'Collll ell Bendigo Art Gallery, Bendigo (15 works)

Bundoora Homestead Art Centre

The river (3 works)

Geelong Gallery

l11 search of tile pictur esque: tile

architectural rui11 i11 art (4 wo rks)

Bundoora Hom estead Art Centre, Bundoora

Geelong Ga llery, Geelong

10 D ecemb er 2011

26 Novemb er 2011

28 October 2011

21 April 2012

25 March 2012

17 June 2012

5 Au gust 2012

12 February2012

19 February 2012

ll December 20 II

24 June 2012

continued

NATIONAL GALLERY OF AUSTRALIA ANNUAL R~PORT 2011-12 167

Gippsland Art Gallery

Nicholas Chevalier: Austrnlin11 odyssey Gippsland Art Gallery , Sale 17 September 2011 (5 works) Geelong Gallery, Geelong 26 Novem ber 2011

Glen Eira City Council Gallery

Robert Baines: n visible likeness; survey Glen Eira City Co uncil Gallery, Caulfield 22 September 2011 exhibition 1969-2011 (2 works)

Heide Museum of Modern Art

Images of modem evil Heide Museum of Modern A rt, Bulleen 19 March 2011

(40 works)

Bom to concrete H eide Museum of Modern Art, Bulleen 16 April2011

(2 works)

771e futile city H eide Mu seum of Modern Art, Bulleen 25 June2011

(4 works)

Ken H'hisson H eide Museum of Modern Art, Bulleen 17 March 2012

(19 works)

Mu seum of Contemporary Art, Sydney, 28 September 2012 Sydney

Dn11iln \lnssi/ieff: n 11ew nrt history H eide Museum of Modern Art, Bulleen 7 April2012 (13 works)

Monash Gallery of Art

Bmmmels: A ustrnlin 's first gallery of Monash Gallery of Art, Wheelers Hill 20 October 2011 photography (26 works)

Mornington Peninsula Regional Gallery

Sen of dreams: the lure of Port Phillip Bny 1830-1914 (2 works)

Co ntroversy: the power of nrt (12 works)

National Gallery of Victoria

Eugene von Guerard: nature revealed (8 works)

Vie11nn: nrt n11d design: Klimt, Schiele, Hoffmann, Laos (6 works)

Tjukurrtjmw: origins ofWestem Desert nrt (14 works)

Fred Kruger: i11timnte ln11dscnpes (1 work)

168

Mornington Peninsula Regional Gallery , 7 December 2011 Mornington

Mornington Peninsula Regional Gallery, 21 June 2012 Morning ton

National Gallery of Victoria, Me lbourne

Queensland Art Ga llery, Brisbane

National Gallery of Victoria, Melbourne

The Ian Potter Centre: NGV A ustra lia at Federation Square, Melbourne

Mu see du Quai Branly, Paris

Na tional Ga llery of V ictoria, Me lbourne

16 April2011

17 D ecemb er 2011

18 June 2011

30 September 2011

9 O ctober 2012

3 February 2012

l3 Novemb er 20 II

12 February 2012

17 October 2011

3 July 2011

25 September 201 I

9 October 2011

15 July 2012

25 November 2012

30 September 2012

22 January2012

19 February 201 2

12 August 2012

7 Augu st 2011

4 March 2012

9 October 201 I

12 February 2012

27 January 2013

8 July 2012

continued

NETS Victoria Inc

Spirit in the land (3 works)

McClelland Gallery+ Sculpture Park, Langwarrin

Flinders University Art Museum , Bedford Park

Araluen Centre for Arts and Entertainment, Alice Springs

The Drill H all Gallery, Acton

Benalla Art Ga ller y, BenalJa

Tweed River Regional Art Gallery, Murwillumbah

Penrith Regional Gallery & The Lewers Bequest, Emu Plains

12 December 2010 20 February 2011

27 Au gust 2011 23 October 2011

12 November 2011 12 February 2012

23 February 2012 I April2012

15 June 2012 29 July 2012

17 September 2012 25 November 2012

8 D ecember 2012 20 January 2013

The Centre for Cultural Materials Conservation at the University of Melbourne

Trepang: China and the story of the Macassan-Aboriginal trade (I work)

Wangaratta Art Gallery

Silver (l work)

183 works loaned in Victoria

WESTERN AUSTRALIA

Community Arts Network WA

Yams of the heart (14 works)

Lawrence Wi lson Art Ga llery

Beyond likeness: contemporary portraits (l work)

15 works loaned in Western Australia

Me lbourne Museum, Melbourne 23 July 2011 17 October 2011

Wangaratta Art Gallery , Wangaratta 31 March 2012 20 May 2012

Western Australian Museum , Perth 15 September 2011 31 January 2012

Lawrence Wilson Art Ga ller y, Crawley 25 May2012 28 July 2012

NATIONAL GALLERY OF AUSTRALIA A NNU A L REPORT 2011 - 12 169

International

FRANCE

Jeu de Paume

Claude Cahun (1 work)

I works loaned in France

GERMANY

dOCUMENTA (13)

dOCUMENTA (13) (2 works)

Pinakothek der moderne

Wom en: Pablo Picasso, Max Beckma nn, Willem de Kooning (2 wo rks)

4 works loaned in Germ any

JAPAN

jeu de Paum e, Paris

La Virreina Centre de Ia Imatge, Barcelona, Barcelona

The Art Institute of Chicago, C hicago

dOCUMENTA (13), Kassel

Pinakothek der moderne, Kunstareal Mi.inchen

National Museum of Modern Art, Tokyo

24 May 2011 25 September 20 II

27 O ctober 2011 5 February 2012

25 February 2012 3 june 2012

9 June 2012 16 September 2012

30 March 2012 15 july 2012

jackson Pollock: a centennial retrospective Aichi Prefectura l Museum of Art, ll Novemb er 2011 22 January 2012 Nagoya (1 work)

National Mu seum of Modern Art, Tokyo lO February 2012 6 May 2012

The National Art Center, Tokyo

Cezanne: Paris-Provence (1 work)

2 works loaned in Japan

NEW ZEALAND

1he National Art Center, Tokyo, Tokyo

Auckland Art Gallery Toi 0 Tamaki

2011 reopening exhibition (1 work)

Auckland Art Gallery Toi 0 Tamaki, Au ckland

Museum of New Zealand Te Papa Tongarewa

Ka hu ora: living cloaks (I work)

2 works loaned in New Zealand

UNITED STATES OF AMERICA

The Menil Collection

M useum of Ne w Zealand Te Papa Tongarewa , Wellington

Ancestors of the lake: art of Lake Sentani The Me nil Collection, H ouston and Humboldt Bay, New G uinea (l work)

The Museum of Modern Art

D e Kooning: a retrospective (2 works) The M useum of Modern Art, New Yo rk

3 works loaned in United States of America

170

28 March 2012 11 June 2012

1 june 2011 l June 2012

9 june2012 21 October 2012

5 May 2011 28 Augu st 2011

18 September 2011 9 January 2012

APPENDIX 11 INW ARD LOANS

LENDERS EXTERNAL LONG -TERM NGA NGA SHORT-TERM TOTAL

TRAVELLING LOAN EXHIBITION TRAVELLING LOAN

EXHIBITION EXHIBITION

Public lenders

Accademia Carrara, B ergamo , 0 0 77 0 0 77

Italy

A m erican Friends of the 0 63 0 0 0 63

National Gallery of Au stralia Inc, Ne w York, United States of A m erica

Andrew Baker Art D ealer, 0 0 0 0

Bow en H ill s, Qu eensland

Ann andale Ga lleries, 0 0 0 0

Annand ale, N ew South Wa les

A rt G allery of Ballarat, 0 0 0 0

Ba llarat, Victoria

A rt G allery of Ne w South 0 0 5 0 6

W ales, Sydney, New South Wales

A rt Ga llery of South A ustralia, 0 0 0 5 0 5

A delaide, South A ustralia

A rt G allery of W estern 0 0 0 2 0 2

Au stralia, Perth, W estern A ustralia

A rtback NT , D arw in, 41 0 0 0 0 41

N orthern Territor y

A rtbank, Ro sebery, New South 0 0 0 0

W ales

A ustralian Academ y of 0 0 0 0

Science, Canberra, Au stralian Capital Territor y

A ustralian Co uncil of National 0 0 0 0

Trusts, Canberra, A ustralian C apital Territ ory

Catholic Social Services 0 0 0 0

A ustralia, Canberra, A ustralian Capital Territ ory

C halk H orse G allery, Sydney, 0 0 0 0

New South Wa les

C heim and Read, New Yo rk, 0 0 0 0

U nited States of A m erica

Ga llerysmith, Me lbourne, 0 0 0 0

Victoria

continued

NATIO N A L GALLE RY OF A U ST RA LIA ANNUAL REPORT 2011 -12 171

LENDERS EXTERNAL LONG-TERM NGA NGA SHORT-TERM TOTAL

TRAVELLING LOAN EXHIBITION TRAVELLING LOAN

EXHIBITION EXHIBITION

Geelong Ga llery, Geelong, 0 0 0 0

V ictori a

The H olmes a Court C ollection, 0 0 0 3 0 3

Perth, Western Australia

Kerry Stokes Co llection, Perth, 0 4 0 0 5

Western A ustralia

Lauraine Diggins Fine Art, 0 0 0 0

Me lbourne, V ictoria

Dr and Mrs Colin Laverty, 0 0 0 0

Sydney, New South Wales

Man ingrida Arts and C ultur e, 0 0 3 0 0 3

Darwin, Northern Territory

M ilani Ga llery, Brisbane, 0 0 0 0

Queensland

Muse um of Contemporary Art, 0 0 0 0

Sydney, New South Wa les

National Ga llery of V ictoria, 0 0 75 16 0 91

Me lbourne, Victoria

National Library of Australia, 0 33 0 0 0 33

Canberra, Australian Capital Territory

National Portrait Gallery, 0 0 2 0 3

Canberra, Australian Capital Territory

Dr C lint on Ng, Sydney, 0 0 0 0

New South Wa les

Queensland Art Gallery, 0 0 0 2 0 2

Brisbane, Queensland

Redlands School, Sydney, 0 0 0 0

New South Wa les

South Australian Museum, 0 0 0 0

Adelaide, South A ustralia

Tate, London, United K ingdom 0 0 0 3 0 3

Tim O lsen Ga llery, Sydney, 0 0 0 0

New South Wa les

Uniting Church in Australia , 0 0 0 0

Sydney, New South Wa les

Wesfarmers, Perth, We stern 0 0 0 0

Au stralia

Westpac Corporate 0 0 0 0

Art Collection, Sydney, New South Wa les

Total of public lenders 41 108 167 43 0 359

Private lenders

Total of private lenders 0 38 33 62 2 135

TOTAL OF ALL INWARD 41 146 200 105 2 494

LOANS

172

APPENDIX 12 AGENCY RESOURCE STATEMENT

Ordinary annual services 1

Open ing balance/reserves at bank

D epartmental appropriation

Total ordinary annual services

Other services2

D epartmental non-operating

Total other service s

Total resourcing and payments

D epartmental appropriation

Revenues from other sources

Equity injection s

1) Appropriatio n Bill (No 1) 2011-12 and Appropriation Bill (No3) 2011-12. 2) Appropriation Bill (No2) 2011-12 and Appropriation Bill (No4) 2011-12.

2477

29609

22739

52348

16219

71044

2477

29609

14507 8232

44ll6 8232

16219

62812 8232

NATIONAL GALLERY OF AUSTRALIA ANNUAL REPORT 2011 -12 113

APPENDIX 13 COMPLIANCE INDEX AND CONTACT OFFICERS

COMPLIANCE INDEX

The National Gallery of Australia Annual Report 2011-12 has been prepared in accordance with the Commo11 wenlth Authoriti es (A11nual Reporting) Orders 2011 mad e under section 48 of the Commo11w ealth Authoriti es and Comp a11ies Act 1997.

The report also complies with the requir em ents for Annual Reports approved by the Joint Committee of Public A ccounts and Audit under subsections 63(2) and 70(2) of the Public Service Act 1999 (June 2012).

The follow ing is a index of this A nnual Report according to these requirements:

Access and Equity 25

Adv ertising and Market Research 26

Agency Resource Statement 173

Audited Financial Statem ents 66

Comm onwealth O mbud sm an 24

C onsultants 25

Co ntact O fficers 174

Corporate Ove rview 21

C ouncil Committees 105

Director's Report 13

Enabling Legislation and overview 21

Environm ental performance 58

Equal Employm ent Opportunity 61

Fraud Control G uidelines 24

Freedom of Information 24

Indemnities and Insurance 24

Index 175

Industrial Democracy 61

Internal and External Scrutiny 23

174

Judicial decisions and review by outside bodies 24

Letter of Transmitt al 3

Ma nagem ent of huma n resources 61

Occupational Health and Safety 60

Organisation structure 107

Perform ance Based Pay 61

Perform ance M easures, Outcom es and Outputs 31

Privacy Legislation 25

Responsible Minister 21

Risk M anagem ent 24

Service C harter 26

Staffi ng O verview 61

Staffing List 108

Strategic Plan 21

Table of C ontents 4

CONTACT OFFICERS

The National Gallery of A ustralia is situated in Canberra at Parkes Place, Parkes.

Ge neral correspondence should be add res sed to:

TI1e D irector

Na tional Gallery of Australia G PO Box 1150

CAN BERR A ACT 2601

Telephone: (02) 6240 6411 Facsimile: (02) 6240 6529 Webs ite: nga.gov.au

The Na tional Ga llery of Australia is open daily from 10.00 am to 5.00 pm (closed C hristmas Day).

Enquiri es regarding this report m ay be directed to:

A lan Froud D eputy Director National Ga llery of A ustral ia GPO Box 1150 CANBERRA ACT 2601

Telephone: (02) 6240 6401 Facsimile: (02) 6270 6411 Ema il: alan.f roud@nga.gov.au Webs ite: nga.gov.au/AboutUs/Reports

Enquiries about procedures for seeking inform ation from the National Gallery of Australia under the Freedom of illfonnation Act 1982 m ay be made in w riting, by facsimile or email to:

Freedom of Information Coordinator National Gallery of Australia GPO Box 1150 CANBERRA ACT 2601

Telephone: (02) 6240 6677 Facsim ile: (02) 6240 6529 Ema il: john.santolin@ nga.gov.au We bsite: nga.gov.au

INDEX

100 works for 100 Years campaign 14,62 71Je /888 Melboume Cup (exhibition) 44, 11 5

Ablitt , Matthew 150-1, 152 Aboriginal and Torres Strait Islander art see Indigenous Australian art accountability and management 23-6 acquisitions 15-18,33-40, 126-63

gifts 14, 16, 1 7,30,33 - 40,4~56,62 highlight s 33-40 numb er 126 policy and strategy 33, 62 by Research Library 56 acquisiti ons (source of work)

Asian art 17-18,38-9, 154-8 Australian art 15-17,33-8, 127-54 Indigenous Australian art 16-17, 37-8, 145-54 international art 18, 40, 160-3 New Zealand art 16, 34, 35, 127, 128, 135,

137, 159-60 Pacific art 18, 39, 158-60

acquisitions (type of work) decorative arts and design 15, 16, 18, 33, 35,36,40,143-5,153-4,163 drawings 15, 18,33-6, 135-8, 156, 161 illu strated books 36, 51 multimedia 18, 37,40 objects 17, 18,37-9 paintings 15-17,33-40, 127-9, 145-7,

154, 160 photography 15, 16, 17, 18,33-40, 138-43, 153, 156-7, 159-60, 161-3 prints 15, 16, 17, 18,33-40, 130-5,

148-53, 155, 159, 160 sculpture 16, I ~ 18,34-5,38,39, 129, 147-8, 154-5, 158-9, 160

textiles 17, 18, 36, 38, 39, 40, 42, 154, 157, 163 Acquisitions Committee 22, 105 Adie, Ed ith H 135 A die and Lovekin 163

adverti sing and market research 26 see also promotion Afong Lai 156 Agency Resource Statement 173 Ah Kee, Vernon 17, 153 Ajioka, Chiaki 48

Albert, Tony 17, 154 A llport, Mary Morton 15, 135 Allport, Morton 15, 36, 138 A lzheimer' s Australia 20 American art 18, 113 American Friends of the National Gallery of

Australia, Inc 63 Andrew, Brook 17, 148 Angas, George French 130 Armitage, Susan 16, 34,37 Art and A lzheimer's Outreach program 52

Art Equity 150-1, 152 Art Obituaries Database 56 Artonline ( e-newsletter) 46 Artonview 45, 119 Arts and Health Australia Award for

Excellence 20 II 20, 52 Asaka, Masahiro 16, 143 Ashby, Lyn 130 Ashley-Rayner, Hugh 51

Asian art 17-18,38-9,48-9, 154-8 asset management 30 Atkins, Ros 135 A tkinson, C harles 15, 135 attendance statistics

education programs 19, 52,53 exhibition s 13, 31, 43, 120 public programs 53 visits toNGA 43, 120 audits 23-4 Australian art 14, 15

acquisitions 15-17,33-8, 127-54 exhibiti ons 19, 112, 113 research and publications 47-8 see also Indigenous Australian art Australian Government Internatio nal

Ex hibition s Insurance program 47 Australian Governme nt Visual Arts and Craft Strategy 46

Australian National Audit Office 23 Australimr portraits 1880-1960 (exhibition) 47, 113

Australian Workplace Agreements 61 awards

dementia program 20, 52 publications 19 Stage I redevelopment 13 tourism 13

Babington, jaklyn 50 Backhouse, Edward 130 Baker, jimmy 148 Baker, Maringka 17, 148

Ballets Russes: tire art of cost11111e publication 19

Bancroft, Bronwyn 145 Barclay, David IS, 143

bark paintings 16-17 Bastin, Nicholas 143 Baum, Tina 48

Bayliss, C lifford 136

Beagle Press 133 Beard, Richard 161 Beasley, Dion 17, 149 Beattie, JW IS, 138

Beckmann, Max 18, 160 Beeron, Daniel 147 Beeron, Nancy 147

Beeron, Theresa 147 Belfrage, Clare 16, 143

Beii,Robert 50 Benglis, Lynda 18, 40, 160 Benjamin, Roger 49

Benjamin, Sandy 36

Benson, George 136 Benyon, Margaret 161 Bhedwar, Shapoor N 39, 156 BigDraw 52 Billabong, Willy 17, 145

Bishop, Mervyn 153 Blanch flower, Brian 16, 35, 127 Blyfield, julie 16, 34, 143 Bock, Thomas 131 Bodywork (exhibition) 50

Bolton, Alec 131

books see illu strat ed books; publishing and publications Bopp duPont, !VIaxime 18, 159 Borgelt, Marion 16, 36, 129 Bot,GW 130 Boyd, Arthur 16, 34, 47, 130, 143 Boys, 1l1omas Shot ter 132

branding 55 Braund, Dorothy 34, 136 Brindabella Press 131 Briti sh Aesthetic movem ent 18

British photography 113 Britton, Helen 143

Brown, Gordon H 16,34 Bruce, Charles 130 Bruehl, Anton ll3 Bryans, Lina 16, 34, 127

Building Commi ttee 22, 105 building redevelopment 13, 14-15 Bull, Knut 15, 35, 127

Burton, jane 138 business continuity management 24 Butler, Lawrence 15, 143

Butler, Roger 48 Buvelot, Lou is 136

Cai, Sophia 49 Calvert-jones, john 22, 104, 106

Campton, Penny 112 Capital and COli II try: tire Federation years /900-/913 (exhibition) 47

Capurro, Christian 136 caterin g 14, 58 Catherin e Margaret Frohlich Memorial Fund 15,33 Cavazzola, Paolo, Portrait of a lady

c##l515-17 12

centenary of Canberra 14, 47,62 Centre for Australian Art 14 ceramics see decorative arts and design Chairman 20, 22, 106 C hairman's foreword 9 C hapm an, EC 131 C harles S Green & Co 163

Chase, Henry L 161 Cheim, john 18 Cherry, George 130 Chua, TM 156 Churcher, Peter 16, 35, 127 C leve ley, james 130

Clinch, Robert l30

NATIONAL GALLERY OF AUSTRALIA ANN UAL REPORT 201 1-12 175

Cohen-Tyler, Marabeth 63 Cole, Kelli 48 Cole-Adams, Brigid 130

collabor ation with cultural agencies/ commun ity groups 20, 52,62 collection 31,41 accessanddisplay 14-15,31,41,43-6

conservation 20, 31,41-2 deterioration/damage 31 digitisation 13, 31, 51,55 disposal of works of art 4 I documentation 31, 41,56 loans see loans protection and security 31,42 value and size 14, 41 see also acquisition s; exhibit ions Collection Study Room 31,44 colonial art IS, 19, 33, 35, 112 Com cover Risk Management Benchmarking

Survey 24 comm ercial operations 14, 45,57-8, 118 com mittees Co uncil 22,23-4, 105-6

Gallery Consultativ e 26,61 senior management 23 Common Law Agreements 61 Commonwealth A11thorities and Companies

Act 1997 21 Commo nwealth C ultural, Collecting and Ex hibitin g Agencies Corporate Management Forum 62 Commonwe alth Ombudsman 24 competitive tendering and contracting 25 complaints procedure 26 concerts 54 conferences and S)'mpo sia 47-9,50,51, 52,

53 see also public programs Co nnections (exhibition) 112 conservation 20,31,41-2 consultants 25 consultative processes 26,61 contact officers 174

Con temporary Au stralian Architects speaker series 53 Contemporary Touring Initiati ve 46 Cooke, A lbert C harles 130 C ornish, C hristine 138

corporate govern a nee 23 Corrigan, Pat 16,34 Cossington Smith, Grace 16, 127

C otton, Olive 138 Cottrell , Simon 143 Council see National Galleq " of Australia Council

Couzens, Charles 132 Cowan , Nancy 147 craf ts see decorative arts and design C richton, Richard 130 C rothall , Ross 127

C ubill o, Franchesca 48, 53 C ultural Gifts Program 33-4,37 C uppaidge, Virginia 16, 127 C urrie, Gillian 5 I C urti s, Angkaliya 149

176

Das, Bhawani 17, 156 Davies, Ruby 138 Daw son, janet 16, 33, 127 Dawson -Damer, Ashley 104, 106 Dayal, Lala Deen 17, 39, 156 de Cia rio, Dome nico 130 de Gruchy & Leigh 132

de LUC) ' " Louis 40, 161 Deane, Robert 5 I decorative arts and design IS, 16, 18, 33, 35, 36,40,50,143-5,153-4,163 deliverables (Program 1.1) 31 D 'Emden , Hj 130 dementia program 20, 52 Denham , Nephi 147 Department Heads Forum 23 Department of C limate C hange and Energy

Efficiency 58, 59

Department of Regional Australia, Local Governme nt, Arts and Sport 21, 46, 47,58,62 Dexter, William IS, 131

D iaz, Maggie 139, 161 Dickson, Menzies 161

D igital Art, Education and Access lnitiati\ " e 14 digitisation 13, 31, 51,55 Director's report 13-20

disability strategy 25 see also special access tours

disaster procedures 42 displays see 11nder exhibiti ons disposal of works of art 41 Divine worlds: Indian pai11ting

(exhibition) 42

Dixon, C hristine 49 Dixon, Robert 131

Dobson, Rosemaq " 131 documentation of the collection 31, 41, 56 documents held by the Gallery 24 donations (cash) 14, 30, 33, 62

Dowling, WP 15, 131

drawings 15, 18,33-6, 135-8, 156, 161 Driver, Don 127 Dufty, Alfred W 139

Dufty, Walter F 18, 159 Duke, William 15, 33, 127 Duncan, Edwa rd 132

Dunnett, F 131 Durack, Elizabeth 136 Duterrau, Benjamin 41

Eastburn, Melanie 48-9 ecologically sustainabl e development 58-9

economic impact of Ga llery exhibition s and visits 13

Edgoose, Mark 143

education programs and resources 19-20, 45,51-3

Edwards, Lee Ma cCormick 63 Egliti s, Anna 149, 152

Elaine and jim lVolfensolur Gift S11itcase Kits 44,115-17

Emergency Re sponse Plan 42 see also business continuit y m anagement; disaster procedures employment arrangements 61 enterprise agreements 61 environm ental performance 58-9

equal cmplo) " m ent opportunity 61 equity 25 Erickson, Doroth)' 16, 144

ethical standards 25 Euphemia Grant Lipp Bequest Fund IS events see public programs

exercise of tvlinister's powers 22 exhibition s 13, 18, 19, 44, 112-15 admissions income 14 attendance 13, 31, 43, 120 see

also visitor s displays 43, 113 loans see loans special access tours 52-3 surveys/evaluation 26,55 travelling 13, 18,19,44,113-17 see also names of specific exhibitions external scrutin y 23

facilities management 58 Fairfax, Tim 15, 18, 20, 40, 104, 106 Chairman's foreword 9 Fairskye, Merilyn 131

family activiti es 51-2

Farrell , Ro se 139

Farrell and Parkin 139 Faust, Chantal 139

feedback 26

film screenings 53,54 Finance, Risk Managemen t and Audit Committee 22, 23-4, lOS

financial operations 30 financial statements 66-101

Folan, Lucie 48-9 Foley, Fiona 53

Ford, A rthur 139 Forrester, joseph IS, 143 Foster, Una 136

Foundation see National Ga llery of Au stralia Foundation Foxy Production 133

framing/reframing program 20 Frankland, George 131 fraud control 24 Fred Genis Workshop 133 Fred lVilliam s: infinite lrorizons (exhibition)

19, 47, 52, 112, 113 freedom of information 24-5, 174

Frith, Frederick 139, 161 Frith & Sharp IS, 139 Fullwood, A H enry 16, 35, J 27

Funaki, Mari 16, 36, 129 functions and powers of National Galleq " 22,30 funding 2, 14, 30,46-7

fundraising 9, 14, 56 furniture IS, 18, 36,40 see also decorative arts and design FW (lithographer) 131

Galerie R Creuze 131

galleries 14-15 Gallery Consultative Committee 26,61 Ganambarr, Gunyb i 17, 145 Gandel, Pauline and john 17, 18,38 Gandel Hall 58 Garling, Frederick 132 Gauthier, Lucien 18, 159 Genis, Fred 133 Gerstle, Andrew 48 gifts 14, 16, 17, 30,33-6,37, 40, 47, 49, 56,62

National Gallery of Australia Reports 2011-12 (2024)

References